Mozarts (25 results)

Soft cover. Condition: Very Good. 36 pages. Donald R Wakeling "A British Union Catalogue of Music" / William C Smith "The Harrow Replicas" / Ian Parrott "The Style of Bach" / "Life of Richard Wagner" by Ernest Newman reviewed / Gramophone Notes "Mozart's Piano Concerto in B flat" / W R Anderson "Round About Radio" / Pietro Mascagni obituary/ Novelties at the Promenades / Rudolf Karel, 1880-1945 obituary (M13).

Soft cover. Condition: Very Good. 36 pages. Mozart's Piano Concertos/ Colin Mason "Benjamin Britten" / John C Brydson "The Minstrels and Waits of Leicester" / The I.S.C.M. Festival at Amsterdam/ London Concerts (M13).

Soft cover. Condition: Very Good. 34 pages. Gerald Abraham "Wagner's String Quartet - An Essay In Musical Speculation" / William McNaught "Mozart's String Quartets" / Reginald Hunt "Singing for Boys - The Adolescent Voice" / The Musician's Bookshelf" / The Promenade Concerts" (M13).

Soft cover. Condition: Very Good. 40 pages. George Bernard Shaw "on Radio Music" / A Hyatt King "Mozart's Works for Mechanical Organ - Their Background And Significance'" / Rollo H Myers "Some Reflections on French Music Today" / J B Trend "Recollections of Falla" / A L Flay "'Pro Musica Antiqua" (M13).

Soft cover. Condition: Very Good. 108 pages. Philip Gossett "Rossini and Authenticity" / Wilfrid Mellers "Couperin on the Harpsichord" / Peter Dickinson "Berkeley's Music Today" / Stanley Sadie "Mozart's 'Betulia liberata'" (M13).

Soft cover. Condition: Very Good. 108 pages. G W Hopkins "Debussy and Boulez" / Peter J Pirie "Bantock and his Generation" / William Mann "The music of Don Banks" / Charles Mackerras talks to Stanley Sadie - "Editing Mozart's Operas" (M13).

OLwd., Condition: gut erhalten. 21. - 26. Tsd. Leipzig, Insel, 1926. 8°. 285 S. OLwd., gut erhalten. Sprache: de.

Soft cover. Condition: Very Good. 180 pages. Illustrated. Christopher Page "Around the performance of a 13th-century motet" / Magnus Williamson "Pictura et scriptura - the Eton Choirbook" / Klaus Pietschmann "A Renaissance composer writes to his patrons - Cristobal de Morales to Cosimo I de' Medici and Cardinal Alessandro Farnese" / Noel O'Regan "Tomas Luis de Victoria's Roman churches revisited" / Edmund A Bowles "Music in court festivals of State: festival books as sources for performance practices" / Edward Corp "Francois Couperin and the Stuart court at St-Germain-en-Laye, 1691-1712: a new interpretation" / Bernard D Sherman "Bach's notation of tempo and early music performance: some reconsiderations" / Eva Badura-Skoda "The Anton Walter fortepiano - Mozart's beloved concert instrument".

Leinen. Condition: sehr Gut. Max Slevogts Randzeichnungen zu Mozarts Handschrift (illustrator). S. 359.

Condition: New.

Soft cover. Condition: Very Good. 8 pages. Gordon Bottomley "A Note on 'King Lear'" / George Howe "The Minor Characters of Shakespeare" / William Farren "Sadler's Wells Fifty Years Ago" / "Mozart's English Leading Lady - Anna Selina Storace" (SL#128).

Soft cover. Condition: Very Good. 172 pages. Illustrated. Performance and 'Authenticity' (pp. 501-506+508) Lewis Lockwood The Old and New Mozart Editions (pp. 513-532) Cliff Eisen The Neue Mozart-Ausgabe: A Retrospect (pp. 533-537) Marius Flothuis Mozart Performance in the 19th Century (pp. 538-555) George Barth Mozart's Belmonte (pp. 556-563) Thomas Bauman 'Ich bin die erste Sängerin': Vocal Profiles of Two Mozart Sopranos (pp. 565-576+579) Patricia Lewy Gidwitz Mozart's Italian buffo Singers (pp. 580-583) Alessandra Campana Susanna's Hat (pp. 585-589) Daniel Heartz Subjectivity and Objectivity in Mozart Performance (pp. 593-600) William Kinderman Mozart's First Thoughts: The Two Versions of the Sonata in D Major, K284 (pp. 601-613) László Somfai Topical Content in Mozart's Keyboard Sonatas (pp. 615-619) Leonard G. Ratner 20th-Century Analysis and Mozart Performance (pp. 620-626) Carl Schachter.

Soft cover. Condition: Very Good. 180 pages. Illustrated. New Light on Robert Cambert in London, and His "Ballet et Musique" (pp. 198-202+205-206+208-210+212-214+217-220) John Buttrey Music and Musicians of Early Tudor Westminster (pp. 223-228+231-240) Fiona Kisby Domenico Scarlatti and the Florentine Piano (pp. 243-246+249-256) David Sutherland The Earliest Paintings of the Clarinet (pp. 258-266) Eric Hoeprich 'Gallimaufry' at Covent Garden: Purcell's "The Fairy-Queen" in 1946 (pp. 268-284) Michael Burden Mozart's Pedal Piano (pp. 287-296) Richard Maunder and David Rowland Sense and Sensibility in Late-Medieval Music: Thoughts on Aesthetics and 'Authenticity' (pp. 298-304+306-308+310-312) Rob C. Wegman.

Condition: New.

Schöne Jugendstil-Ausstattung. - Anfangs kleiner zeitgenössischer Besitzvermerk.

Condition: Fine. The book is in fine condition.

Couverture souple. Condition: bon. RO50042184: non-daté. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 284 pages de partitions. Tampon de Enoch Pere & Fils. . . . Classification Dewey : 780.26-Partitions.

Small 8vo. 51 unnumbered ff. Original red morocco. Green moirée silk endpapers; all edges gilt. Signed by Grassi on front flyleaf. The personal travel notebook of Joseph Grassi, one of the foremost portraitists of his age and remembered today as the painter of one of the very few authentic Mozart portraits. In her biographical sketch of the artist, Elisabeth Eixner deplores the lack of studies concerning Grassi's Roman years: "It would be a rewarding task for scholarship to investigate Grassi's activities in Rome, which he first visited in 1808-10 (becoming member of the Academy of San Luca in 1810), and again in 1816-21 as 'Director of Studies of Saxon Artists in Italy'" (NDB VII, 5). Clearly, the present notebook constitutes the principal and hitherto entirely undocumented source for such an investigation: apparently begun during his first journey to Italy, the booklet also served Grassi upon his return, containing his travel plans as well as lists of important events, meetings, addresses, and contacts in Rome. The detailed schedule of his itinerary from Gotha to Rome (no less than 60 stations, stating the distances and length of stay) is followed by a five-page catalogue of artists active in Rome, most of which Grassi managed to visit, a brief account of social life in the city, and a list of various works of art and their locations. The names of numerous art dealers and antiquarians as well as several paintings offered to Grassi (including works by van Dyck, Raffael, Michelangelo, and Rubens) give evidence of his activity as an agent for the Ducal collections. Among the extensive notes at the end of the volume (which include payments to his coachman) we also find a three-page autobiography in which Grassi records the principal events of his life with their respective dates. - After his last visit to Rome "Grassi returned to Dresden, where he died in 1838, lonely and after years of illness. For a decade (1781-1791), Mozart and Grassi both lived in Vienna. The close connection between Joseph Grassi, the Mozarts and their in-laws Lange is proved by a letter of 12 March 1783 from Wolfgang to Leopold Mozart in which he discusses a performance of his pantomime 'Pantalon und Colombine' (with his music, KV 446) on March 3rd, an event held in the Hofburg Redoutensaal and attended by his friends" (cf. Angermüller). - Perfectly preserved. Autographs in Grassi's hand are of the utmost rarity: the past decades' auction records list a single specimen (Stargardt, 21 March 1996, lot 672: his signature on a receipt for Duke August of Saxe-Gotha). - R. Angermüller, Mozart: Bilder und Klänge. Salzburg, Internationale Stiftung Mozarteum, 1991, p. 358. NDB VII, 4-5.

- Breitkopf & Härtel . Wiesbaden, 1965 - Fort Volume grand In-8°, reliure de l'éditeur pleine toile brune titrée en doré sur le plat et la tranche permettant d'ouvrir totalement le volume à toutes pages, CXLIII-1024 pages, annexes, dictionnaire des auteurs et oeuvres croisées in fine, bel exemplaire comprenant de nombreux commentaires de portées . Ensemble intégralement rédigé en langue Allemande. Règlement immédiat par PAYPAL : paypal.me/Artlink Virements acceptés. Pour les envois internationaux, il est préférable de vous renseigner au préalable auprès de nous afin de connaître les frais de ports effectifs. Les envois se font uniquement en point relais Mondial Relay pour les pays suivants : Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile pour assurer le suivi du colis. . Une participation peut être demandée ponctuellement pour un envoi trop pondéreux. PRIX expédition FRANCE 0 à 1kg (5 env).

4to. 1 p. Eigenh. Unterschrift auf einem Programm im Städtischen Konzerthaus in Aachen. Gespielt wurde an diesem Abend Mozart, Brahms, Donizetti und Strauß (Donauwalzer).

Pas de couverture. Condition: Bon. Autograph letter signed about Alphonse Daudet to the French journalist and playwright Camille de Roddaz (1845-1896). + Photo 20x15 cm (recent print). Size : 18x11.5 cm. Condition : please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Pas de couverture. Condition: Bon. Rare - Autograph musical quotation signed : Sérénage à la lune / Serenade to the Moon + Photo 20x15 cm (recent print). Size : 18x13.5 cm. Condition : folded, please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

No Binding. Condition: Very Good. Casanova de Seingalt, Giacomo Girolamo (1725-98). Libertine, adventurer, spy & autobiographer. Autograph letter in ink, signed 'G.Casanova' addressed to Count Ottaviano Antonio di Collalto, his benefactor & fellow freemason, Dated: Dux, 2 March 1789, (reply received 9 March 1789). 3 pages in 4to. Writing 2 months before the outbreak of the French Revolution from his home at Dux in Bohemia, Casanova warmly thanks an aristocratic benefactor for his letter of 14 February, addressing him as 'Excellenza mio adorato Padrone' (Excellency my adored master) Your gentle and generous heart dictates to your happy pen everything that can be read in your writing, by which you can only notice sentiments of truth and of virtue May God repay you for the kindness you have shown me, and preserve your good health for a long time as for the advantage of your illustrious family and also to give me, in case of need, new token of your grace and of your protection . He refers to Collalto s sad news that prince Karl von Li[e] chtenstein(1) was dying, but it was also welcomed because over here he was thought dead, and [instead] as long as there is breath there is hope ; Casanova comments on social events Now the Carnival is over and so are the balls and the nice court assemblies, to which Your Excellency deservingly took part A correspondent of mine from Venice tells me that the Doge(2) is dying, and that according to the public opinion the ducal horn will be appointed to His Excellency the Procurator Memmo (3) , but the same [correspondent] also tells me that he has no money, and that he is quarrelling with the Martinenghis, who claim from him 145.000 ducati for works carried out in the palace at S. Marmola which he gave as a dowry to his daughter I am told that in Vienna the Venetian minister will be a patrician with a noble title, but I do not know who he will be. The last paragraph contains an extended reference to [Lorenzo] da Ponte, Mozart s librettist : I was told that the Italian music was dismissed. I am wondering if the abbé da Ponte4 will stay. He doesn t write to me anymore. He is angry with me because I didn t praise his poems. He who flatters is not a friend (1) Karl Joseph Prince of Liechtenstein (1730-89) , Austrian general; (2) Doge Paolo Renier (1779-89) was actually succeeded by Ludovico Manin (1789-97), the last doge; (3) Andrea Memmo (1729-93) Proculator of St Mark s, architectural theorist, was in financial difficulties when he left his palace to his daughter as a dowry to the Martinenghi family; (4) Lorenzo da Ponte (1749-1838), born as Emanuele Conigliano, a converted Venetian Jew, was a gifted opera librettist, poet and priest, who wrote the libretti for Mozart s three most famous operas :Don Giovanni, The Marriage of Figaro & Cosi fan tutte; he made his career as librettist to the Italian opera in Vienna under the patronage of the Emperor Joseph II, but lost his post under the new Emperor Leopold; he had met Casanova in October 1787; both men had been expelled from Venice and had a tempestuous relationship (da Ponte was critical of Casanova in his memoirs); after a spell in London, da Ponte emigrated to New York, where he produced the first full performance of Don Giovanni, and founded the New York Opera Company in 1836, the predecessor of the New York Metropolitan Opera House. Traces of ink oxidization throughout, otherwise in very good condition. Autograph letters by Casanova of this length and interest are rarely offered for sale.

Leather Bound. Condition: New. Language: German. Language: German. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1858. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - German, Pages:- 54, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 54 54.