Jon Ippolito (41 results)

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Paperback. Condition: New. Pap. New copy.

Magazine. The Fall 1997 issue of @Guggenheim, The Guide to the Guggenheim Museum, the museum's periodical describing and promoting their exhibitions. This issue features two illustrated articles about the major retrospective exhibition of work by Robert Rauschenberg: one, 4 pages, by Julia Blaut; the other, 2 pages, by Jon Ippolito. Also in the issue are related events and programs and an overview of Guggenheim exhibitions in Europe. Staple-bound self-wrappers; 16 pages; color and b&w illustrations throughout + a floor plan map of the museum; 8.5 x 10 inches. Condition: Fine with a hint of handling/shelving. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. …

Softcover, staple-bound, 24 pages; very good condition; light rubbing to covers; no internal marks.

Softcover. Condition: Near Fine. The overall condition of the book is excellent. The book's binding is tight. The pages are unmarked and the photo pages are clear and clean. The cover is clean, glossy, and in good condition with minor shelving wear. Please support an independent bookstore. ; WALKER POSTSCRI; 9 x 6 x .60"; 274 pages.…

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Magazine. Condition: Very Good. First Edition; First Printing. Very Good paperback magazine about 8½x11 inches with minor cover edgewear. 92 pages, unmarked. Steve Shaviro, Jon Ippolito, Victoria Vesna, Edward Shanken, Tim Griffin, Jori Finkel, Bennett Simpson, Barry Schwabsky, Dave Johnson, et al. ; OVR83; 4to 11" - 13" tall; 92 pages. …

Hardcover. Condition: Near Fine. 1st. Pictorial boards, 256 pages, colour illustrations; 23 cm. Near fine. Gently browsed, clean copy. Richly illustrated with colour plates. *** "A dizzying array of artworks by over fifty creators, illustrated in a dynamic design that challenges conventional art publications. Desktop computer technology and the Internet have opened up new possibilities for artistic creation, distribution, and appreciation. But in addition to projects that might conventionally be described as new-media art, there is now a wide spectrum of work-unclassified until this book-by practitioners not normally thought of as 'artists.' Engineers, software programmers, biologists, and architects, among others, are producing work on the Internet that can only be described as 'art.' Or can it? As rapid technological and scientific advances raise new cultural, ethical, and moral issues, while the white walls of the conventional museum or gallery seem to be straitjacketing cultural development, Joline Blais and Jon Ippolito confront our definition of art. The book explores six strands of creation: Code as Muse: new artistic possibilities opened up by computer programming; Deep Play: new narrative forms and aesthetics of computer games; Autobotography: the rise of Webcam-based performance art; Designing Politics: seemingly real Web sites, used to subvert commercial and political enterprise;Preserving Artificial Life: a new biology established via human-engineered viruses and other digital life-forms; and Reweaving Community: the emergence of an online art world whose fugitive existence resists definition. Over 350 full-color illustrations." - Publisher. *** CONTENTS: Introduction; Code as muse; Deep play; Autobotography; Designing politics; Reweaving community; Preserving artificial life; Redefining art. Size: 8vo. Collectible.…

Condition: New.

Soft cover. Condition: Fine. 12 pages. Softcover in pristine condition. Rare.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 312 pages. 9.00x6.00x0.71 inches. In Stock.

Condition: New. Satisfaction Guaranteed or your money back.

Thames & Hudson, London 2006. 8vo. 256 pages. Illustrations in b/w and colour. Orig. boards. A few light dents to the edges. Very good.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condition: Brand New. 443 pages. 12.00x12.00x1.75 inches. In Stock.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condition: New.

hardcover. Condition: Good. Highlighting/Underlining/Notes etc. Satisfaction 100% guaranteed.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. xii, 297 pages, illustrations; 24 cm. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "The first book on the philosophy and aesthetics of digital preservation examines the challenge posed by new media to our long-term social memory. How will our increasingly digital civilization persist beyond our lifetimes? Audio and videotapes demagnetize; CDs delaminate; Internet art links to websites that no longer exist; Amiga software doesn't run on iMacs. In Re-collection, Richard Rinehart and Jon Ippolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a variable media approach to rescuing new media, distributed across producers and consumers who can choose appropriate strategies for each endangered work. New media art poses novel preservation and conservation dilemmas. Given the ephemerality of their mediums, software art, installation art, and interactive games may be heading to obsolescence and oblivion. Rinehart and Ippolito, both museum professionals, examine the preservation of new media art from both practical and theoretical perspectives, offering concrete examples that range from Nam June Paik to Danger Mouse. They investigate three threats to twenty-first-century creativity: technology, because much new media art depends on rapidly changing software or hardware; institutions, which may rely on preservation methods developed for older mediums; and law, which complicates access with intellectual property constraints such as copyright and licensing. Technology, institutions, and law, however, can be enlisted as allies rather than enemies of ephemeral artifacts and their preservation. The variable media approach that Rinehart and Ippolito propose asks to what extent works to be preserved might be medium-independent, translatable into new mediums when their original formats are obsolete." - Publisher. *** CONTENTS: Introduction. The lost and the saved, by Jon Ippolito; New media and social memory, by Richard Rinehart; Technology. Death by technology, by Jon Ippolito; Variability machines, by Richard Rinehart; Metadata and the historic record, by Richard Rinehart; Institutions. Death by institution, by Jon Ippolito; The open museum, by Richard Rinehart; Generation emulation, by Jon Ippolito; Law. Death by law, by Jon Ippolito; Unreliable archivists, by Jon Ippolito; Variable organisms, by Jon Ippolito; Conclusion. Checking in, by Richard Rinehart; Only you can prevent the end of history, by Richard Rinehart and Jon Ippolito. Size: 8vo. Collectible.…