Sultanik Aaron (23 results)

Paperback. Condition: Very Good. Annotated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Good. Light wear to boards. Content is clean and bright. Some spotting to page ends. DJ with some edge wear, small tears and creasing.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. A survey of the interplay of the social, cultural, and artistic influences throughout the history of motion pictures. A nice copy with only minor edge wear to the DJ.

Paperback. Condition: Very Good. Cinemulacrum: A Secret History of Film / Video, 1960-2010 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardcover. Condition: As New. First Printing. Book is a clean tight unmarked copy.

Hardcover. Condition: Very Good. Hardcover in very good condition. Faint scores and minor shelfwear to the jacket; sticker on the front flap. The jacket and hardcover spine ends are bumped. Pages are clean and sound; all text is clear. CM. Used.

Hardcover. First Edition; First Printing. Very Good in a Good dust jacket. Edge wear. Chipping to spine's crown and heel. ; 9.20 X 6.10 X 1.60 inches; 503 pages.

Paperback. Condition: New. Cinemulacrum, a conflation of "cinema," the art of the Hollywood film, and simulacrum, a reality counterfeit, was coined to designate contemporary media culture. This period is distinguished by the advent of digital film/video, an ideology of fantasy as the central narrative of movies and television, and a ruling audience demographic of the young adult. A pre-cinemulacrum era (1960-1980) and Age of Cinemulacrum (1980 to the present day) are demarcated to examine the fall-and rise-of classical Hollywood and the hegemony of television in a media dyad of movies and television.Cinemulacrum argues that the convergence of technology, ideology, and audience represent the primary factors surrounding the social immediacy of movies and television, and that video, fantasy, and the young adult have replaced film, realism, and the family as the outstanding attributes of contemporary media culture.A contemporary vision of media culture emerges in the 1980s. George Lucas and Steven Spielberg lead a populist new wave, combining technological modernity with a retro sensibility grounded both in B-movie melodramas and the genteel, domesticated television sit-coms of the 1950s. Television, however, gains an unrivaled authority through the spinoff production model and the expanded resources of cable with its 24/7 news, sports, and movies.Advocating a new or alternate history of movies and television, the author assesses critical trends from America's hybrid media culture. The pre-cinemulacrum era is unraveled through an "apocrypha of violence"-a cycle of conflicting portrayals of movie violence and heroism in Bonnie and Clyde, Dirty Harry, The Godfather, Taxi Driver, and Rocky. The Age of Cinemulacrum is then characterized by the 'making of simulacra'-the proliferating nature of movie sequels, prequels, and "special editions"-and by television's multi-generational young adult demographic of The Cosby Show, Seinfeld, and The Simpsons.The author concludes his study with an annotated timeline-"The Seven Ages of Cinemulacrum"-listing the history-making movies and television programs in contemporary media culture.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. First edition. 503pp. A stain on the top page edge else near fine in an about fine dust jacket with a small abrasion on the rear spine fold.

Condition: New. In.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

8vo. 504pp. Original boards in dustwrapper. A very good copy. . First edition. Signed and inscribed on title-page.

Condition: Bon. Camera-Cut-Composition: A Learning Model | Aaron Sultanik | Cornwall Books, 1995. In-8° cartonné, 158 p. Plats de couverture propres. Dos solide. Intérieur frais sans soulignage ou annotation. Exemplaire de bibliothèque : petit code barre en pied de 1re de couv., cotation au dos, rares et discrets petits tampons à l'intérieur de l'ouvrage. Bon état général pour cet ouvrage [BB16+] Pour les expéditions internationales, nous consulter au préalable pour l ajustement des frais de port qui seront peut-être revus à la baisse/ For international shipments, please contact us in advance to adjust shipping costs. |.

Paperback. Condition: Brand New. 120 pages. 9.00x6.25x0.50 inches. In Stock.

Condition: New. Satisfaction Guaranteed or your money back.

Paperback. Condition: New. Cinemulacrum, a conflation of "cinema," the art of the Hollywood film, and simulacrum, a reality counterfeit, was coined to designate contemporary media culture. This period is distinguished by the advent of digital film/video, an ideology of fantasy as the central narrative of movies and television, and a ruling audience demographic of the young adult. A pre-cinemulacrum era (1960-1980) and Age of Cinemulacrum (1980 to the present day) are demarcated to examine the fall-and rise-of classical Hollywood and the hegemony of television in a media dyad of movies and television.Cinemulacrum argues that the convergence of technology, ideology, and audience represent the primary factors surrounding the social immediacy of movies and television, and that video, fantasy, and the young adult have replaced film, realism, and the family as the outstanding attributes of contemporary media culture.A contemporary vision of media culture emerges in the 1980s. George Lucas and Steven Spielberg lead a populist new wave, combining technological modernity with a retro sensibility grounded both in B-movie melodramas and the genteel, domesticated television sit-coms of the 1950s. Television, however, gains an unrivaled authority through the spinoff production model and the expanded resources of cable with its 24/7 news, sports, and movies.Advocating a new or alternate history of movies and television, the author assesses critical trends from America's hybrid media culture. The pre-cinemulacrum era is unraveled through an "apocrypha of violence"-a cycle of conflicting portrayals of movie violence and heroism in Bonnie and Clyde, Dirty Harry, The Godfather, Taxi Driver, and Rocky. The Age of Cinemulacrum is then characterized by the 'making of simulacra'-the proliferating nature of movie sequels, prequels, and "special editions"-and by television's multi-generational young adult demographic of The Cosby Show, Seinfeld, and The Simpsons.The author concludes his study with an annotated timeline-"The Seven Ages of Cinemulacrum"-listing the history-making movies and television programs in contemporary media culture.

Condition: Muy Bueno.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Cinemulacrum, a conflation of "cinema," the art of the Hollywood film, and simulacrum, a reality counterfeit, was coined to designate contemporary media culture. This book examines the fall-and rise-of classical Hollywood and the hegemony of television in a media dyad of movies and television. .

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Cinemulacrum, a conflation of cinema, the art of the Hollywood film, and simulacrum, a reality counterfeit, was coined to designate contemporary media culture. This book examines the fall-and rise-of classical Hollywood and the hegemony of television in a.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Cinemulacrum, a conflation of 'cinema,' the art of the Hollywood film, and simulacrum, a reality counterfeit, was coined to designate contemporary media culture. This book examines the falland riseof classical Hollywood and the hegemony of television in a media dyad of movies and television.