Telingater (29 results)

Cloth. Condition: Good. Dust Jacket Condition: Good. Type: Book N.b. Corners of boards and head and tail of spine bumped. Rubbing to edges and corners of D/J with some chipping to head and tail of spine.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First Edition, 2005. 264 pages. Book Measures 9.5 x 9 inches. Includes essays by Jean-Claude Marcade, Alexei Loginov, and Gustav Klucis. Contains collages and a brief biography of the following artists: Vasily Elkin, Piotr Galadzhev, Valentina Kulagina, Solomon Telingater, Victor Koretsky, and Anatol Brusilovsky. Works are presented on rectos only, and laid out nicely on each page. This volume presents early Russian avant-garde photo collage work by artists whose work is rarely reproduced. Dust jacket shows slight age toning. Otherwise Near Fine in Near Fine dust jacket. Binding is solid.

Condition: leido. 1ª ed. Tela con sobrecubierta. 260.

Folio. 12 Faksimiles in verschiedenen Formaten lose in Orig.-Kartonmappe. Die Mappe erschien anläßlich der Ausstellung in der HDK Berlin. - Vorderdeckel mit kleinem Einriss, sonst gutes Exemplar.

Condition: Good. 12mo. 4pp. Announcement for 'Fotomontage'; European & Russian Collage 1920-1950 exhibition. Card-stock with Dream #3, 1935 by Marta Hoepffner printed in black and white on front cover.

Hardcover. Condition: Very Good. 1st Edition. Pub by State Publishing House of Political Literature, 1939, NAP, presumed 1st Edition. Text in English. NOT exLib. VG-minus cond. hardcover, no dj. An album style oversize hardcover with contents compiled from material in Central Lenin Museum, Moscow, designed by S. Telingater. Extensively illustrated in color & b&w, including numerous tipped-in plates, facsimile letters, etc. Book is complete and internally intact & unmarked. Exterior dotted in small white spots, which can be scraped off with a little patience. Exterior cloth beginning to separate at front & rear shoulders -- a cosmetic problem which does not adversely affect textblock binding, which remains sound. Unpaginated, approx 220pp (2-7/8" thick,) and quite heavy. May require extra postage. Same or next day shipping. Please email any questions.

Hardcover. BITTE BEACHTEN: KEIN VERSAND AUSSERHALB EU - PLEASE NOTE: NO SHIPPING OUTSIDE EUROPEAN UNION. Leinen im Großformat (ca. 35 x 27 cm), etwa 200 Seiten. Einbanddeckel stärker fleckig und an den Ecken bestoßen. Rücken entlang Scharnierkanten abgelöst, aber gut erhalten. Papier kaum gegilbt, es handelt sich um stärkeres Papier, teils auch um Kunstdruckpapier für fotografische Abbildungen. Veröffentlicht vom sowjetischen Staatsverlag: OGIZ State Publishing House of Political Literature, 1939. Quellennachweis: 'This album was compiled from material in the Central Lenin Museum, Moscow.' Der voluminöse Band enthält zahlreiche fotografische Abbildungen in verschiedenen Formaten, Tafeln mit Reproduktionen von Gemälden etc. sowie Faksimiles aus Lenins Schriften und Korrespondenzen. Dieses Buch wurde mitten im Hochstalinismus veröffentlicht. Neben der Lenin-Darstellung wird auch Stalin direkt als legitimer Nachfolger Lenins statuiert. Zahlreiche Belege sind hierfür im Buch zu finden. Alle Materialien sind in englischer Sprache beschrieben, es handelt sich eindeutig um eine Publikation für internationale Verbreitung, auch ist durchaus von einer 'Pracht-Ausgabe' zu sprechen die weit über gewöhnliche Buchveröffentlichungen in der UdSSR hinausging. Gewicht: 4000.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Book Condition: very good. English text. ORIGINAL Black heavily embossed cover and spine. Gold lettering complete and only slightly dulled with age. First. Interior is in fine condition aside from the thick mounting stock paper browning from aging. Book designed by S. Telingater, compiled from material in the Central Lenin Museum, Moscow. An elaborate production with superior graphic design, encompassing the entire life of Lenin; with illustrations and facsimile documents, many mounted and in color. (including many political pamphlets) No expense was spared in production of this book. Un paginated with 185 primary pages.Spine loose at top and cloth split for 1.75", shelf rubbing on bottom of spine. Ogiz: State Publishing House of Political Literature, 1939. First edition. A fine copy of this scarce book. Weight and bulk of book will require additional special shipping charges and insurance as quoted when ordered. Foreign shipping and insurance will be at direct cost.

Hardcover. Condition: Very Good. Presumed first edition w/NAP, hard cover with gilt decoration to front board and spine, compiled from materials in the Central Lenin Museum, has faint touch of bowing to boards, light bumps to corners with board starting through front corners, very slight crease to upper corner of first several pages, faint rubbing with a few tiny spots of soiling, very slight shelfwear to board edges, faint sunning to spine, and a very short, shallow stain to outside edge of first three pages, otherwise a solid VG copy.

Soft cover. Condition: Good. 1st Edition. Original illustrated wrappers. Cover and Design by Solomon Telingater [1903-1963]. Printed in red and black. Catalogue of periodicals published in the leading cities of the USSR. Rare example of the typographic work of Telingater including two pages with photomontages. Wrappers show wear and creasing, contents are very good with light creasing. Pieces of spine missing. 25x18 cm. Text in English and Russian. With a separate folded advertising leaf printed in orange and black. 32,5x23,5 cm. (fine).

31 S. Mit Abb. Gr.-4°, illustr. Orig.-Umschlag (Solomon Telingater). Die bedeutende Architektur-Zeitschrift Moskau im Bau erschien von 1924 bis 1941 und zeigt mit ihrer Covergestaltung exemplarisch die Entwicklung der visuellen Kommunikation während der zwanziger und dreißiger Jahre. Sie richtete sich an ein Fachpublikum von Stadtplanern und Architekten; in den Artikeln wurde die Neuplanung Moskaus diskutiert, Beispiele von Städte- und Siedlungbau aus dem Ausland sowie Konzepte der Rationalisierung des Alltagslebens und kollektive Wohnformen vorgestellt. (Hierzu u. zum Folgenden vgl. Monica Rüthers: Moskau bauen von Lenin bis Chruscev. Wien, 2007. S. 63f.) Ab 1928 gestalteten verschiedene konstruktivistische Künstler wie Gustav Klucis, El Lissitzky, V. Popos und Vladimir Stenberg die Umschläge und setzten die Plangrafik der Projekte in grafische Zeichen um. Die Titelblätter hatten eine narrative Struktur, sie erzählten von Planungsprozessen und von der Überlegenheit der Neubauten über die Älteren Gebäude (ebenda S. 64). Zwischen 1929 und 1932 dominierten bei der Gestaltung Montagetechniken wie von Telingater, bis es dann ab 1933 nur noch ein rein formales einheitliches Design gab. - Heft dreimal gelocht u. etwas gebräunt. - Kat. MoMa 839. - Rüthers, Moskau Bauen S. 249 (Abb.). 400 gr.

First edition, slim 8vo (20.4 x 9.2 cm); text by Kirsanov and design by Telingater; original printed wrappers with photomontage and typographic design by Telingater, small repairs to spine, otherwise a very good copy. An attractive copy of one of the most striking books of the Russian avant-garde, rarely found in such fresh condition. A student of El Lissitzky, Telingater was awarded the Gutenberg Prize for his achievements and design of books and typefaces. This work combines typographic and photomontage design for the covers as well as inventive layout for the text. Rowell and Wye, 913.

Soft cover. Condition: Near Fine. 1st Edition. (The Poliics of the Enemy: Leaders of Capitalist and Accommodating Europe; Essays and Portraits). Octavo 19.8x13.5 cm., wrappers, 200pp. Solomon Telingater, front and rear cover and page design, with a photocollage on rear cover and vignettes with photos and drawings on the chapter title pages. This work presents two dozen essays characterizing class enemies --- Western politicians and leading personalities, with Pope Pius blessing them and flanked by police and armed guards. The photocollage depicts social democratic leaders brandishing their strength to keep the capitalist ball rolling. The author Gennady Isaevich Iakov-Geronskii (1900-??) was a journalist. He was arrested twice in the 1940s and sent to labor camps, rearrested in 1961 under Article 70 (undermining Soviet power). Béla Kun was the leader of the Hungarian 1919 revolution and exiled to the USSR; he was arrested and tried as a Trotskyite and shot in 1938. Worldcat locates copies in Princeton, Berliner Staatsbibliothek. Important document.

Soft cover. Condition: Near Fine. 1st Edition. Octavo 20x14 cm., wrappers, (4) pp. A brochure issued by the Magazine and Newspaper Association addressed to Bolsheviks titled, For the Bolshevik, Ideology and High Skills in All Types of Art, with a list of open subscriptions for recommended reading in Soviet art, theater, film, literary gazettes, and literary heritage. --- All in a classic Constructivist page format designed by Solomon Telingater. Quite rare, no institutional holdings found.

Soft cover. Condition: Near Fine. 1st Edition. Quarto 26.5x18.5 cm., wrappers, 28pp., with insert. 5000 copies; includes corrigenda slip. Designed by the October group members Telingater, Gutnov, and Spirov. October was a Constructivist artist collective organized through the efforts of Aleksandr Rodchenko, Aleksei Gan, El Lissitzky. The elite of Soviet modernism, including Dmitri Moor, Sergei Eisenstein, Boris Ignatovich, the brothers Vesnin, Gustav Klutsis, came together under an aegis of excellence in the visual arts and design. The group was inaugurated in 1928. Rodchenko displayed many of his classic photos in an exhibition in 1931.This manifesto followed, in which the collective called for the consolidation of the proletarian art forces and announced a campaign in aggressive language. Solomon Telingater supported this with a highly dynamic visual design throughout. Authoritarian pressure led to expelling Rodchenko with charges of formalism later that year, and the pressures from above increased steadily to disband the group in 1932. Two holdings found in North American institutions (Yale, Art Gallery Ontario). A near fine copy.

Moskau/Leningrad, Neuerscheinungen der proletarischen Literatur, 1931. 12 Seiten. OBroschur. Mit Fotomontagen von Solomon Telingater auf beiden Außen- und Innendeckeln (geringe Läsuren). Erste Ausgabe dieser Fassung. - Majakowskis berühmtestes Gedicht erschien erst in der zweiten Auflage mit der bekannten Einbandgestaltung von Solomon Telingater. - Bowlt-H. 115 mit Abbildung; Leclanche-Boule Nr. 173 mit Abbildung. Vgl. Paris-Moskau-Kat. Nr. 222. - Ränder etwas gestaucht. - Kein Exemplar auf einer deutschen Nachkriegsauktion. - Second edition with Majakowskis famous poem with cover-illustration by Solomon Telingater. Near fine copy. Rare. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Moskau u. Leningrad, Iskusstwo, 1939 (recte 1940). 2 Bände in illustr. OLeinen-Mappe (Gelenk leicht aufgeplatzt). 4°. 30 Seiten/ 20 ungez. Blätter. Mit zahlreichen teils farbigen Abbildungen und einer Faltkarte. - 16 ungez. Blätter, Vollfaksimile mit 2 mont. Orig.-Fotos. Illustr. blindgeprägter OKarton. Erste Ausgabe. - Die sehr aufwendig gestaltete Ausgabe dokumentiert den ersten Nonstop-Flug von Moskau über den Nordpol in die USA, der 51 Stunden dauerte und ursprünglich sogar bis San Francisco geplant war. Die drei Piloten wurden Helden der Sowjetunion und der Buchkünstler Salomon Telingater gestaltete diesen Prachtband zu ihren Ehren. - Slg. Getty 582. Vgl. zum Flieger Walerij Tschkalow Vranskaya-C. 69. - Mappenlasche mit kurzer zweizeiliger Widmung von Telingater an den Künstlerkollegen Nikolai Sedelnikow, dat 7/IV-40. Navigator's log book, airplane NO25 : first non-stop flight Moscow-North Pole-United States of America = Shturmanskii? bortovoi? zhurnal samoleta NO25. - Fine copy of this rare suprematist item. About first non-stop flight Moskau - USA. With two line dedication by Telingater to Nikolai Sedelnikow, dated 7/IV-40. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

GIZ Moskau. 1930. 20,5 x 9,5 cm. 42 nn. Bl. Farbig illustrierter Originaleinband. Original illustrated publisher's wrappers. Very good copy. Some signy of use. Otherwise a very attractive copy which is always in this state. - Nicht ganz frisch, insgesamt aber wohlerhalten. Sprache: Russisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Soft cover. Condition: Very Good. 1st Edition. In the publishing illustrated case folder. 1. Lenin, V. Tasks of the Youth Union. 2. Stalin, I. About Lenin. 3. Stalin, I. About the Komsomol. 4. Kaganovich, L. International and internal situation and tasks of the Komsomol. 5. Postyshev, P. For the Bolshevik education of new Komsomol cadres. 6. Krupskaya, N. Memories of Lenin. 7. Ulyanov-Elizarova, A. Memories of Ilyich. Design and typography by Solomon Telingater (1903 - 1969), a famous avant-garde Soviet graphic artist, illustrator, printer and book designer. Along with Gustav Klutsis, Alexander Rodchenko, El Lissitzky, and others, Telingater was a founding member of the October group, a collective of Constructivist artists formed in 1928. The brochure about Postyshev was withdrawn from circulation due to the fact that he was declared an enemy the USSR. The complete set is great rarity. The case folder professionally repaired, otherwise very good.

Hardcover. Condition: g to g+. First edition. Folio (12 x 9"). 79, [1]pp. Original silver-lettered burgundy cloth, with round-shape photomontage pasted to front cover. Title page in red and black lettering. This scarce Soviet monograph is entirely dedicated to the art of John Heartfield (1891-1968), a German artist whose anti-Nazi and anti-Fascist photomontages made him a pioneer in the use of art as a political weapon. Heartfield also created book jackets for authors such as Upton Sinclair, as well as stage sets for such noted playwrights as Bertolt Brecht and Erwin Piscator. Designed by Solomon Telingater (1903-1969), a Soviet graphic artist and a founding member of the October group (a collective of Constructivist artists formed in 1928), the book is lavishly illustrated throughout with numerous b/w, duo-tone and color photographic reproductions, dadaist works, posters, color reproductions of eight Upton Sinclair book jackets and other art. Of course, his political photomontages for the weekly Arbeiter-Illustrierte-Zeitung (AIZ) are well represented, along with art for a variety of publications, among them a cover for the daily "Die Rote Fahne," an elaborate piece for Vereingung Internationaler Verlagsonstalten (a German anti-war publication), art for Der Cicerone (a magazine for artists and art collectors) and covers and interiors from Kurt Tucholsky's book "Deutschland Deutschland über alles." Includes a tipped in photographic portrait of Heartfield by Alexander Rodchenko, and a tipped-in photomontage showing Lenin leading the way to new housing construction in Moscow. Scarce paper errata sheet tipped in at rear. Some soiling to front cover. Previous owner's inscription in German "In Erinnerung an den Ostfeldzug (In Memory of the Eastern Campagne)", dated 'Zhitomir, Herbst 1941' on front free endpaper. "Feindspropaganda" (enemy propaganda) in red pencil reproduced on inside of each cover. Ex-library copy, with Russian stamp at inner gutter of title page, at bottom of page 21 and at bottom of last page (not affecting lettering). Text in Russian. Binding in overall good, interior in good to good+ condition. "Heartfield himself regarded Tretjakov's study as the best exposition of his work." (John Heartfield AIZ: Arbeiter-Illustrierte Zeitung, Volks Illustrierte 1930-38 by David Evans; Anna Lundgren (ed), New York, 1992, Kent Fine Art, Inc. page 36).

Couverture souple. Condition: Bon. Moscou, 1930. Un fascicule au format 180X250mm. No. 3/4 de 1930. Couverture en noir et rouge composée par Salomon Telingater. Tampons et références sur la page de sommaire : voir les 5 photos. (Russian avant garde, constructivisme, avant garde periodical).

Moscow: IZOGIZ, 1931. Quarto (26.4 × 18.8 cm). Original printed wrappers; 27, [1] pp. With striking typographic arrangement throughout, printed in red and black. Light soil to wrappers, rust to staples. Still about very good. A late manifesto from a critical period for the October Group, with extensive self-critique of Constructivism and charismatic typographic design elements by the members of the group, with Solomon Telingater heading the design team. Concerned with defining "proletarian art", October was founded in 1928 by a group of Constructivist and Productivist-leaning architects, artists, filmmakers, photographers, and sculptors including the Vesnin brothers, Aleksandr Deineka, Gustav Klutsis, Valentina Kulagina, Aleksandr Rodchenko, and Aleksei Gan, among others. The manifesto presents fifteen points on "new proletarian art", including topics such as national art, industrial and household design, professional and amateur art, as well as commentary on other art groupings such as OCA (Union of Contemporary Architects), which was the main organisation of Constructivist architects, and VOPRA (Union of Proletarian Architects), a group of architects that rejected Constructivism in favour of "class conscious architecture". The volume closes with an especially detailed polemic against the positions of AKhR (Association of Artists of the Revolution) which opposed Constructivism and other avant-garde movements in favor of realism. AKhR would go on to become the cornerstone for the Union of Soviet Artists which was founded in 1932, leading to the liquidation of all independent art groupings including the October Group, and championing Socialist Realism. The volume is an especially fine example of typographic experimentation by Solomon Telingater (1903-1969), a graphic artist, typographer, illustrator, and book designer. Born in Tiflis (Georgia), Telingater studied at VKhUTEMAS in 1920-1921, often dubbed the Bauhaus of the Soviet Union for its experimental edge. Later Telingater famously collaborated on cover designs with El Lissitzky and Gustav Klutsis, did layout design for the Constructivist architecture periodical "CA" (Contemporary Architecture), as well as architectural periodicals "SSSR na stroike" (USSR in Construction) and "Stroitel'stvo Moskvy" (Construction of Moscow). No. 983 in Rowell/Wye, The Russian Avant-Garde Book 1910-1934. The catalog also features over a dozen other Constructivist designs by Telingater. One of 5000 copies printed. As of March 2026, KVK, OCLC show five copies in North America.

Moscow: Gosudarstvennoe izdatel'stvo, 1929. Octavo (19.8 × 13.5 cm). Original decorative wrappers; 106 pp. with four sections of different width, forming a tabbed structure. Signed and inscribed by Aleksandra Miroliubova to Galina Chichagova on title. Light soil to wrappers; wrapper corners scuffed; still about very good. A Constructivist time capsule, this catalog of fiction and memoir publications compiled by Gosizdat (the Soviet State Publisher), with original typographic design by the graphic artist Solomon Telingater (1903-1969), is inscribed by fellow Constructivist artist Aleksandra Miroliubova: "To the famous Constructivist Galina Dmitrievna Chichagova as a sign of great and everlasting friendship, from your best friend. 1917-1963". The tabbed sections of the catalog are reminiscent of Telingater and El Lissitzky's collaborative projects, such as the 1927 exhibition catalog on typography "All-Union Printing Trades Exhibition: Guidebook". As Rowell and Wye write: "Despite the content that was far from seductive, these volumes show a remarkable graphic invention, sometimes imaginatively inspired by this very content, and designed for popular appeal" (See: MoMA: The Russian Avant-Garde Book 1910-1934, p. 222). Born in Tiflis (Georgia), Telingater studied at VKhUTEMAS in 1920-1921, often dubbed the Bauhaus of the Soviet Union for its experimental edge. In addition to working on books and catalogs such as this one, Telingater did layout design for the Constructivist architecture periodical "CA" (Contemporary Architecture), as well as architectural periodicals "SSSR na stroike" (USSR in Construction) and "Stroitel'stvo Moskvy" (Construction of Moscow). The author of the inscription, Aleksandra Miroliubova (1898-1987), and the addressee Galina Chichagova (1891-1967) also studied at VKhUTEMAS with artists such as Aleksandr Rodchenko and Liubov Popova. Galina Chichagova, and her sister Olga Chichagova, were part of the first working group of Constructivists headed by Rodchenko, and would go on to incorporate Constructivist design into Soviet children's books. They also famously experimented with typography, turning letters into design elements, with the present volume by Telingater engaging in similar graphic play. This volume is no. 838 in Rowell/Wye, The Russian Avant-Garde Book (pictured on p. 230). As of March 2025, KVK, OCLC show five copies worldwide, of which two in North America.

TELINGATER, Solomon. Piatiletka [The Five-year Plan]. By Semen Kirsanov. 176 pp., illustrated with photographs. 8vo, 194 x 133 mm., bound in publisher's cloth, preserved in a new cloth folding box. Moscow: Goslitizdat, 1931. A splendid example of Russian avant-garde book design, from the binding to the layout, with its imaginative use of photography, and typography. Despite the edition size of 10,000, this is, like all Russian books of the period, rare. The silver and red on the binding unusually well preserved. OCLC lists Columbia, Getty, NYPL, Chicago, Notre Dame, Duke, Cleveland Public Libray, Texas A & M and Monash University, worldwide. Bibliotheca Wittockiana, Russian Book Art 99. Rowell and Wye 976.

TELINGATER, Solomon. 1914-i. Dokumental'nyi pamflet. By Ilya Feinberg. 92, [20] pp., illustrated throughout with photomontage, and 9 full page plates including 2 foldout plates. 8vo, 250 x 180 mm., publisher's bound in black cloth, front board embossed and printed with metallic red and silver ink, preserved in a new cloth folding box. Moscow: MTP, 1934. This stunning book was published to mark the 20th anniversary of the start of the First World War. A splendid example of Telingater's skill as a book designer, combing photomontages with dramatic layout and strips of red paper with white type, tipped in throughout the book. An elaborately constructed book that is an analysis of the Great War and the international and domestic issues and events that coincided and inspired the Russian Revolution. Intricately designed with two concertina foldouts, one depicting dinosaurs. Front inner hinge repaired, otherwise very good condition.

TELINGATER, Solomon. O Lenine. O komsomole. [On Lenin. On the Komsomol]. 7 volumes. 8vo, 190 x 130 mm., each volume bound in publisher's photographically illustrated wrappers, preserved in publisher's red slip case with photograph of Lenin, designed by Telingater, preserved in a new cloth box. Moscow: Molodaia gvardiia, 1932. A classic example of Telingater's genius as a book designer. This particular work was banned and withdrawn from circulation after Pavel Postyshev, the author of part 5 was jailed, as an enemy of the USSR, and subsequently the complete set in its original box is extremely rare, with OCLC listing only NYPL and U. of Chicago in the U.S. The set is made up as follows: 1. Lenin, V. Zadachi soiuzov molodezhi [i.e. Tasks of Youth Unions]. 32 pp.: ill. 2. Stalin, I. O Lenine [i.e. On Lenin]. 32 pp. 3. Stalin, I. O komsomole [i.e. On the Komsomol]. 64 pp. 4. Kaganovich, L. Mezhdunarodnoe i vnutrennee polozhenie i zadachi komsomola [i.e. International and internal situation and tasks of the Komsomol]. 108 pp. 5. Postyshev, P. Za bol'shevistskoe vospitanie novyh kadrov komsomola [i.e. For the Bolshevik Education of New Komsomol Cadres]. 64 pp. 6. Krupskaya, N. Vospominaniia o Lenine [i.e. Memories of Lenin]. 248 pp.: ill. 7. Ul'ianova-Elizarova, A. Vospominaniia ob Il'iche [i.e. Memories of Ilyich]. 96 pp.: ill.

Moscow and Leningrad; State Art Publishers, 1939. Facsimile of the Russian log book: 26x20,5 cm. 32 pp. Publisher's red cloth with printed paper-label on front board & the log book in English translation: 30, (1, 1 blank) pp. + (36, 4 blanks) pp. + folding map, and with a prospectus for the book loosely inserted. Original printed wrappers. Housed in a brown cloth portfolio. The portfolio is slightly worn at extremities. The oversized wrappers on the English volume is a little creased in margins. Front wrapper has a few light marks in red chalk, and rear wrapper is a bit toned. A fine copy. The facsimile was published as a celebration of the first flight via the North Pole, June 18-20, 1937. The English translation also contains a preface by one of the three pilots, Alexander Belyakov, photos and a map. Book design by Russian graphic artist, typographer and printer Solomon Telingater (1903-1967).

Leather Bound. Condition: New. Language: Russian. Language: Russian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1920. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Russian, Pages: - 93, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 93 93.

Moscou, Pravda, 1935, 350x268mm, 160p., pleine toile bleue façon polaire, lettrage argent sur le plat et au dos, étui toilé gris anthracite. Conçu par Solomon Telingater avec le concours de L.Mekhlis, I. Vérité. I. Bogovy et I. Baevsky, c'est l'un des livres de photo soviétiques les plus emblématiques qui célèbre le voyage dans l'Arctique du brise-glace Chelyushin, qui s'est retrouvé coincé dans les glaces au début de 1934. Le sauvetage final de la majorité de l'équipage a été salué comme une réussite majeure et utilisé à des fins de propagande, plus efficace que les tableaux statistiques.Le livre est une production élaborée utilisant des photographies, des reproductions de peintures et des souvenirs. Il existe des planches coloriées à la main et un recours intensif au collage et au photomontage. Il y a même deux drapeaux miniatures inclus dans le livre. "Parmi les plus grands livres de photos soviétiques, le monumental Épopée héroïque célèbre l'un des événements les plus glorifiés de la Russie stalinienne des années 1930, le voyage épique dans l'Arctique du brise-glace Chelyuskin. Le récit d'exploration a été mythifié autant que les expéditions britanniques de Shackleton et Scott" (Parr & Badger).Très bel exemplaire parfaitement conservé dans son étui original, complet des deux drapeaux montés sur cordelettes. De la bibliothèque Benoît Frachon.Karasik et Heiting. Le livre photo soviétique 1920-1940, p.352-357. Parr & Badger : Le livre photo, Vol.I, p.164. (105765).