Lejard a (27 results)

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:

Hardcover. Condition: Good. on half bound cream and maroon boards.

relié. Condition: occasion. Notis illustrarunt ac sententius que christianos mores minus decent expurgarunt A. Curval et J. Lejard. Approbante RR. DD. Sagiensi episcopi. Dix-huitième édition. AVERTISSEMENT. Ce "De virus" expurgé, longtemps réclamé par bon nombre de maisons d'éducation, honoré du bienveillant accueil de MM les Professeurs, et parvenu en peu d'années à sa septième édition, a pour but de prémunir la jeunesse contre le danger des fausses maximes. Sans changer subtantiellement l'uvre de Lhomond, on a modifié certains passages, qualifiés par un mot des faits qui étaient donnés sans aucune réflexion, adouci partout cette teinte paienne et sauvage que revêtaient les hommes et les choses depuis le commencement du livre jusqu'à la fin. Enfin, plusieurs chapitres ajoutés sous le titre général "De moribus Romanorum" donneront aux enfants une idée plus juste de la dépravation des murs chez les anciens Romains. Rendre le "De Viris" chrétien autant qu'il est possible de le faire, telle a été la pensée des éditeurs. Ils ont eu recours aux textes dont Lhomond s'était servi et apporté un soin minutieux pour conserver à ce recueil le cachet particulier de son style. Des notes en français, placés en bas de page donnent des éclaircissements sur des points de grammaire et sur les questions d'histoire, de mythologie, etc. Le dictionnaire a été également revu et augmenté. En latin, XIV + 265 pages Demi toilé rouge en bon état, cartonnés imprimés défraîchis. Papier intérieur jauni. 11 x 16.

Hardcover. Condition: Good. No Jacket. no dw maroon boards, fully illus in colour and b & w.

Cloth-backed boards, 4to, 32 cm, 166 pp, 182 ills (some colour). From the blurb: : "The making of fine books has always been one of the hallmarks of a great civilisation, and the exquisite lettering and illustration of the early illuminated manuscripts are known by reputation to everyone. The craftsmanship which goes to the making of a beautiful book has been brought to a high pitch of excellence in France. "The Art of the French Book" traces the history of French book production from 9th century manuscripts to books illustrated by Picasso, Matisse and Braque. Brief chapters on the significance and artistic achievement of each period are followed by numerous illustrations in black-and-white and full colour of the most famous examples of written and printed books throughout the centuries. Books, like other works of art, are naturally products of their age, and the manuscripts of Carolingian or Merovingian times express essential visual elements in their contemporary culture as distinctively as do the books of the Romanesque and Gothic period or the illustrated printed French books of the 19th and 20th centuries. Books in France (including the many exquisite 'limited editions' of modern times) have always been regarded as legitimate means of artistic expression, and as a result a volume on the art of the French book almost attains the character of a history of the main trends in the visual arts. In its own presentation this book continues a great tradition." Contents: Manuscripts, by E. A. van Moe.-The French book in the XVth and XVIth centuries, by R. Brun.-The French book in the XVIIth and XVIIIth centuries, by J. Wilhelm.-The French book in the XIXth century (1801-1870) by P. H. Michel.-The French book in the XXth century, by J. Guignard.-Bindings, by R. Brun. Pages 161-164 nearly detached, otherwise Good.

Cloth-backed boards, 4to, 32 cm, 166 pp, 182 ills (some colour). From the blurb: : "The making of fine books has always been one of the hallmarks of a great civilisation, and the exquisite lettering and illustration of the early illuminated manuscripts are known by reputation to everyone. The craftsmanship which goes to the making of a beautiful book has been brought to a high pitch of excellence in France. "The Art of the French Book" traces the history of French book production from 9th century manuscripts to books illustrated by Picasso, Matisse and Braque. Brief chapters on the significance and artistic achievement of each period are followed by numerous illustrations in black-and-white and full colour of the most famous examples of written and printed books throughout the centuries. Books, like other works of art, are naturally products of their age, and the manuscripts of Carolingian or Merovingian times express essential visual elements in their contemporary culture as distinctively as do the books of the Romanesque and Gothic period or the illustrated printed French books of the 19th and 20th centuries. Books in France (including the many exquisite 'limited editions' of modern times) have always been regarded as legitimate means of artistic expression, and as a result a volume on the art of the French book almost attains the character of a history of the main trends in the visual arts. In its own presentation this book continues a great tradition." Contents: Manuscripts, by E. A. van Moe.-The French book in the XVth and XVIth centuries, by R. Brun.-The French book in the XVIIth and XVIIIth centuries, by J. Wilhelm.-The French book in the XIXth century (1801-1870) by P. H. Michel.-The French book in the XXth century, by J. Guignard.-Bindings, by R. Brun. Good in chipped and torn dustwrapper.

Cloth-backed boards, 4to, 32 cm, 166 pp, 182 ills (some colour). From the blurb: : "The making of fine books has always been one of the hallmarks of a great civilisation, and the exquisite lettering and illustration of the early illuminated manuscripts are known by reputation to everyone. The craftsmanship which goes to the making of a beautiful book has been brought to a high pitch of excellence in France. "The Art of the French Book" traces the history of French book production from 9th century manuscripts to books illustrated by Picasso, Matisse and Braque. Brief chapters on the significance and artistic achievement of each period are followed by numerous illustrations in black-and-white and full colour of the most famous examples of written and printed books throughout the centuries. Books, like other works of art, are naturally products of their age, and the manuscripts of Carolingian or Merovingian times express essential visual elements in their contemporary culture as distinctively as do the books of the Romanesque and Gothic period or the illustrated printed French books of the 19th and 20th centuries. Books in France (including the many exquisite 'limited editions' of modern times) have always been regarded as legitimate means of artistic expression, and as a result a volume on the art of the French book almost attains the character of a history of the main trends in the visual arts. In its own presentation this book continues a great tradition." Contents: Manuscripts, by E. A. van Moe.-The French book in the XVth and XVIth centuries, by R. Brun.-The French book in the XVIIth and XVIIIth centuries, by J. Wilhelm.-The French book in the XIXth century (1801-1870) by P. H. Michel.-The French book in the XXth century, by J. Guignard.-Bindings, by R. Brun. Covers a little scratched, endpapers browned, otherwise Good.

Cloth-backed boards, 4to, 32 cm, 166 pp, 182 ills (some colour). From the blurb: : "The making of fine books has always been one of the hallmarks of a great civilisation, and the exquisite lettering and illustration of the early illuminated manuscripts are known by reputation to everyone. The craftsmanship which goes to the making of a beautiful book has been brought to a high pitch of excellence in France. "The Art of the French Book" traces the history of French book production from 9th century manuscripts to books illustrated by Picasso, Matisse and Braque. Brief chapters on the significance and artistic achievement of each period are followed by numerous illustrations in black-and-white and full colour of the most famous examples of written and printed books throughout the centuries. Books, like other works of art, are naturally products of their age, and the manuscripts of Carolingian or Merovingian times express essential visual elements in their contemporary culture as distinctively as do the books of the Romanesque and Gothic period or the illustrated printed French books of the 19th and 20th centuries. Books in France (including the many exquisite 'limited editions' of modern times) have always been regarded as legitimate means of artistic expression, and as a result a volume on the art of the French book almost attains the character of a history of the main trends in the visual arts. In its own presentation this book continues a great tradition." Contents: Manuscripts, by E. A. van Moe.-The French book in the XVth and XVIth centuries, by R. Brun.-The French book in the XVIIth and XVIIIth centuries, by J. Wilhelm.-The French book in the XIXth century (1801-1870) by P. H. Michel.-The French book in the XXth century, by J. Guignard.-Bindings, by R. Brun. Top fore-edge corner of front board badly bruised and slightly torn, covers generally a little worn, bookplate on front pastedown endpaper, otherwise Good in soiled and torn dustwrapper.

Hardcover. Condition: VG+. Dust Jacket Condition: Very Good. First Thus. Ivory paper covered boards, lettered in gilt. Light shelf wear, slightly rubbed extremities. Dust jacket somewhat toned by age, with slight loss at head of spine and corners, minor loss along front flap fold and lower spine panel, now in archival mylar. [vi],166 pp., illus. w/ 181 color, b&w plates. Two pages (162-63) show an area of paper adhesion along lower fore-edge, slightly affecting the illustrations, interior otherwise fully intact. No. 817 of an edition limited to 2,000 copies. New Edition; originally issued in 1942. Text in French. Rather scarce in jacket. Size: Folio - over 12" - 15" tall. Book.

1942, Art, Editions Albin Michel, 87 p and 78 plates, good paper with small lose segment at bottom of spine.

Printed wrappers, 4to, 82, [8] pp, colour ills. The contents include: Julien Cain : Les Manuscrits a Peintures dans L'art du Moyen Age Français; Philippe Lauer : Les Manuscrits Carolingiens; Émile-A. Van Moé :Les Manuscrits sous les Capetiens; Louis Gillet : Les Manuscrits aux XIVe et XVe Siecles; Maurice Raynal : L'enluminure Romane et L'imagination Plastique Française; Émile-A. Van Moé : Quatre Livres Royaux. Lower fore-edge corners a little curled, otherwise Good.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:

Condition: Très bon. J.L.G se sert de Zelliseller Evolution pour gérer ses Market Places.

In - 16. Brossura edit. con alette e pergamino protettivo, ottimo es. Pagg. non num. Prevalentemente ill. con 20 tavv. a col.; R. F6.

Couverture souple. Condition: Assez bon. LEJARD (A.). La femme et l'amour (recueil de textes et poésies).P., 1946, in-8°, br., nombr. ill., petite déchirure au 2e plat. 800 gr.

First Edition. THE ART OF THE FRENCH BOOK -FROM EARLY MANUSCRIPTS TO THE PRESENT TIME, edited by Andre Lejard, Les Editions Du Chene, 1947, first edition, a vg+/near fine copy in flexible cloth with a nice dust-wrapper save a chip at the upper left corner of the front dust-wrapper panel. Virtually every page filled with either black and white or full color photos taken from the world famous collection in the Bibliotheque Nationale in Paris. A volume of Royal 4to. exhibitng some of the finest and most important books ever produced.

25 x 32 cm Originalkartoniert. Condition: Gut. 1. Aufl. 166 Seiten grauer kartonierter Band im Quartformat mit Schutzumschlag; Schutzumschlag und Einband leicht am Rande braunfleckig, sonst gut erhaltenes Exemplar mit zahlreichen Bildtafeln Sprache: Französisch Gewicht in Gramm: 1.

Couverture rigide. Condition: bon. R320056644: 1913. In-12. Cartonné. Etat d'usage, Plats abîmés, Mors fendus, Intérieur acceptable. XVI + 265 PAGES- Des salissures et taches d'encre in texte altérant parfois très légèrement la lecture. . . . Classification Dewey : 470-Langues italiques. Latin.

Couverture souple. Condition: bon. R200010058: 1889. In-12. Broché. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur frais. 264 pages. . . . Classification Dewey : 800-LITTERATURE (BELLES-LETTRES).

Couverture rigide. Condition: bon. RO80167624: 1925. In-12. Relié. Bon état, Couv. convenable, Dos abîmé, Intérieur acceptable. XVI + 265 pages. l'intérieur se désolidarise du dos. OUVRAGE EN LATIN. . . . Classification Dewey : 230-Christianisme. Théologie chrétienne.

Roy. 4to., First Edition, with numerous coloured and monochrome reproductions (many full-page) in the text, small neat signature on front free endpaper; blue cloth, upper board lettered in white, ivory cloth back lettered in blue, a very good, bright, clean copy. With worn dustwrapper loosely inserted.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Sm.8° - 336pp - 343 Color reproductions. German edition of "Dictionnaire de l'art moderne" by Fernand Hazan, Paris. Original cloth and dust jacket. Very good condition.

Couverture rigide. Condition: bon. R160126106: 1913. In-12. Cartonnage d'éditeurs. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 265 pages. Texte en latin. . . . Classification Dewey : 400-LANGUES.

Couverture rigide. Condition: bon. RO30122246: 1957. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 398 + 398 pages augmentées de nombreuses illustrations en noir et blanc dans et hors texte. . . . Classification Dewey : 910.9-Explorations.

1946. Paul Elek. Hardback. Book - Fair/Good. Ex-lib. Boards and spine worn. Internally clean.

Condition: Fair. Paris: Chene, 1946. 1st edition. Folio. Rebound hardcover. Blue cloth with gilt spine lettering with original front wrap bound in. 6pp. French. Color plates, mounted. Poor book. Ex-Library of Congress copy with typical markings. Lacking plate V. The present plates are Very Good. In polypropylene bag. (Henri Matisse, Paintings, Art) Inquire if you need further information.

Paris, Du Chêne, 1942. In-4, 170 pp., tables, illustrations, planches couleurs. Peine percaline de l'éditeur, sous jaquette. Bel exemplaire.