Solomon Georg (12 results)

Paperback. Condition: Very Good. 1974 Vintage paperback - different cover - inscribed by author to the Beat biographer Ann Charters and her husband Sam - crease on binding - some tanning to page edge - otherwise binding strong contents clean - enjoy.

Softcover/Paperback. Condition: Gut. 128 S. gutes und sauberes Exemplar (Schnitt leicht stockfleckig) Sprache: Deutsch Gewicht in Gramm: 385.

gebundene Ausgabe. Condition: Gut. 281 S. ; Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Die Stabilität ist aufgrund der häufigen Nutzung beeinträchtigt. Sprache: Deutsch Gewicht in Gramm: 415.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

281 S., 3 Bll. 8°, ill. OPbd. Übertragen von Wilhelm Cremer. Abrechnungsschrift des ehemaligen sowjetischen Diplomaten G. Solomon, der vor dem Revolutionsexport der SU warnt: Man weiß, welche ungeheuren Summen von der Sowjetregierung für die Propagierung der Weltrevolution ausgegeben werden, welche Reichtümer man der Komintern und ihren Angestellten anvertraut hat (.) Aber wer hat ihnen diese Macht, diese Waffen gegeben? Wer hat diese Armee von Söldnern geschaffen, durch die sie die Welt bedrohen? (.) Diese Kräfte, über die sie verfügen, und mit denen sie die Zivilisation zu zerstören drohen, hat ihnen die zivilisierte Welt geliefert. Umschlagzeichnung von Nils Graf Stenbek. Ordentlicher Zustand. 500 gr.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Essays "Q & A: Jeffrey Slonim on Pet Piles," by Jeffery Slonim; "Letter from Paris: Pascaline Cuvelier [and] Olivier Zahm on A.P.C," by Pascaline Cuvelier and Olivier Zahm; "Preview: Florine Stettheimer at the Whitney: Jutta Koether talks with Elisabeth Sussman," by Jutta Koether; "Preview: Florine Stettheimer at the Whitney: Brooks Adams on the Florine Scene," by Brooks Adams; "Film: Brian D'Amato on Robert Longo's Johnny Mnemonic," by Brian D'Amato; "Gadget Love: R. U. Sirius reviews J. C. Herz's Surfing the Internet," by Gadget Love; "Music: Christina Kelly on Jenny Toomey," by Christina Kelly; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Goth to Dance: Donald Kuspit talks with Georg Baselitz," by Donald Kuspit; "Critical Reflections: Dale Hickey with an introduction by Peter Schjeldahl," by Dale Hickey and Peter Schieldahl; "Venezia / Venezuela: A Project for Artforum by Meyer Vaisman with an introduction by Jesús Fuenmayor," by Meyer Vaisman and Jesús Fuenmayor; "Diary of a Sad Housewife: Collier Schorr talks with Todd Haynes," by Collier Schorr; "Art of Living: James Meyer talks with Gregg Bordowitz," by James Meyer; "Into the Blue: Yves Klein: Comic Relief," by Nan Rosenthal; "Into the Blue: Yves Klein: Klein and Poses," by Benjamin H. D. Buchloh; "Openings: Maurizio Cattelan," by Olivier Zahm. Book reviews by John Ash, Yve-Alain Bois, Jean-Pierre Criqui, Arthur C. Danto, Jeffery Deitch, Bruce Hainley, bell hooks, Wayne Koestenbaum, Rhonda Lieberman, Richard Martin, Patrick McGrath, D. A. Miller, Michael Musto, Peter Schjeldahl, Richard Shiff, Richard Stone, Justin Spring, Carol Squiers, and Mim Udovitch. Reviews by Jan Avgikos, Peter Bowen, Barry Schwabsky, Andrew Solomon, Joshua Decter, Donald Kuspit, David Rimanelli, Keith Seward, Ingrid Schaffner, Faye Hirsch, Dan Cameron, John Ash, Ronny Cohen, Steven Drukman, Nico Israel, Joan Seeman Robinson, Laurie Palmer, Rosetta Brooks, Benjamin Weissman, Thomas McEvilley, John K. Grande, José Luis Brea, Menene Gras Balaguer, Massimo Carboni, Mario Codognato, Michael Tarantino, Jérôme Sans, Anne Dagbert, Elizabeth Janus, Yilmaz Dziewior, Noemi Smolik, Daniel Birnbaum, and Michael Archer. Cover: Florine Stettheimer.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Essays "Q & A: Jeffrey Slonim on Pet Piles," by Jeffery Slonim; "Letter from Paris: Pascaline Cuvelier [and] Olivier Zahm on A.P.C," by Pascaline Cuvelier and Olivier Zahm; "Preview: Florine Stettheimer at the Whitney: Jutta Koether talks with Elisabeth Sussman," by Jutta Koether; "Preview: Florine Stettheimer at the Whitney: Brooks Adams on the Florine Scene," by Brooks Adams; "Film: Brian D'Amato on Robert Longo's Johnny Mnemonic," by Brian D'Amato; "Gadget Love: R. U. Sirius reviews J. C. Herz's Surfing the Internet," by Gadget Love; "Music: Christina Kelly on Jenny Toomey," by Christina Kelly; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Goth to Dance: Donald Kuspit talks with Georg Baselitz," by Donald Kuspit; "Critical Reflections: Dale Hickey with an introduction by Peter Schjeldahl," by Dale Hickey and Peter Schieldahl; "Venezia / Venezuela: A Project for Artforum by Meyer Vaisman with an introduction by Jesús Fuenmayor," by Meyer Vaisman and Jesús Fuenmayor; "Diary of a Sad Housewife: Collier Schorr talks with Todd Haynes," by Collier Schorr; "Art of Living: James Meyer talks with Gregg Bordowitz," by James Meyer; "Into the Blue: Yves Klein: Comic Relief," by Nan Rosenthal; "Into the Blue: Yves Klein: Klein and Poses," by Benjamin H. D. Buchloh; "Openings: Maurizio Cattelan," by Olivier Zahm. Book reviews by John Ash, Yve-Alain Bois, Jean-Pierre Criqui, Arthur C. Danto, Jeffery Deitch, Bruce Hainley, bell hooks, Wayne Koestenbaum, Rhonda Lieberman, Richard Martin, Patrick McGrath, D. A. Miller, Michael Musto, Peter Schjeldahl, Richard Shiff, Richard Stone, Justin Spring, Carol Squiers, and Mim Udovitch. Reviews by Jan Avgikos, Peter Bowen, Barry Schwabsky, Andrew Solomon, Joshua Decter, Donald Kuspit, David Rimanelli, Keith Seward, Ingrid Schaffner, Faye Hirsch, Dan Cameron, John Ash, Ronny Cohen, Steven Drukman, Nico Israel, Joan Seeman Robinson, Laurie Palmer, Rosetta Brooks, Benjamin Weissman, Thomas McEvilley, John K. Grande, José Luis Brea, Menene Gras Balaguer, Massimo Carboni, Mario Codognato, Michael Tarantino, Jérôme Sans, Anne Dagbert, Elizabeth Janus, Yilmaz Dziewior, Noemi Smolik, Daniel Birnbaum, and Michael Archer. Cover: Florine Stettheimer.

Condition: 0. Übertragen von Wilhelm Cremer. Materiell ordentlicher goldgeprägter Gewebe Einband mit iguter Bindung, jedoch minimal gelockert. Buchblock materiell gut und weitestgehend sauber, 281 + 7 Seiten. " Einleitung - Mein Dienst in Deutschland - Dienst in Moskau - .in Estland - . in England ". 0.4 Kg. Gewicht in Gramm: 400 1. Deutsche Auflage Goldgeprägter Gewebe Einband Ordentlich.

Hardcover. Condition: Very Good. First edition. Small quarto. [aster.]-2[aster.]4 A-3M4 (= 240 leaves). [16], 464pp. Contemporary Dutch vellum (very slightly bowed) panelled in blind with central stamped vignette, spine with raised bands and elegant calligraphic title. Title vignette depicting the arms of Amsterdam. A few old marginal annotations. Various old library stamps at title, and bottom margins of two text leaves (that on the final leaf bleeds through to text on recto). A very good copy, text clean and fresh throughout, attractively bound. First Latin edition of this late medieval chronicle of Jewish history, "one of the outstanding achievements of Hebrew literature in the Renaissance" (Enc. Jud.), reprinted in 1680 under the Hebrew title, Shevet Yehudah (The Tribe of Judah). First published in Hebrew at Adrianople in 1554, it was followed by various Hebrew or Yiddish (Judaeo-German) editions prior to Gentius' version; a Spanish version appeared at Amsterdam in 1640. During the 1520s, Solomon ibn Verga (1460-1554) wrote his Shevet Yehudah (The Tribe of Judah), a compilation of accounts of the persecutions undergone by Jews from the destruction of the Second Temple until his own day. At times, the author intersperses the historical account with disputations and deliberations, of which some are authentic and others imaginary. The author drew his historical material from Josippon, the Sefer ha-Kabbalah of Abraham ibn Daud, from the narrative of Nathan ha-Babli, and from Maimonides' letters including Iggeret Teiman. He also utilized a brief Hebrew chronicle dealing with the general expulsions and religious persecutions, probably that of Profiat Duran and consulted the writings Isaac Abrabanel. For his own period, he mentions some of the events which he heard of or witnessed and for which he is sometimes the only source. The work has special importance in the annals of Jewish historical thought. The thoughts and reflections which the author interweaves in his imaginary discussions, that is in the literary and not the historical section of the work, reflect his dissatisfaction with the traditional outlook and opinions of the Middle Ages. The Orientalist and diplomat Georg Gentius (1618-1687) was born in Dhame, Saxony and came to study with Heinsius, De Dieu, Golius, and L'Empereur in Leiden, as well as the rabbis of Amsterdam. Among the latter, Menasseh ben Israel respected Gentius for the courtesy he displayed in his scholarly and personal dealings with the Jews, and asked him to complete a Latin translation of the Shevet Yehudah which he himself had begun. With this publication, dedicated to the Hamburg consuls, Gentius created a larger public for one of the most fascinating historical works of the Hebrew Renaissance, [and] heralded a new era in Jewish history by its critical and empirical approach to the phenomena of history. Provenance: old entry of "Nicol. Nonnea D." at title leaf. References: EJ 8:1203-05 (noting the various editions, along with Steinschneider 6982). Fürst 3:474. A. Katchen, Christian Hebraists and Dutch Rabbis, esp. 247-68: Discussion of Gentius leads into Shevet Yehudah. A.A. Neuman, "The Shebet Yehudah and Sixteenth Century Historiography" [in:] Louis Ginzberg Jubilee Volume, English Section (NY, 1945), 253-73.

4to, pp.[16], 464; occasional passages in Hebrew, woodcut arms of Amsterdam to title-page, woodcut initials; dampstain at foot of title leaf, a little light foxing, a few small paper-flaws, overall a very good copy; bound in contemporary Dutch stiff vellum, yapp fore-edges, title in ink in Latin and Hebrew at head of spine, edges sprinkled red; lower joint split at head, upper board slightly bowed, a few marks; armorial ex libris (1692) of Pierre-Daniel Huet and shelfmark label 'X.E.' to front pastedown, 'D.de H.788 A.' to front flyleaf, Huet's manuscript notes to front and rear endpapers, his occasional brief marginal annotations, marginal marks and underlinings, ownership inscription at head of title 'Domus profess.Paris Societ.Jesu?.First Latin edition of Solomon Ibn Verga's Shevet Yehudah, an important account of persecutions suffered by the Jews and a reflection upon the origins of antisemitism, from the library of the distinguished French savant and bishop Pierre-Daniel Huet with annotations in his hand.Ibn Verga (c.14601554) was an important Spanish-Jewish historian. After the conquest of Málaga in 1487 he raised funds for ransoming Jews taken captive there; following the expulsion of the Jews from Spain in 1492 he settled in Lisbon. When large numbers of Jews in Portugal were forcibly baptised, he was compelled to live as a converso, eventually moving to Italy in 1506. His Shevet Yehudah, composed in the 1520s, is 'a compilation of accounts of the persecutions undergone by the Jews from the destruction of the Second Temple until his own day. At times, the author intersperses the historical account with disputations and deliberations, of which some are authentic and others imaginary. By means of these, he tried to clarify the problem of the hatred against the Jews, to examine their special destiny, to offer answers to the claims of their enemies, to rebuke his people for their social and moral faults, and to voice his objection against certain philosophical opinions For his own period, he mentions some of the events which he heard of or witnessed and for which he is sometimes the only source. The work has special importance in the annals of Jewish historical thought [it] is one of the outstanding achievements of the Hebrew literature of the Renaissance' (Encyclopaedia Judaica). This Latin translation was undertaken by the German orientalist and diplomat Georg Gentius (16181687).Provenance: from the library of Pierre-Daniel Huet (16301721), Bishop of Soissons and later of Avranches, a French scholar, antiquary, scientist, and philosopher, one of the most brilliant and renowned intellectuals during the reign of Louis XIV, 'whose incisive skepticism, particularly as embodied in his cogent attacks on René Descartes, greatly influenced contemporary philosophers' (Britannica). Huet's father was a convert from Calvinism, but he was nonetheless educated by a Protestant pastor as his tutor during some of his first academic years. He studied at the Jesuit school in his native Caen, before moving to Paris where he forged a close friendship with Gabriel Naudé, librarian of the Mazarin Library. In 1652 he visited the court of Queen Christina of Sweden, in whose library he discovered some fragments of a commentary on St Matthew by Origen, which led to an edition of Origen in 1668. He later assisted the French bishop Jacques Bossuet, tutor to the Dauphin Louis, son of Louis XIV, and edited the celebrated series of Delphin Classics. Though not a Jesuit himself, Huet spent his last years in a Jesuit house in Paris, and bequeathed his library of some eight thousand books to the Jesuit College in Paris. With the expulsion of the Jesuits in 1763, the library reverted to Huet's heirs who sold much of it to the Bibliothèque du Roi, some volumes being sold off.The rear flyleaf bears notes in Huet's neat hand in Latin and Hebrew, dated 19 February 1680, which clearly demonstrate his close engagement with Ibn Verga's text. These include, for example, notes on Ibn Verga himself as well as on Abraham Ibn Ezra, Maimonides, the Talmud, and the Jewish temples in Jerusalem. A note to the front flyleaf relates to persecutions suffered by the Jews in Spain and Portugal.STCN 089893883; USTC 1821019. Language: Latin.

Broschiert. Condition: Gut. 202 Seiten; Das Buch ist in einem neuwertigen Zustand. Neben dem oben aufgeführten Aufsatz befinden sich auch weitere Beiträge auch anderer Autoren in dem Werk. Sprache: Deutsch Gewicht in Gramm: 280.

Leather Bound. Condition: new. Language: English. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2026, utilizing the invaluable guidance of the original edition published many years ago in 1796. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 296, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 296.