Scanlan Joe (36 results)

- Softcover
Seller: WeBuyBooks, Rossendale, LANCS, United KingdomWeBuyBooks
Contact seller5-star sellerCondition: Used - As new
US$ 8.35
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Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

- Hardcover
- First Edition
Seller: Dark Hollow Books®, Member NHABA, IOBA, Ocala, FL, U.S.A.Dark Hollow Books®, Member NHABA, IOBA
Contact seller5-star sellerAssociation member: IOBA
Condition: Used - Fine
US$ 20.00
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Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. F/F dj; now in archival Brodart. Collects twenty tales of Dark Suspense and Crime. Peter Scanlan (illustrator).
More images- Hardcover
- First Edition
- Signed
Seller: Cross Genre Books, WEST LINN, OR, U.S.A.Cross Genre Books
Contact seller5-star sellerAssociation member: CBA
Condition: Used - Near fine
US$ 19.00
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Hardcover. Condition: Near Fine. Near Fine. 1st Edition. Signed; Inscribed by Author(s). The dust jacket is unclipped ($21.95). First Edition Stated. Inscribed by Joe Lansdale and one other on the half-title page. Peter Scanlan, dj art (illustrator).

Language: English
Published by Kunstsammlung Nordrhein-Westfalen and Kerber Verlag, 2008
- Hardcover
Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
Contact seller5-star sellerCondition: Used
US$ 25.00
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Hardcover without dustjacket as issued; 112 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Published by Commerce Books, 2018
- Softcover
- First Edition
Seller: Canal Jones, New York, NY, U.S.A.Canal Jones
Contact seller2-star sellerSoft cover. Condition: New. No Jacket. 1st Edition. Softcover, offset ink on paper, 16 pages,8.5 x 5.5 in / 21.6 x 14 cm. An edition of 250 unnumbered copies. Paragraphs on Deceptual Art proposes the importance of persuasion, illusion, and outright deception to the effectiveness of contemporary art. Published on the occasion of…Joe Scanlan's exhibition "New Tricks, New Schemes" at Galerie Martin Janda, 7 March 21 April 2018. Originally published as "Paragraphs on Conceptual Art" by Sol LeWitt in Artforum, June 1967.

Published by Thingsthatfall, 2018
- Softcover
- First Edition
Seller: Canal Jones, New York, NY, U.S.A.Canal Jones
Contact seller2-star sellerSoft cover. Condition: New. No Jacket. 1st Edition. Offset ink on paper, 16 pages, saddle-stitched. First edition of 250 unnumbered copies. Classism: An Introduction is an appropriation of Edward Said's Orientalism, filtered through class consciousness and contemporary art.

Published by Kerber, Bielefeld, 2007
- Hardcover
Seller: AphorismA gGmbH, Berlin-Kreuzberg, GermanyAphorismA gGmbH
Contact seller5-star sellerCondition: Used - Fine
US$ 8.92
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Add to basketLn. Condition: Sehr gut. 108 Seiten; Wie neu Übersetzung von Heynen, JulianWie neu.

- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
US$ 25.18
US$ 13.51 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paperback. Condition: Brand New. 80 pages. 11.26x7.80x0.39 inches. In Stock.
More imagesPublished by Hirsch Foundation
- Hardcover
Seller: ThriftBooksVintage, Tukwila, WA, U.S.A.ThriftBooksVintage
Contact seller5-star sellerCondition: Used - Very good
US$ 26.00
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Add to basketHardcover. Condition: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.

Optimisim
KANE, Mitchell, Joe Scanlan, Diana Thater, Stephan Dillemuth & Jason Simon, J. Morgan Puett, et al.
Published by Hirsch Farm Project / Hirsch Foundation, Northbrook, IL, 1994
- Hardcover
- First Edition
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.Jeff Hirsch Books, ABAA
Contact seller5-star sellerFirst Edition. First edition. Hardcover. 64 pages. Features a preface and epilogue by Mitchell Kane and acknowledgements by Laurie Winter. Includes illustrations of works by Joe Scanlan, Diana Thater, Stephan Dillemuth & Jason Simon, J. Morgan Puett, Christian Philipp Muller, and Rhonda Lieberman. A near fine copy in illustrated… boards with some slight tapping to the spine ends. No dust jacket as issued.

Language: English
Published by Museum of Contemporary Art, Chicago, IL, 1998
- Softcover
- First Edition
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.Jeff Hirsch Books, ABAA
Contact seller5-star sellerCondition: Used
US$ 45.00
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First Edition. First edition. Softcover. Text features a talk between Joe Scanlan and Amada Cruz along with a wide ranging selection of quotations by the likes of Anni Albers, Honor de Balzac, Albert Camus, Cher, Kim Gordon, Moliere, and numerous others. A very good copy in stapled wrappers with some slight sunning to and along…the spine and front and rear panels. Uncommon.

Published by Art Gallery of Ontario; Pulse, Toronto, 1999
- Softcover
Seller: Attic Books (ABAC, ILAB), London, ON, CanadaAttic Books (ABAC, ILAB)
Contact seller5-star sellerCondition: Used - Near fine
US$ 20.00
US$ 15.00 shippingShips from Canada to U.S.A.Quantity: 1 available
Softcover. Condition: Near fine. 56 p. 26 cm. B&w illustrations. Work by Tom Friedman, Germaine Koh, Michael Landy, Daniel Olson, Sandra Rechico, Joe Scanlan, David Shrigley, and Kelly Wood.

- Hardcover
Seller: JAC Books, Cortland, NY, U.S.A.JAC Books
Contact seller4-star sellerCondition: Used - As new
US$ 50.00
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Hardcover. Condition: As New. Dust Jacket Condition: As New. Limited. Dark Harvest, Arlington Hts, IL, 1992. Deluxe Limited First Edition with DJ and matching Slipcase, 307 pp. This is #7 of 400 individually numbered deluxe copies SIGNED BY ALL 21 AUTHORS. An anthology of all-new "tales of dark suspense" by David Morrell, Steve…Gallager, F. Paul Wilson, Andrew Vachss, Joe R . Lansdale, Bill Crider, Neal Barrett, Jr., William F. Nolan, Ardath Mayhar, Lewis Shiner, Steve Rasnic Tem, David J. Schow, and others. This early-numbered copy is unread and as new. Peter Scanlan (illustrator). Signed by All Contributors.
More imagesPublished by Paraguay Press, 2009
- Softcover
- First Edition
Seller: Canal Jones, New York, NY, U.S.A.Canal Jones
Contact seller2-star sellerSoft cover. Condition: New. No Jacket. 1st Edition. Softcover, 18 colors, 40 pages, Swiss binding, 28 x 20 cm. An edition of 500 unnumbered copies. Essays by Milton Friedman, Edward Said, Joseph Schumpeter, and Thorstein Veblen made made relevant to the economics of contemporary art.

- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
Contact seller5-star sellerCondition: New
US$ 57.11
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Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory…', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

- Hardcover
Seller: Borkert, Schwarz und Zerfaß GbR, Berlin, GermanyBorkert, Schwarz und Zerfaß GbR
Contact seller5-star sellerCondition: Used - Very good
US$ 11.89
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Illustr. Originalleinenband. Condition: Gut. 110 S. : zahlr. Ill. ; 22 x 29 cm. Sehr gutes Ex. - Deutsch; englisch. - Joe Scanlan (* 1961 in Stoutsville) ist ein US-amerikanischer Konzept- und Installationskünstler. Joe Scanlan studierte Bildhauerei und erlangte 1984 den Bachelor of Fine Arts am Columbus College of Art and Desig…n in Ohio. Er setzte sein Studium an der School of the Art Institute of Chicago fort. Als Professor begann Scanlan 2001 an der Yale University School of Art zu lehren. 2009 wurde Scanlan als Professor nach Princeton berufen und leitet dort die Fakultät für Visual Arts. Scanlan veröffentlicht unter anderem Artikel über Kunst und Design in den Zeitschriften Artforum, Art issues, Frieze und Parkett. Massachusetts Wedding Bed, Thingstahtfall Pavilion und Donelle Woolford sind bekannte Projekte. Das Donelle Woolford Project, bei dem eine professionelle Schauspielerin die Rolle einer fiktiven Künstlerin übernimmt, wirft Fragen über die Bedeutung von Rasse und Geschlecht in der Kunst auf. Joe Scanlans Werke sind regelmäßig auf international bedeutenden Ausstellungen zu sehen, so auch auf der documenta IX, 1992 in Kassel. . (wiki) ISBN 9783866780620 Sprache: Englisch Gewicht in Gramm: 675.

- Softcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
Contact seller5-star sellerCondition: New
US$ 58.28
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Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory…', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
More images- Hardcover
- First Edition
Seller: Canal Jones, New York, NY, U.S.A.Canal Jones
Contact seller2-star sellerCondition: New
US$ 48.00
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Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Two books designed to fit together that but also come apart. The hardcover book has a hole die-cut into its pages with a softcover collection of essays on art and design that fits inside. The hardcover book is foil-stamped cloth, perfect-bound, 28.5 x 22 cm, 112… pages. The softcover book has a 4-color cover, perfect-bound, with four B&W illustrations, 17.5 x 10.8 cm, 96 pages. Joe Scanlan's columns on art and design originally published in frieze and Artforum are gathered here as one long, picaresque narrative in which democracy plays the amiable lead role, only to be undermined by capitalism. From the Lumière Brothers' use of their employees in the making of the first film to Tino Sehgal's use of museum visitors in the production of his art, again and again we regress to the familiar, not on the basis of its merits but because it puts the most people at ease. However vexed we were by modernist ideology, the products resulting from the current consensus-based, consumer-driven service economy are really starting to depress me. I miss having to accept something whether I like it or not, if only for the bits of stunning genius that single-mindedness made possible. Consumer culture, where is thy victory? Product, where is thy sting.

- Hardcover
- First Edition
- Signed
Seller: Pat Cramer, Bookseller, Lewisville, TX, U.S.A.Pat Cramer, Bookseller
Contact seller4-star sellerAssociation member: TXBA
Condition: Used - Fine
US$ 59.50
US$ 3.00 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition/First Printing. A square solid tight clean unread unused copy. SIGNED by all contributors, Joe Lansdale, F. Paul Wilson, Neal Barrett Jr., Andrew Vachss, Lewis Shiner, Ronald Kelly Norman Partridge, Bill Crider, Steve Rasn ic Tem, Robert Pettitt, Stephen Gall…agher, David J. Schow, Ed Gorman, Dan Lowry, Chet Williamson, Ardath Mayhar, William F. Nolan, John Keefauver, Thomas Sullivan, & David Morrell. All new fiction. Peter Scanlan (illustrator). Signed Copy. Book.
More imagesPublished by Hirsch Foundation, Northbrook, Illinois, 1994
- Hardcover
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
Contact seller4-star sellerHardcover. Orange and illustrated boards with black spine lettering. 64 pp. Illustrations. "The contributions, ideas and miscellaneous matter enclosed in this book were developed by a selected group of practitioners in the visual arts following a meeting in Hillsboro, Wisconsin, July 11th through 18th"--Title page verso. Coveral…ls pattern included in separate back pocket. VG- light corner bumping, pocket has detached from inside of back cover.

- Softcover
- First Edition
Seller: Stefan Küpper, Duisburg, GermanyStefan Küpper
Contact seller4-star sellerCondition: Used
US$ 23.78
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Add to basketKrefeld 1996. 72 (8) S. Originalkarton m. -umschlag 23,0 x 16,6 cm. Gutes Exemplar.

- Softcover
Seller: Optimon Books, Gravesend, KENT, United KingdomOptimon Books
Contact seller5-star sellerCondition: Used - Good
US$ 69.56
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Paperback. Condition: Good. Joe Scanlan (born 1961) is an American artist and educator.Joe Scanlan's magazine columns from the past fifteen years gathered here as one long, picaresque narrative in which democracy plays the amiable lead role, only to be undermined by capitalism. From the Lumiere Brothers' use of their employees i…n the making of the first film to Tino Sehgal's use of museum visitors in the production of his art.Two books designed to fit together that but also come apart. The hardcover book has a hole die-cut into its pages with a softcover collection of essays on art and design that fits insideLimited edition of 1500.There is a water stain at the top of the front cover with slight shelf wear to the edges.

- Softcover
Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
Contact seller5-star sellerCondition: Used
US$ 50.00
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Softcover with dustjacket, 80 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

- Softcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
US$ 62.13
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Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory…', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
US$ 54.23
US$ 87.81 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory…', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

- Softcover
Seller: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, GermanyAntiquariat Querido - Frank Hermann
Contact seller5-star sellerCondition: Used
US$ 14.27
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Erste Auflage. 23 x 16,6 cm. 72 S. OKarton mit illustriertem OKlappenumschlag. Umschlag am Rücken etwas aufgehellt. Sonst noch sehr gutes Exemplar. Durchgehend mit schwarz-weißen und einigen farbigen Abbildungen versehen. Mit Texten von Joe Scanlan und Julian Heynen in deutscher und englischer Sprache. Katalog zur gleichnamigen…Ausstellung des amerikanischen Konzeptkünstlers im Museum Haus Lange in Krefeld. Sprache: Deutsch und Englisch.

- Softcover
Seller: HM Books, Kingston, NY, U.S.A.HM Books
Contact seller4-star sellerCondition: Used - Good
US$ 247.50
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Paperback. Condition: Good. Covers show some light discoloration and shelf wear as well as some edge wear. A few instances of underlining in pencil throughout book.

- Hardcover
Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
Contact seller1-star sellerCondition: New
US$ 1,976.00
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Hardcover. Condition: New.

- Softcover
Seller: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, GermanyAntiquariat Querido - Frank Hermann
Contact seller5-star sellerCondition: Used
US$ 21.40
US$ 54.26 shippingShips from Germany to U.S.A.Quantity: 1 available
Erste Auflage. 23 x 16,6 cm. 72 S. OKarton mit illustriertem OKlappenumschlag. Sehr gutes Exemplar. Durchgehend mit schwarz-weißen und einigen farbigen Abbildungen versehen. Mit Texten von Joe Scanlan und Julian Heynen in deutscher und englischer Sprache. Katalog zur gleichnamigen Ausstellung des amerikanischen Konzeptkünstlers…im Museum Haus Lange in Krefeld. Sprache: Deutsch und Englisch.

Published by GAGA vzw, 2000, 2000
Seller: stock, Gent, Belgiumstock
Contact seller1-star sellerCondition: Used
US$ 14.27
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Add to basketOmslag bezoedeld, verder goed.