Nattes (35 results)

Hardcover. Condition: Fair. Unterschrift / Widmung ohne Bezug; Riss größer als 1 cm.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Condition: Good. Dust Jacket Condition: No Dust Jacket. J.C. Nattes, S. Rawle and B. Howlett (illustrator). Edition Unstated. Single disbound page with single engraving of townscape. Paper is slightly foxed, more so towards both vertical edges. 1 pages. Item Type: Ephemera. Disbound, no covers, illustration only . Illustrator: J.C. Nattes, S. Rawle and B. Howlett. Quantity Available: 1. Shipped Weight: under 1 kg. Pictures of this item not already displayed here available upon request. Inventory No: 19617044066. All our books are sent by tracked mail.

souple. Condition: Bon. 3 vol. petits in-8 br. verts, ill. noir et blanc, archives municipales de Bordeaux, imprimerie Delmas, Bordeaux, 1973, 1979, 1976,124 pp., 57 pp., 105 pp. Bon état (lég. rouss. en int. de couv., très bon état par ailleurs). Prix pour l'ensemble. Langue: Français.

souple. Condition: Bon. 1 vol. in-8 br., Les Editions de l'Entre-Deux-Mers, 2005, 59 pp. Avec quelques prospectus joints relatifs à Cambes. Bon état Langue: Français.

Couverture souple. Condition: Bon. Récit de l'enfance de l'auteur. 14,5x22,5 cm. 59 p. Broché à couverture souple illustrée. Etat correct. Couverture défraîchie un peu tachée. Intérieur en bon état. Petits plis. in-8° Envoi de l'auteur ou Dédicace de l'auteur ou Signé par l'auteur. Envoi autographe.

Condition: Assez bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condition: Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Hardcover. Condition: Very Good. SANDBY; MARLOW; NATTES; DAYES;WATTS; etc (illustrator). 1st Edition. In contemporary half red morocco, over worn marbled boards, corners & edges bumped & worn. Worn spine, faded gilt tooling & titles, edges bumped, some cracks. Internally, engraved title page, list of contents followed by 63 B&W pls each with a leaf of descriptive text, crease to final text leaf, front hinge cracked, some light offsetting, some faint edge browning, the occasional marginal spot & crease, evidence of book plate removal to fpd. But a Very Good example. (263*208 mm).

Couverture souple. Condition: bon. R300064067: 2005. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 61 pages - nombreuses illustrations en noir et blanc dans et hors texte. . . . Classification Dewey : 908.447-Régionalisme : Aquitaine.

Condition: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782889594658.

Couverture souple. Condition: bon. RO80131446: 14 oct. 1976. In-8. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Pliures. 105 pages. Nombreuses illustrations en noir et blanc, dans le texte et hors-texte. . . . Classification Dewey : 750-La peinture et les peintres.

Couverture souple. Condition: bon. R320164296: 1976. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Catalogue de 105 pages - nombreuses reproductions en noir et blanc dans et hors texte. . . . Classification Dewey : 708-Galeries, musées, collections d'art.

John Claude NATTES (illustrator). C1 Edmond DELAYE. LYON vu par un ANGLAIS EN 1820 Recueil de 36 DESSINS INEDITS de John Claude NATTES. Editions Pierre Masson, LYON, 1926, en feuillets sous emboitage, Grand Format "a l'italienne" 28*21 cm, 16 pages XXXVI gravures en noir. Emboitage un peu frotte et touche aux coins, manque la chemise rempliee, autrement COMPLET des textes et gravures. BON ETAT, TIRAGE LIMITE a 235 exemplaires, EXEMPLAIRE NUMEROTE (# 140) sur papier Velin PRIX EN L'ETAT ENVOI EN FRANCE UNIQUEMENT : POIDS TROP LOURD POUR L'ETRANGER Je mets quelques ouvrages sur LYON en vente; pour les trouver facilement, tapez C1 LYON dans le moteur de recherche de ce site.

in-8, 10 pp., broché. Ernest de Nattes (1908-1994) fut le dernier gouverneur de la Guadeloupe (1946-1947), à titre transitoire, c'est-à-dire en attendant la nomination du premier préfet du nouveau département : ce sera Henri Pougnet, et il ne sera nommé qu'en octobre 1947.Aucun exemplaire au CCF. - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.

J. de Nattès (illustrator). Sur la page de faux-titre, très belle dédicace au crayon feutre bleu: " à madame Nicole Bamberger (Bocuse dans votre cuisine) Pour une cuisine quotidienne sas prétention. avec mon amitié. Paul Bocuse. mai 1982".

Hardback. Condition: Good. Pyne, William Henry and King, T. (illustrator). First Edition. [5], vi-x, [1], 2-98pp, plates. Slightly later half calf and marbled paper over boards, smooth back divided into six panels by gilt rolls, lacking title label to second panel, remaining panels with indistinct fleuron tool in gilt. Heavily rubbed to extremities, upper joint split but holding, marbled paper covering boards is chipped to edges with some loss. Internally the text is browned and occasionally foxed throughout, plates are brighter and cleaner, though plate twenty-three has a damp stain just catching the vignette. Long inscription in pencil to second front free endpaper. With additional engraved title page by William Henry Pyne after Nattes which has been bound after the letterpress title, and forty-five plates (numbered 1-44 with two plate 23's). The 'problems' are engraved by T. King (mentioned briefly in Alexander, 'A Biographical Dictionary of British and Irish Engravers 1714-1820', page 524), and nearly all of the 'problems' have a vignette to the foot by Pyne (Ibid, pages 724-725). Adapted from Le Clerc's 'Geometrie Pratique'. Abbey, 'Life' 160 for a coloured second edition of 1819 Size: 8vo.

Condition: Good. First Edition. G: in good condition. Cover rubbed with some spine end wear. Foxing to eps and occasional spotting. Plates numbers 25-28 and 26-40 appear to have never been bound in to this copy. Illustrations VG. Armorial book-plate on paste-down with owner's signature in pencil on later prelim page. 290mm x 420mm (11" x 17"). 44pp + plates. Engraved title and tail piece vignette and 40 [of 48] engraved plates. Contains a list of subscribers. Armorial book-plate of Sir John Stuart Forbes Bart of Pitsligo & Fetercairn 'Nec timide nec temere', and signature in pencil on later page. Heavy item - shipping supplement may apply for overseas. Green hardback half-leather cover.

Hardcover. Condition: Very good. First. BATH AT ITS REGENCY FINEST. First edition. London: W. Bulmer for William Miller and William Sheppard, 1806. Folio (18 7/8" x 13 1/8", 478mm x 334mm). [Full collation available.] With 30 hand-colored aquatint-engraved plates, of which 2 (the vignettes to the title-page and to p. 56, often found uncolored) are integral with the text. Bound in perhaps later XIXc red morocco over red cloth with double gilt fillets. On the spine, five raised bands. Author and title ("NATTES'/ COLOURED/ VIEWS/ OF/ BATH") gilt to the second panel, number gilt to the tail. Top edge of the text-block gilt. Marbled end-papers. A little scuffed, with some skinning to the lower edge of the rear board. Mildly evenly tanned throughout, with the odd patch of soiling or foxing. A repaired tear to pl. VIII (Pump Room), and a repair to pp. 33-34 (not affecting the text). Pencil numeration in an old hand to the back of each plate, as well as to p. 55. A large and handsome example. Bath -- Aquae Sulis in the Roman period -- along the River Avon has long been a destination for its spa waters. From the XVIIIc, it became fashionable among aristocrats looking to take the waters, and keen for access to its parks and to the surrounding countryside. By the 1770's Bath became the apogee of Georgian architecture -- most famously Robert Adam's Pulteney Bridge (1774) and the Royal Crescent (completed 1774) -- and its picturesque beauty celebrated throughout Britain and Europe. During the Regency of George, Prince of Wales (future George IV) during the incapacitation of his father George III from ca. 1795, Bath ascended to the pinnacle of fashionable society. The novels of Jane Austen -- among many others -- capture Bath in its heyday. Like a débutante captured in the year of her coming out, Bath is in the present work depicted in all her finery. John Claude Nattes (ca. 1765-1839) was a pioneer of watercolor in Britain, and became the preferred recorder of landscape, including Lincolnshire (under the patronage of Sir Joseph Banks) and Scotland in the Scotia Depicta of 1804. His Bath, however, is his magnum opus with its 30 aquatints after Nattes by John Hill and Frederick Christian Lewis. The present example was purchased at the Sotheby's Amsterdam Maggi-Spaulding sale, 28 November 2005, lot 126. Angèle Maggi-Spaulding (1924-2005), heiress to the German culinary firm Maggi, and her husband William Spaulding Jr. (known as "Stu", 1914-1961), scion of a prominent Boston family. Abbey, Scenery 41; Tooley 340.

First edition, folio (477 x 332 mm), [4], iii, [1], 28pp., Half-title. title and final text leaf with hand-coloured aquatint vignettes, 28 fine hand-coloured aquatint plates by J. Hill and F. C. Lewis after Nattes, occasional light soiling, some spotting, mainly to text, light offsetting, marbled endpapers, contemporary red half morocco over marbled boards, spine gilt, some light wear to spine and extremities, rubbed. Nattes' iconic views of Bath, including the Royal Crescent, the Pump Room, and the Concert-Room, as well as general views of the city, contemporary with Jane Austen's residence in the city. "The apparent scarcity of the book would appear to argue for a limited circulation."Abbey. This copy has the half-title, which is frequently missing, and title and final vignette hand-coloured where some copies have these un-coloured. Abbey, Scenery 41; Tooley, 340.

Leather. Condition: Very Good. James Fittler; John Claude Nattes (illustrator). First edition. A scarce first edition copy of this exceptional example of lithography, depicting the antiquities of Scotland, particularly scarce being complete and in the original publisher's paper covered boards. The first edition of the work. Scarce. Collated complete with forty eight engraved plates; additional engraved title page depicting Fingal's Cave and tail piece depicting David Hume's monument. Rebacked in quarter morocco with the exceptionally scarce original publisher's boards preserved. This charming work is copiously illustrated, offering a scenic description of nineteenth century Scotland's antiquities, cities towns and picturesque scenery. The work contains engravings of abbeys, castles, public buildings, battle grounds, harbours and landscapes John Claude Nattes made drawings of the scenes, with the etchings by James Fittler. James Fittler was an English engraver of portraits and landscapes, appointed by King George III to be his marine engraver. Rebacked in quarter morocco with the exceptionally scarce original publisher's boards preserved. Externally very smart with bumping to the extremities. Marks to the boards. Damp staining to rear board. Internally firmly bound. Pages generally bright and clean with offsetting from tissue guards to text. The occasional tidemark, occasionally affecting the extremity of the plates. Loss to the extremity of plate twelve depicting Glasgow Infirmary. The occasional spot. The occasional handling mark. Very Good. book.

Colored vignette on title page and final page of text plus 28 very fine colored aquatint plates. Folio, 19th c. gilt and blind-embossed diced calf; neatly rebacked preserving the original gilt spine. First edition. Abbey Scenery 41. Old bookplate; ink gift inscription, Tingewick, March 25th, 1869. The text and plates are clean and bright throughout. Binding rubbed at edges, but tight, sound, and attractive. Half-title leaf present.

Couverture souple. Condition: Bon. LYON . Chez Pierre Masson . 1926 . EDITION ORIGINALE : Tirage total à 235 exemplaires : UN des 210 exemplaires sur Vélin teinté [ N° 208 ] . Un volume en feuillets libres , format à l'italienne sous chemise rempliée , 280 x 210 m/m , de 18 pages : Titres , table des dessins , justification , notes biographiques , légendes des gravures , suivi de 36 GRAVURES [ COMPLET ] . Emboitage cartonné titré au dos .Petits frottements à la chemise & étui .

Drawing. Condition: Near Fine. John Claude Nattes (illustrator). A large 10.5" x 14.25" original pencil drawing, inscribed bottom right 'PEVERIL CASTLE CASTLETON DERBYSHIRE August 28', on white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. In excellent original condition mounted on museum board. Bears small neat inscription verso relating to another drawing. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works.

Drawing. Condition: Near Fine. John Claude Nattes (illustrator). A large 10.5" x 14.25" original pencil drawing, inscribed verso 'CONWAY CASTLE AND BRIDGE Sept 11th', on white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. In excellent original condition mounted on museum board. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works.

Drawing. Condition: Near Fine. John Claude Nattes (illustrator). A large 10.5" x 14.25" original pencil drawing, inscribed bottom left 'POISSY July 22', on white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. An interesting record of the distinctive spires of the 12th century church of Notre Dame Poissy in its early 19th century rural setting. In excellent original condition mounted on museum board. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works.

Drawing. Condition: Near Fine. John Claude Nattes (illustrator). A large 10.5" x 14.25" original drawing in pencil, pen and ink, the title and date of the picture 'PONT ABERGLASSLYN September 19th', appears on the reverse of another drawing, which was next in sequence to this drawing in the folio of Nattes drawings. A copy of the inscription that appears on the reverse of the other drawing is included here and is attached to the mount. On white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works. In excellent original condition mounted on museum board.

Drawing. Condition: Near Fine. John Claude Nattes (illustrator). A large 10.5" x 14.25" original drawing in pencil, pen and ink, inscribed bottom left 'MENNAI BRIDGE', on white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Very minor time discolouration to the extreme edge of the paper, otherwise condition excellent, mounted on museum board. An interesting record of the historic bridge undertaken a few years after its completion in 1826. Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works.

Drawing. Condition: Near Fine. John Claude Nattes (illustrator). A large 10.5" x 14.25" original drawing in pencil, pen and ink, COUNTRY CHURCH, on white wove paper watermarked 'J. Whatman 1832'. The location is not recorded although the drawing is from a small group of Nattes Kent/Sussex drawings. The church tower is distinctive, as is the memorial to the right of the church, which might possibly help to identify the location. Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works. Very minor time discolouration on extreme right edge of paper, otherwise Near Fine, mounted on museum board.

Drawing. Condition: Near Fine. John Claude Nattes (illustrator). A large 10.5" x 14.25" original drawing in pencil, pen and ink, inscribed bottom left 'BEDDGELERT September 19th', on white wove J. Whatman paper (from a small group of drawings by Nattes, all on similar paper, some of which bear the J. Whatman watermark and date 1832). Nattes exhibited at the R.A. from 1782 and was a founder member of 'The Old Watercolour Society'. An atmospheric drawing capturing a specific moment of early 19th Century Snowdonian Welsh village life. In excellent original condition mounted on museum board. Bears small neat inscription verso relating to another drawing. Nattes work is represented in The British Museum, The V&A and other public collections. Nattes died in 1839 not 1822 as mistakenly recorded in some reference works.