Soupault P (25 results)

Hardcover. Condition: Fine. William Blake (illustrator). 1st Edition. 1st.Edition, 1st. Printing 1928 ,Hardcover , no dust jacket, 61 pages of text with 40 full page black and white plates. Condition: Fine, clean and tight . Size: 6" x 8". Book.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:2904388117.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Re-bound by library. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:

Paris, Editions du Sagittaire, 1923. In-8 (180x130mm) relié en demie toile, 218 p. Bon état général.

Berlin, Edition Sirène, 1983, in-12, br., n.c., 50 p. Poèmes en français et en allemand. Un dessin en frontispice.

Couverture souple. Condition: Très bon. SOUPAULT (Ph.).Mémoires de l'oubli 1914-1923.P., 1981, pet. in-8°, br., ill. h.t. dont un portr. et 9 dessins automatiques de l'auteur in-t. 300 gr.

paperback. Condition: Perfetto (Mint). SC690Brossura editorialevolume come nuovo, copertina e interno in condizioni eccellenti, legatura salda, con tavole fuori testo a colori, testo in francese128 pagine circaCopertina come da foto.

Couverture souple. Condition: bon. R260161400: 1953. In-12. Broché. Etat d'usage, Livré sans Couverture, Dos abîmé, Intérieur frais. 200 pages. Manque le dos et les plats. . . . Classification Dewey : 928-Ecrivains.

Philosophies, N°1, 15 mars 1924, 110 p., broché, couverture insolée avec des rousseurs, dos un pue aplati vers le premier plat, intérieur propre. Revue fondée par un groupe de jeunes sociologues proches du marxisme et du surréalisme naissant.Sommaire : Notes à propos des beaux-arts par Jacob / Prière de Paul Lotte / Poèmes de Jules Supervielle / Cinq fragments par Mrohange / Conseils. Carnets de l'Amiral X par Cocteau / Etude de chair par honnert / Le nihilisme européen et les appels de l'orient par Caves / Fragment d'un discours sur les difficultés du temps par Drieu la Rochelle / Billet de John Brown / Rétrospection par Jean Weber / Hors-texte de Pruna (et note de Morhange) / Notes et commentaires de : Charles-Henri Barbier, Emile Benveniste, Jean Caves, René Crevel, Georges Duvau, Edgard Forti, Francis Gérard, Norbert Guterman, Henir Journadan, Anton Juer, Pierre Morhange, Léon-Pierre Quint, André Vigan, Yves Simon.

I ed.: 5 aprile MCMXLV. Collana Documenti d'Arte Contemporanea. VIII/ 204/ rilegatura rifinita in carta liscia con grafica in arancione, bianco e nero. Con 11 illustrazioni in b/n nel testo, f.t. e in tavole patinate f.t. di S. Dalí , M. Ernst, Miró , M. Ray, F. Vallotton. Stato buono (usura della copertina, in particolare ai margini - copertina, fogli di guardia e pagine bruniti). Indice: Dedica (J. Superville: A Lautréamont) - Presenza di Lautréamont (Lautréamont dei surrealisti (L. Aragon: Un Cinema celebrale - Lautréamont è l'niziatiore --- A. Bréton: Nella luce dell'Apocalissi - Tutto è permesso - Diritto di contraddirsi - Un caso appassionante - Qualcuno soltanto assaporerà. - Richiami irresistibili --- R. Crevel: Il tuo anello d'aurora --- J. Delteil: Davanti ai borghesi d'oro --- P. Elluard: Humour terribile- Vincono le parole - Poesia pura ? - Sade e Lautréamont - Rimbaud e Lautréamont - Sconfinata solitudine - Il plagio --- Ph. Soupault: Non aveva più amici --- T. Tzara: Dittatura dello spirito - La libertà delle sue facoltà) - La critica verso Lautréamont (G. Bachelard: Inno alle matematiche - L. Bloy: Mostro di libro - J. Cassou: Capolavoro - R, De Gourmont: Colpo di genio - G. De la Serna: Sfidò la pazienza di Dio - I. Denis: Importanza del profeta - R. De Renneville: Il padrone delle metafore - P. Dermée: L'opera più sconcertante - B. Fay: Fiori sorprendesnti - A. Gide: Forza strana e senza precedenti - F. Giolli: Lettore in Lautréamont - E. Jaloux: Problema irritante - V. Larbaud: Il grande pubblico non entra qui - A. Malraux: Non lavorava che la notte - J. Maritain: Rimbaud e Lautréamont - J. Paulhan: Niente d'incomprensibile - M. Praz: Il licantropo - L. P. Quint: Misterioso destino - H. Read: Blake e Lautréamont - G. Robin: Epopea della poesia - I. Slauerhoff: Rimbaud e Lautréamont - G. Ungaretti: Che vale dunque la parola ? - J. Vinchon: Forze oscure)) - Antologia di Lautréamont (Les Chants de Maldoror (testo originale) - I Canti di Maldoror (trad. di F. Giolli) - Poesies (testo originale) - Dalle Poesie (trad. di F. Giolli)) - Destino di Lautréamont (La sua vita (F. G.) - Atto di nascita - Atto di morte - La sua giovinezza (F. Alicot) - Il suo ritratto - La sua scrittura (P. Menard) - Il suo cielo (P. Mabille) - Le sue lettere (trad. F. Giolli) - Maldoror e la belladonna (M. Heine) - I due Ducasse - Félix Ducasse - L' " Union des Jeunes " e Félix Ducasse nel 1869 - Una critica anonima dei " Chants de Maldoror " - È stata vietata in Francia la vendita dei " Chants " ? (C. Muller) - A proposito d'un lancio nel 1869) - Indici (Indice del testo - Indice delle illustrazioni).

Agen, Association des Amis de Philippe Soupalt, no date. 283 pp., ills in b/w, 4to, softcover.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Sm.8° - 336pp - 343 Color reproductions. German edition of "Dictionnaire de l'art moderne" by Fernand Hazan, Paris. Original cloth and dust jacket. Very good condition.

Wrappers. Condition: Fine Condition. 128 pages with 160 illustrations 72 in color. Some minor rubbing and wear to the paper covers and edges.Text is in Spanish. Published on the occasion of the exhibition from the Centro Cultural & Arte Contemporaneo, A.C., México June to October 1992. Select Biography. List of Chronological Work.

in-4, agrafé, pagination continue, 80p. Chaque fascicule compte 8p. Encadrements et lettrines de Hubert Dupond. Grands titres : Recueil de Planches d'Art 1928-1929. Histoire du Livre et de l'Imprimerie en Belgique. La semaine du Livre Belge. L'exposition Couloma. Expositiond u Mémorial Walter Sauer. Exposition de la Gravure et du Livre Danois. Exposition de l'Imagerie Populaire d'Art Religieux et Folklorique. Exposition de l'ensemble des productions graphiques publiées par le Musée du Livre. NB. Nous exposons au Salon de la Bibliophilie place Saint-Sulpice à Paris, du 28 au 31 mai (10h à 19h et nocturne le samedi 30 mai jusqu'à 21h) Entrée gratuite. STAND 103 face à l'entrée rue Bonaparte. Les questions et commandes seront traitées en fin de journée et les expéditions reprendront début juin. Merci !

Condition: bon état. Paris Aux Editions du Sagittaire 1926 -in-12 broché un fort volume, broché (paperback) in-douze Editeur, dos et couverture crème, première de couverture ornée d'une petite illustration en cul-de-lampe "marque de l'Editeur" en noir (front cover illuminated with small illustration in tailpiece), grand papier (fore-edge - great paper), tirage limité - 1 des 575 exemplaires sur papier vélin (limited edition) (N°378), sans illustration (no illustration), 403 pages, 1926 à Paris Aux Editions du Sagittaire KRA Editeur, + joint avec 1 prospectus catalogue d'époque des Editions du Sagittaire KRA Editeur, sur papier vert, 8 pages, format : 17,4 x 11 cm bon état EDITION ORIGINALE (first edition) biographies, bibliographies et textes inedits : - préface - nombreux inédits - Sous la direction de Phippe Soupault avec la collaboration de Léon-Pierre Quint et Nino Franck, choix de textes précédés d'une bio-bibliographie de Jean-Richard Bloch - Blaise Cendrars - G. Delteil - Pierre Drieu la Rochelle - G. Duhamel - Léon-Paul Fargue - A. Gide - J. Giraudoux - Panaït Istrati - Max Jacob - Joseph Jolinon - M. Jouhandeau - Valéry Larbaud - P. Mac-Orlan - H. de Montherlant - Paul Morand - Jean Paulhan - Marcel Proust - C.-F. Ramuz - Georges Ribemont-Dessaignes - Jules Romains - Raymond Roussel - André Salmon - Philippe Soupault - Paul Valéry.en bon état (good condition).

Couverture souple. Condition: Bon. 7 exemplaires: 1945/ n° 4,5; 1946/ n° 1,2,3,22; 1947/n°23.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Re-bound by library. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:

Librairie Stock, revue de Septembre / Octobre 1924, In/8 carré broché, couverture imprimée, illustrations in et hors texte en noir de M. Chagall, 76 pages. Rousseurs sur la couverture. Ont collaboré à ce numéro : P. Soupault, J. Delteil, Pierre Reverdy, Francis Gérard, G. Ribemont-Dessaignes, D. Milhaud, H. Sauget. Marc Chagall, Marcel Arland, W, Mayr, J, Porel, Marcel Raval, Paul Fiérens, René Crevel, Marc Chardoune.

Wrappers. Condition: Good copy. ills (illustrator). 8vo. S.P. Dedicado por el autor a Guillermo de Torre y con un poema manuscrito de Guillermo de Torre. Excelente dedicatoria al joven G. de Torre, quien pone dos veces su nombre en el libro. Además, dos poemas de Soupault traducidos manuscritos por G. de Torre.

Small 4to. (270 x 210 mm). [7 bifolia including wrappers]. Front wrapper with typographic title, justification verso, text and verse by various dadaists recto and verso illustrated with four tipped-in illustrations on white paper (see below) by Arp, RIbemont-Dessaignes, Ernst and Duchamp, final leaf (rear wrapper) with 'Catalogue' recto and verso; sheet size: 270 x 210 mm. Original publisher's printed wrappers with typographic title to front cover in black, justification verso, catalogue to rear wrapper and interior, staple preserved, later stitching. A presentation copy of the very scarce 'SaLoN DAda' with the rare invitation to the highly controversial 'Soirée dada'. From the edition limited to 600 numbered copies, each stamp-numbered to the justification to front wrapper verso. Tristan Tzara's presentation is in black ink to the left-hand margin of the centre spread: 'à Hannie et Aldo / van Eyck / Pour le 30ème Anniversaire / de Dada // avec le souvenir amical / de / Tristan TZARA / Sur les lieux du crime / Zürich 23 févr. 46' and with a typical Tzara sketch of a flower. The spread includes (above) the legend 'Conformément aux règlements en vigueur l'amour est interdit aux végétaux des squares', (at left) Tzara's 'L'art et la chasse' and (at right) the tipped-in illustration of Duchamp's 'Mariée'. Opening with Philippe Soupault's 'Le Profil de dada', the catalogue 'SaLoN DAda' represents both the highwater mark and the beginning of the end of dada in Paris. 'SaLoN DAda' was convened in June 1921, after Picabia had left the movement (although he was to return) despite all he had done to initiate 'SaLoN DAda', Breton did not participate and Duchamp had departed both physically for New York and metaphorically: although his contribution to the catalogue (the reproduction of his painting 'Mariée') remains, his contributions to the exhibition (nos. '28' to '31' under his name are blank) were removed. 'SaLoN DAda' as an exhibition held at the Galerie Montaigne (within the Théâtre des Champs-Elysées) was largely successful albeit not without controversy, featuring international contributions from Arp, Baargeld, Man Ray, Charchoune, Walther Mehring, J. Evola, Aldo Fiozzi and Joseph Stella, as well as Jacques Rigaut, Jacques Vaché, Gala and Paul Eluard and Théodore Fraenckel among others. Literary contributors include the aforementioned Soupault ('Le Profil de dada'), Paul Eluard ('L'Ombre aux soupirs'), Arp (as poet: 'Le Pompe des nuages' from the German 'Die Wolkenpumpe'), J. Evola ('Croix jaune'), Stanislas Margarine [sic] (untitled), Man Ray ('L'Inquiétude'), Jacques Rigaut ('Fable'), Georges Ribemont-Dessaignes ('Plaisir secret'), Tzara (as above and 'Epiderme de la nuit croissance'), Benjamin Péret ('Mémoires de Benjamin Péret' and 'Mystère de ma naissance') and Louis Aragon ('Autre procès-verbal'). Also included, inserted loose, is the announcement for 'Soirée dada'. A single sheet of cream glossy paper printed in black recto only (270 x 206 mm), the announcement details the soirée to be held on June 10th, 1921, at 9 o'clock in the Galerie Montaigne with a programme of nine performances. Tickets were available for 10 Francs and for that price one could have seen the following: I. 'La Chanson du catalogue de l'exposition (au piano)' by Mme E. Bujaud; II. 'La Boite d'allumettes (Le Président de la République de Liberia visitera l'exposition)' by Philippe Soupault; III. 'A l'évangile' by Louis Aragon; IV. 'La Volaille miraculeuse (Danse créée par l'auteur)' by Valentin Parnak; V. 'Le livre des rois' by Georges Ribemont-Dessaignes; VI. 'Par le cou des brises' by Paul Eluard; VII. Le vol organisé (nouveau système de gyravion) by Benjamin Péret; VIII. 'Diableret (au piano Mmme. Pirouelle et M. Emile Sab)' by Philippe Soupault; IX. 'Le coeur à gaz (Pièce de Théâtre)' by Tristan Tzara. The performances were absurd and the reception mixed at best. By the time of the performance of 'Le Coeur à gaz', with a coterie of dadaists taking part, the audience was riotous: 'Après l'entracte, la troupe des dadaïstes représente 'Le Coeur à gaz' de Tzara. La pièce, totalement absurde, est lue avec une accentuation grossière et provoque l'hilarité du public qui exprime son mécontentement en partant massivement et bruyamment. Une fois de plus, Dada réussit à faire scandale . ' (Xavier Rey). Tzara's drama was performed again - and again aroused a furore - in 1923 at the final rupture of Paris dada; it was not published in book form until Guy Lévis Mano's edition in 1946. 'Ce projet, en germe depuis que le Salon des Indépendants a refusé de l'integrer à son programme, tient autant de Tzara que de Picabia . La création dada parisienne se présente à son apogée, provocation, humour talentueux et inventions incongrues agrémentant un programme particulièrement riche. L'exposition ouvre le 6 juin dans le hall du studio des Champs-ELysées, au huitième étage du théâtre, baptisé pour l'occasion 'galerie Montaigne' . Tzara parvient ainsi a réaliser ce qu'il recherche tant: la fusion entre les poètes et les artistes plasticiens dans une exposition inattendue qui abolit la frontière entre les genres . Ce catalogue, tout comme la plupart des cartons d'invitation et le programme, témoigne d'un certain retour à la rigueur typographique . La parole dadaïste trouve tout son éclat dans cette mise en page régulière, dotée d'une frise guindée . '. (Xavier Rey). Aldo van Eyck (1918 - 1999) and Hannie van Rooijen (1918 - 2018) were influential Dutch architects of international repute. In the 1940s the couple lived in Zurich where through Siegfried Giedion and Carola Giedion-Welcker they met a number of the artists and poets connected to dada: Arp, Tzara, Ernst, Brancusi and others; these friendships led too to a connection with CoBrA and, of course, through the architecture they held in common, Constant. Initially the pair collaborated or worked separately but from 1983 - Aldo's own studio with Theo Bosch was closed - they formed the.

Condition: Bon. Les dernières nuits de Paris. | P. Soupault | Calmann-Lévy, 1928. In-8° broché, 193p. Couverture propre aux coins légèrement frottés. Dos solide. Intérieur frais sans soulignage ou annotation. Bon état général pour cet ouvrage. [EB12] Pour les expéditions internationales, nous consulter au préalable pour l ajustement des frais de port qui seront peut-être revus à la baisse/ For international shipments, please contact us in advance to adjust shipping costs. |.

ex. numéroté - E.O. - 19,2 x 14 cm - (2)+86+(4) pgs - couverture originale - quelques rousseurs, petite restauration au dos, autrement bien.

brossura. Condition: in ottime condizioni. Rolle, Eynard, 1949. In -8, pp. 249-(2) con 1 ritratto in nero dell'autore di ANDRE' MASSON. Brossura editoriale a risvolto. Tiratura numerata di 2000 copie su vélin fin blanc (n. 594). Esemplare arricchito da un invio autografo dell'autore. Intonso.

brossura. Condition: buone condizioni. Peris, Grasset, 1927. In -16, pp.256-(4). Brossura editoriale. Edizione originale. Romanzo dalla vena profondamente autobiografica. Esemplare arricchito da un invio autografo firmato dall'autore. Condizioni più che discrete, malgrado il tipo di carta. Thieme II-800.