Ketterer Robert (28 results)

Gr. 8 ° Broschur; 95 Seiten; erschien anlässlich einer Gedächnisausstellung für den im gleichen Jahr verstorbenen Maler; zeigt 60 Arbeiten der Galerie, alle mit Abb.,die Gemälde und Aquarelle alle in Farbe; der Band stammt aus der Bibliothek der renomierten Galerie Neher aus Essen, Stempel auf dem Vorsatz Zustand: Sehr gut, ein sehr schöner Band in Ausstattung und Präsentation 800 gr.

Condition: Fine. *Price HAS BEEN REDUCED by 10% until Monday, May 11 (SALE item)* first edition, ca. 60 pp., folio, thoroughly illustrated in full color, very minor note on front cover, else fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. Brand New.

Condition: New.

Hardback. Condition: New. The major historians of ancient Rome wrote their works in the firm belief that the exalted history of the Roman Empire provided plentiful lessons about individual behavior, inspiration for great souls, and warnings against evil ambitions, not to mention opportunities for rich comedy. The examples of Rome have often been resurrected for the opera stage to display the exceptional grandeur, glory, and tragedy of Roman figures. When modern opera developed in the baroque period, Rome provided settings and subject matter for librettists and composers. As opera spread to England and Germany, the treatment of Roman subjects changed to reflect national differences. In this volume, Robert C. Ketterer tracks the changes as operas' Roman subjects crossed generations and national boundaries. He also pays close attention to the composers' individual approaches to developing their librettos. Following opera from its origins in seventeenth-century Venice to Napoleon's invasion of Italy, Ketterer shows how opera was preoccupied with Roman historical figures as heroes, lovers, and fools. Monteverdi, Handel, Mozart, and Cimarosa were only the most renowned of the many composers drawn to Roman subjects. Handel in particular is a unifying figure in this history: he began his career in Germany, refined his craft in Italy, and rose to heights of renown in England, composing for aristocracy and royalty alike. Roman history provided these composers with all the necessary courage and intrigue, love and honor, and triumph and defeat so vital for the stirring music that makes great opera.

Broschiert, das Buch ist tadellos erhalten --- Softcover, the book is in an excellent condition. Shipping to abroad insured with tracking number.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hard Cover. Condition: Near Fine. Dust Jacket Condition: Very Good. First Printing. The jacket has a 1/4 inch tear. isbn: 978-0-252-03378-0 Size: 8vo - over 7¾" - 9¾" tall.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. 2008. First Edition. Hardcover. . . . . .

Hardcover. Condition: Brand New. 272 pages. 9.25x6.25x1.00 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Robert Ketterer. Olms, Hildesheim, 1989. II/35/284 S., kartoniert., quart.---- Neuwertig, verlagsfrisch verpackt. Renaissance Latin. Drama in England, Band 8, Second Series - 1235 Gramm.

Condition: New. 2008. First Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Softcover/Paperback. Condition: Sehr gut. ca. 200 Seiten gutes und sauberes Exemplar (Rücken minimal berieben Sprache: Deutsch Gewicht in Gramm: 1245.

Softcover/Paperback. Condition: Sehr gut. ca. 180 Seiten gutes und sauberes Exemplar (Rücken minimal berieben) Sprache: Deutsch Gewicht in Gramm: 1245.

Softcover/Paperback. Condition: Sehr gut. ca. 180 Seiten gutes und sauberes Exemplar (Rücken minimal berieben Sprache: Deutsch Gewicht in Gramm: 1245.

gebundene Ausgabe. Condition: Sehr gut. 110 Seiten Bildband - gutes und sauberes Exemplar (lediglich Buchrücken etwas lichtrandig) Sprache: Deutsch Gewicht in Gramm: 1050.

Hardcover. Condition: Sehr gut. 1. auflage. quer-oktav hardcover. sehr gutes exemplar. ungelesen, tadellos und bestens erhalten, gebundene ausgabe, gelber, relief-ornamentierter. original-pappband, farbige vorsätze, unpaginiert ca. 130 seiten durchgehend mit ganzseitigen farbabbildungen, beiliegend zwei karten, davon eine farbillustriert: einladung zur einleiferung moderne kunst.

Hardback. Condition: New. The major historians of ancient Rome wrote their works in the firm belief that the exalted history of the Roman Empire provided plentiful lessons about individual behavior, inspiration for great souls, and warnings against evil ambitions, not to mention opportunities for rich comedy. The examples of Rome have often been resurrected for the opera stage to display the exceptional grandeur, glory, and tragedy of Roman figures. When modern opera developed in the baroque period, Rome provided settings and subject matter for librettists and composers. As opera spread to England and Germany, the treatment of Roman subjects changed to reflect national differences. In this volume, Robert C. Ketterer tracks the changes as operas' Roman subjects crossed generations and national boundaries. He also pays close attention to the composers' individual approaches to developing their librettos. Following opera from its origins in seventeenth-century Venice to Napoleon's invasion of Italy, Ketterer shows how opera was preoccupied with Roman historical figures as heroes, lovers, and fools. Monteverdi, Handel, Mozart, and Cimarosa were only the most renowned of the many composers drawn to Roman subjects. Handel in particular is a unifying figure in this history: he began his career in Germany, refined his craft in Italy, and rose to heights of renown in England, composing for aristocracy and royalty alike. Roman history provided these composers with all the necessary courage and intrigue, love and honor, and triumph and defeat so vital for the stirring music that makes great opera.

Softcover/Paperback. Condition: Sehr gut. ca. 260 Seiten + 140 Seiten gutes und sauberes Exemplar in 2 Bänden Sprache: Deutsch Gewicht in Gramm: 2488.

27,5 cm x 20,5 cm. 508 seiten. Mit zahlreichen schwarz-weißen und farbigen Abbildungen und Illustrationen. Original Hardcover with dustjacket. In protective mylar. Sehr guter Zustand mit nur geringen Gebrauchsspuren. Enthält u.a.: Entartete Kunst / Die Wiederentdeckung der Moderne Stuttgarter Kunstkabinett / Meisterwerke des deutschen Expressionismus etc etc. Roman Norbert Ketterer (* 6. Februar 1911 in Bräunlingen; 19. Juni 2002 in Lugano) war Auktionator, Galerist und Kunsthändler. In Stuttgart gründete 1946 der ehemalige Leiter der Eislinger Firma für Spezialöle Südöl, Roman Norbert Ketterer, das Stuttgarter Kunstkabinett. Von 1947 bis 1962 fanden hier 37 Auktionen mit Kunstwerken der Klassischen Moderne statt. Es wurden auf diese Weise Werke einem breiten Publikum bekannt gemacht, welche zuvor als «entartet» gebrandmarkt und aus öffentlichen Sammlungen entfernt worden waren[1]. Die verachtete, verkannte und in deutschen öffentlichen Sammlungen nicht mehr vorhandene Kunst der Moderne kam dank dieser Auktionen, die Kenner, Sammler, Kritiker und Museumsleute anlockten, zu neuer Wertschätzung. Einige, wie David Rockefeller, Stavros Niarchos und Hans Heinrich von Thyssen-Bornemisza, kamen durch diese Kunstveranstaltungen zum Sammeln der Moderne, allgemein trugen sie zum (Wieder-)Einzug der heute klassische Moderne genannte Kunst in die Museen und Sammlungen des deutschsprachigen Raumes. Mitgearbeitet im Stuttgarter Kunstkabinett haben unter anderem Roman Norbert Ketterers Bruder Wolfgang Ketterer, der später ein eigenes Auktionshaus in München gründen sollte, sowie Wilhelm Friedrich Arntz, dessen Archiv sich inzwischen im Getty Center in Los Angeles befindet und Ewald Rathke, der spätere Leiter des Kunstvereins Frankfurt. (Wikipedia). Sprache: deutsch.

42 x 29.5cm. Large oversized thin stapled paperback, [30pp]. Full colour exhibition guide to the exhibition that ran from September 6th to November 7th, 2025. Text in German. Ketterer Kunst's Asger Jorn exhibition explored the influence of the artist upon other artists, spanning decades. The exhibition was part of the Dusseldorf Cologne Open Galleries project. Curator Axel Heil collected historic works that engage in visual dialogue with Jorn's oeuvre. Involves an eclectic selection of 50 artists, including Tal R, Peter Kamm, Else Winnewisser, Jonathan Meese, George Condo, Uwe Lausen, Joan Miro, Horst Antes, Leiko Ikemura, Matt Dillon, Jacqueline de Jong, Else Fischer-Hansen, Eva Renee Nele, Don van Vliet (Captain Beefheart), Heiko Herrmann, Charline von Heyl, Albert Oehlen, Antonio Saura, and many others. Erik Thommesen's photograph of Asger Jorn reclining forms the centrefold. Rare. Top edge slightly creased, otherwise good.

Broschiert. Condition: Gut. 38 S. guter Zustand, Einband leicht berieben LIEFERZEITEN / DELIVERY TIMES: DEUTSCHLAND 5 - 14 Tage EUROPA/EUROPE: 7 - 30 Tage/Days USA/WELTWEIT/WORLDWIDE: 14 - 60 Tage/Days (!!!) +++ Sprache: Deutsch Gewicht in Gramm: 450.

paperback. Condition: Gut. 48 Seiten; auþen mit Gebrauchsspuren, Artikel stammt aus Nichtraucherhaushalt! F19-1044 Sprache: Deutsch Gewicht in Gramm: 500.