Jacoby Joachim (115 results)

Kartoniert. Condition: Gut bis sehr gut. Dust Jacket Condition: Sehr guter Umschlag. 383 S.

Condition: New. 2019. Paperback. . . . . .

Condition: New.

Stiff Card Paperback with Flap. Condition: As New. 1st Edition. 178pp. 66 colour illustrations.

Paperback. Condition: New. In the course of the 18th century, drawings by old and contemporary masters became an esteemed collectors' item and, in consequence, a highly valued commodity of the art market. This study looks at this business from the perspective of the art dealer Guillaume Jean Constantin (1755-1816), who was active in Paris during the last quarter of the 18th and the first years of the 19th century. Constantin's transactions are reconstructed on the evidence of his dealer's mark applied to drawings - here identified for the first time - and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his far-reaching contacts, which also covered other regions of Europe, including England, Italy, Germany and Russia. Due to a particlularly rich documentation, his relationship with Johann Friedrich Städel, a Frankfurt collector and founder of the eponymous institute, can be described in detail. Other aspects of Constantin's multi-faceted activities were his work as an expert in estate evaluation, as an auctioneer and as a print publisher, including in 1794 the publication of the famous portrait of the revolutionary hero Jean-Paul Marat after a design by Jacques-Louis David. He also served as paintings curator to Empress Joséphine, Napoleon's wife. Working in proximity to the contemporary art world, he promoted living artists, among them his close friend Pierre-Paul Prud'hon. Constantin's working life spanned the period between the French Revolution and the Empire, established under Napoleon. His changing allegiances are to be seen against this historical background. This handsomely produced book is published by Ad Ilissvm in a new series, The Fondation Custodia Studies in the History of Art, which reflects and continues forward into the present the scholarly interests of the institution's founder, Frits Lugt. The next book in the series, prepared by Jean-Paul Bouillon, will publish a previously unknown collection of letters, recently acquired by the Fondation Custodia, byÉdouard Manet to his friend the painter and printmaker Félix Bracquemond.…

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: new. Paperback. In the course of the 18th century, drawings by old and contemporary masters became an esteemed collectors item and, in consequence, a highly valued commodity of the art market. This study looks at this business from the perspective of the art dealer Guillaume Jean Constantin (1755-1816), who was active in Paris during the last quarter of the 18th and the first years of the 19th century.Constantins transactions are reconstructed on the evidence of his dealers mark applied to drawings here identified for the first time and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his far-reaching contacts, which also covered other regions of Europe, including England, Italy, Germany and Russia. Due to a particlularly rich documentation, his relationship with Johann Friedrich Staedel, a Frankfurt collector and founder of the eponymous institute, can be described in detail. Other aspects of Constantins multi-faceted activities were his work as an expert in estate evaluation, as an auctioneer and as a print publisher, including in 1794 the publication of the famous portrait of the revolutionary hero Jean-Paul Marat after a design by Jacques-Louis David. He also served as paintings curator to Empress Josephine, Napoleons wife. Working in proximity to the contemporary art world, he promoted living artists, among them his close friend Pierre-Paul Prudhon. Constantins working life spanned the period between the French Revolution and the Empire, established under Napoleon. His changing allegiances are to be seen against this historical background.This handsomely produced book is published by Ad Ilissvm in a new series, The Fondation Custodia Studies in the History of Art, which reflects and continues forward into the present the scholarly interests of the institutions founder, Frits Lugt. The next book in the series, prepared by Jean-Paul Bouillon, will publish a previously unknown collection of letters, recently acquired by the Fondation Custodia, byEdouard Manet to his friend the painter and printmaker Felix Bracquemond. This extraordinary and original study traces the career of the influential Paris art dealer Guillaume Jean Constantin (1755-1816). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. pp. 188.

Condition: As New. Unread book in perfect condition.

Softcover. white & grey illustrated wraps, printed french flaps. 178 pgs w/ color illustrations. This extraordinary and original study traces the career of the influential Paris art dealer Guillaume Jean Constantin (1755-1816). Using Constantin's dealer's mark and a wealth of unpublished archival material, Joachim Jacoby reconstructs Constantin's hitherto unknown business activities and rediscovers an early and important instance of a bourgeois art dealer. In the course of the 18th century, drawings by old and contemporary masters became an esteemed collectors' item and, in consequence, a highly valued commodity of the art market. This study looks at this business from the perspective of the art dealer Guillaume Jean Constantin (1755-1816), who was active in Paris during the last quarter of the 18th and the first years of the 19th century.--Amazon. Near Fine (light edge-wear; specks to front cover. tight binding; appears unread).…

Condition: New. In English.

Condition: New.

305 S Mit zahlr. Abb. Sprache: Deutsch Gewicht in Gramm: 860 8° , Paperback , Gutes Exemplar.

Condition: Neuf.

Taschenbuch. Condition: Neu. Neu -». dann zu Herrn Stedel der uns Zeichnungen wies. Unschätzbare Dinge - tief beeindruckt« hat Johann Wolfgang von Goethe seine Begeisterung über die Zeichnungssammlung des Frankfurter Kaufmanns und Bankiers Johann Friedrich Städel (1728-1816) festgehalten. Handzeichnungen - also mit Feder, Stift oder Pinsel auf Papier geschaffene Arbeiten - galten im 18. Jahrhundert als einzigartige Zeugnisse künstlerischer Schaffenskraft. Städel hinterließ seiner Stiftung, dem heutigen Städel Museum, mit seiner großen Kunstsammlung auch über 4600 Zeichnungen. In einer exemplarischen Auswahl - unter anderem sind Dürer, Rembrandt, Raffael und Claude Lorrain vertreten - werden der enzyklopädische Zuschnitt der Städelschen Sammlung und ihr hohes Qualitätsniveau anschaulich. Zeichnungen seit der Renaissance um 1500 bis in die eigenen Lebensjahre Städels erschließen außerdem eine erstaunliche chronologische Spannbreite, nicht weniger eine große Vielfalt in den Zeichentechniken, der Funktion und Zweckbestimmung. Der Katalog macht die Ergebnisse eines mehrjährigen Forschungsprojekts zugänglich, das der Rekonstruktion der Zeichnungssammlung Städels gewidmet war. 336 pp. Deutsch. …

Paperback. Condition: Brand New. 178 pages. 9.75x7.75x0.75 inches. In Stock.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: as new. Wie neu/Like new.

Condition: BUONO USATO. Da revisionare TEDESCO Tedesco, brossura editoriale illustrata, in cartoncino flessibile, con lievi segni di usura alle punte e piega d'uso al dorso, pagine in ottimo stato di conservazione, arricchite da numerose illustrazioni in nero nei testi, lieve e minuta fioritura ai tagli superiori.Testo proveniente dalla collezione privata Prof.Eduard Safarik. Numero pagine 305.…

Gr. 8° Broschiert. 260 S., zahlr. Abb. Broschierter Einband, 28 x 23 cm, keine nennenswerten Gebrauchsspuren, annähernd neuwertig. Sehr guter Katalog mit zahlreichen Fachbeiträgen zu Raffael und dessen zeichnerischen Werk. Zudem ein Glossar zur Zeichentechnik, eine überaus umfangreiche Bibliographie sowie ein Register. Raffael2012 Sprache: Deutsch Gewicht in Gramm: 1250.…

Condition: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren. Raffaels Herrscherzyklus in der Stanza dell'Incendio im vatikanischen Palast. Die Studie analysiert die eigenwillige Ausdrucksform, die der Herrschaftsanspruch des Papstes in der von Raffael freskierten Sockelzone der Stanza gefunden hat: von Konstantin bis zu Ferdinand dem Katholischen illustrieren exemplarische Herrscher den Dienst an der Kirche, worin sich das Bemühen des Papstes zeigt, diesen Dienst auch den zeitgenössischen Herrschern als moralische Pflicht zu verdeutlichen. Die Darstellung gerade weltlicher Machtträger kennzeichnet den Programmentwurf des Raumes, der unter Papst Leo X. ausgemalt wurde. IX,237 Seiten mit 27 Abb. auf 19 Tafeln, broschiert (Studien zur Kunstgeschichte; Band 22/Olms Verlag 1987). Statt EUR 49,80. Gewicht: 338 g - Softcover/Taschenbuch.…

188 pages, 75 colour illustrarions. Paperback 25 x 19cms. ISBN: 9781912168125. Tracing the career of the influential Paris art dealer Guillaume Jean Constantin (1755-1816), an expert in estate evaluation, auctioneer and print publisher who also served as paintings curator to Empress Joséphine. His transactions are reconstructed on the evidence of his dealer's mark applied to drawings here identified for the first time and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his contacts in England, Italy, Germany and Russia. His relationship with Johann Friedrich Städel, a Frankfurt collector and founder of the eponymous institute, is described in detail. Working in proximity to the contemporary art world, Constantin promoted living artists, among them his close friend Pierre-Paul Prud'hon.…

4°. 336 S. mit zahlreichen Abbildungen, farbig illustr. original Kartonage (Paperback), noch original verschweißtes Exemplar Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.…

brossura. Condition: nuovo. Dust Jacket Condition: nuovo. prima edizione. Guillaume Jean Constantin (1755-1816): A Drawings Dealer in Paris (Broché ) Joachim Jacoby Editore: Fondation Custodia,Paris 2018 ISBN 10: 191216812XISBN 13: 9781912168125 Brossura Nuovo Quantità: 1 Euro 75,00.- Descrizione: Fondation Custodia Paris . Paperback. Condizione: New. Language: English. Brand new Book. This extraordinary and original study traces the career of the influential Paris art dealer Guillaume Jean Constantin (1755-1816). Using Constantin's dealer's mark and a wealth of unpublished archival material, Joachim Jacoby reconstructs Constantin's hitherto unknown business activities and rediscovers an early and important instance of a bourgeois art dealer. In the course of the 18th century, drawings by old and contemporary masters became an esteemed collectors' item and, in consequence, a highly valued commodity of the art market. This study looks at this business from the perspective of the art dealer Guillaume Jean Constantin (1755-1816), who was active in Paris during the last quarter of the 18th and the first years of the 19th century. Constantin's transactions are reconstructed on the evidence of his dealer's mark applied to drawings - here identified for the first time - and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his far-reaching contacts, which also covered other regions of Europe, including England, Italy, Germany and Russia. Due to a particlularly rich documentation, his relationship with Johann Friedrich Städel, a Frankfurt collector and founder of the eponymous institute, can be described in detail. Other aspects of Constantin's multi-faceted activities were his work as an expert in estate evaluation, as an auctioneer and as a print publisher, including in 1794 the publication of the famous portrait of the revolutionary hero Jean-Paul Marat after a design by Jacques-Louis David. He also served as paintings curator to Empress Joséphine, Napoleon's wife. Working in proximity to the contemporary art world, he promoted living artists, among them his close friend Pierre-Paul Prud'hon. Constantin's working life spanned the period between the French Revolution and the Empire, established under Napoleon. His changing allegiances are to be seen against this historical background. This handsomely produced book is published by Ad Ilissvm in a new series, The Fondation Custodia Studies in the History of Art, which reflects and continues forward into the present the scholarly interests of the institution's founder, Frits Lugt. The next book in the series, prepared by Jean-Paul Bouillon, will publish a previously unknown collection of letters, recently acquired by the Fondation Custodia, by Édouard Manet to his friend the painter and printmaker Félix Bracquemond. Codice articolo 012359 - Language : French text. …

weicher Einband. 2. überarbeitet Auflage, 399 Seiten, mit ca. 700 Textabbildungen, O.Brosch. (Umschlag m. kl. u. Vorblatt m. Langer Knickspur) siehe Mängel, sonst guter Zustand.

Paperback. Condition: new. Paperback. In the course of the 18th century, drawings by old and contemporary masters became an esteemed collectors item and, in consequence, a highly valued commodity of the art market. This study looks at this business from the perspective of the art dealer Guillaume Jean Constantin (1755-1816), who was active in Paris during the last quarter of the 18th and the first years of the 19th century.Constantins transactions are reconstructed on the evidence of his dealers mark applied to drawings here identified for the first time and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his far-reaching contacts, which also covered other regions of Europe, including England, Italy, Germany and Russia. Due to a particlularly rich documentation, his relationship with Johann Friedrich Staedel, a Frankfurt collector and founder of the eponymous institute, can be described in detail. Other aspects of Constantins multi-faceted activities were his work as an expert in estate evaluation, as an auctioneer and as a print publisher, including in 1794 the publication of the famous portrait of the revolutionary hero Jean-Paul Marat after a design by Jacques-Louis David. He also served as paintings curator to Empress Josephine, Napoleons wife. Working in proximity to the contemporary art world, he promoted living artists, among them his close friend Pierre-Paul Prudhon. Constantins working life spanned the period between the French Revolution and the Empire, established under Napoleon. His changing allegiances are to be seen against this historical background.This handsomely produced book is published by Ad Ilissvm in a new series, The Fondation Custodia Studies in the History of Art, which reflects and continues forward into the present the scholarly interests of the institutions founder, Frits Lugt. The next book in the series, prepared by Jean-Paul Bouillon, will publish a previously unknown collection of letters, recently acquired by the Fondation Custodia, byEdouard Manet to his friend the painter and printmaker Felix Bracquemond. This extraordinary and original study traces the career of the influential Paris art dealer Guillaume Jean Constantin (1755-1816). Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: New. In the course of the 18th century, drawings by old and contemporary masters became an esteemed collectors' item and, in consequence, a highly valued commodity of the art market. This study looks at this business from the perspective of the art dealer Guillaume Jean Constantin (1755-1816), who was active in Paris during the last quarter of the 18th and the first years of the 19th century. Constantin's transactions are reconstructed on the evidence of his dealer's mark applied to drawings - here identified for the first time - and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his far-reaching contacts, which also covered other regions of Europe, including England, Italy, Germany and Russia. Due to a particlularly rich documentation, his relationship with Johann Friedrich Städel, a Frankfurt collector and founder of the eponymous institute, can be described in detail. Other aspects of Constantin's multi-faceted activities were his work as an expert in estate evaluation, as an auctioneer and as a print publisher, including in 1794 the publication of the famous portrait of the revolutionary hero Jean-Paul Marat after a design by Jacques-Louis David. He also served as paintings curator to Empress Joséphine, Napoleon's wife. Working in proximity to the contemporary art world, he promoted living artists, among them his close friend Pierre-Paul Prud'hon. Constantin's working life spanned the period between the French Revolution and the Empire, established under Napoleon. His changing allegiances are to be seen against this historical background. This handsomely produced book is published by Ad Ilissvm in a new series, The Fondation Custodia Studies in the History of Art, which reflects and continues forward into the present the scholarly interests of the institution's founder, Frits Lugt. The next book in the series, prepared by Jean-Paul Bouillon, will publish a previously unknown collection of letters, recently acquired by the Fondation Custodia, byÉdouard Manet to his friend the painter and printmaker Félix Bracquemond.…