Tracey Bashkoff (160 results)

hardcover. Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardcover. Condition: Good. Minor tears. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Trade Paperback. Condition: Used - Very Good.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Gray cloth, large quarto. Fine copy in a fine dust jacket. Numerous full page photograps, text photos. Includes interview with Sugimoto. Due to size and weight, extra charges for overseas shipping. Please inquire before ordering. No extra charge for media mail shipping within the US.…

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Oblong 4to, illustrated hardcover, die-cut jacket, 319pp., 95 plates, figures. First edition. VG+/VG+: a clean, bright and sound book in a bright and whole jacket. Extra postage will be asked (5).

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Magazine. The winter 2009-2010 issue of the Guggenheim Guide, the museum's periodical describing and promoting their exhibitions. This issue has an article by Sandhini Poddar on Anish Kapoor; Tracey Bashkoff on Vasily Kandinsky; a short piece by Katherine Brinson on Kitty Kraus; and related events. Staple-bound self-wrappers; 8 pages; color and b&w illustrations throughout + a floor plan map of the museum; 9 x 11.75 inches. Condition: Fine with a touch of handling/shelving. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. …

Hardcover. Condition: Gut. 30x21cm 135 Seiten. Hardcover. Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Deckel ist etwas gebogen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Paperback. Condition: Good. 1st. (GER) Presued 1st edition, Owner's inscription to half title, small crease to corner of cover, touch of waviness to portion of top margin of pages, thus Good used copy. Wraps, 170pp, B&W reproductions of exquisite portraits made with large format cameras, augmented with B&W photos and illus. Hiroshi Sugimoto photographs wax figures of Henry VIII and his wives. These wax figures are based on portraits from the 16th century and when taking the picture Sugimoto attempts to recreate the lighting that would have been used by the painter. Focusing on Madame Tussaud's in London, its branch in Amsterdam and a wax museum in Ito, Japan, Sugimoto took three-quarter view photos, using 8-by-10-inch negatives, of the most realistic wax figures. They are typically taken against a black background. There is a fold-out of a recreation of the Last Supper. The text is entirely in German. (3.3 JM LVR 200/1 Size: 4to - over 9¾" - 12". Exhibition Catalogue.…

paperback. Condition: Very Good. DETAILS: tall sewn PAPERBACK, separate translucent green dust-jacket is wrinkly and wavy but the green covers and book are in near fine condition. BASHKOFF, TRACEY, (organizer). . On the sublime: Mark Rothko, Yves Klein, James Turrell. Organized by Tracey Bashkoff. Berlin : New York: Deutsche Guggenheim ; Guggenheim Museum Publications, 2001, 135pp., . Rothko, Mark, 1903-1970; Bashkoff, Tracey R.; Klein, Yves, 1928-1972; Turrell, James - Published on the occasion of the exhibition held at the Deutsche Guggenheim Berlin, July 7-Oct. 7, 2001 - On the Sublime accompanied a small exhibition of minimalist works by Mark Rothko, Yves Klein and James Turrell. The exhibit included color-field paintings and light installations that are quietly captivating, and we tried to evoke the same spirit in this simple book. The cover is delicate and evanescent; pages are thick and sober; transparent tints separate chapters; and the typography is (we hope) both retiring and monumental. - CONTENTS: Rothko's sublimities / Robert Rosenblum -- Yves Klein and the double-edged sublime / Thomas McEvilley -- James Turrell and the nonvicarious sublime / Frances Richard. 9780892072477 ISBN 0892072474. …

135 S. mit Abbildungen in Farbe und schwarz-weiß. Text in Englisch (sehr gutes Exemplar). Sprache: Englisch Gewicht in Gramm: 750 Gr.8°. 25,5 x 16 cm. Orig.-Broschur.

[32] pp.; 17 x 12 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Brochure published in conjunction with the Guggenheim Museum's October 2011 - February 2012 exhibition season. Includes information about the exhibitions including a text by Nancy Spector about Maurizio Cattelan's show "All" held November 4, 2011 - January 22, 2012 and additional texts by Megan Fontanella, Lauren Hinkson and Tracey Bashkoff Fine. As issued, clean and unmarked.…

Hardcover. Oblong Quarto, 319 pages. In Very Good condition with a Very Good minus dust jacket. Spine white with red and black lettering. Exterior has slight plus wear including small chip to the front and light soiling. Slight age toning to the jacket interior. Boards have very slight wear including mild tilt to the spine. Text block has slight wear including faint age toning to the edges. Profusely illustrated. NOTE: Shelved in Locked Annex, Quarto and Folio Case. Oversized book(s). Additional postage necessary for international/expedited orders. Economy international shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire about rates. 1408579. FP New Rockville Stock.…

Hardcover without dustjacket as issued; 312 pages; as new condition, clean and crisp, no internal marks. Foreign shipping may be extra.

Condition: New.

hardcover. Condition: New. New. Clean, unmarked pages. Fine binding and cover. Hardcover.

hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condition: like_new. Fast & Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.

Hardback. Condition: Very Good. A groundbreaking study of visionary artist Hilma af Klint. When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than a thousand paintings and works on paper that she kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint?s radically abstract painting practice ? one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Accompanying the first major survey exhibition of the artist?s work in the United States, Hilma af Klint represents her groundbreaking painting series while expanding recent scholarship to present the fullest picture yet of the artist?s life and work. Essays explore the social, intellectual, and artistic milieu of af Klint?s 1906 break with figuration and her subsequent development, placing her in the context of Swedish modernism and folk art traditions, contemporary scientific discoveries, and spiritualist and occult movements. A roundtable discussion among contemporary artists, scholars, and curators considers af Klint?s sources and relevance to art in the 21st century. The volume also delves into her unrealized plans for a spiral-shaped temple in which to display her art ? a wish that finds a fortuitous answer in the Guggenheim Museum?s rotunda, the site of the forthcoming exhibition.…

Condition: New.

Hardcover. Condition: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

hardcover. Condition: fine. Dust Jacket Condition: fine. First. 137 illustrations. 200 pages. Small square 4to, orange cloth, d.w. New York Guggenheim, (2012). Fine in fine dust wrapper.

Soft cover. Condition: As New. Quarto, 135 pages, illustrated throughout. Green wrappers and printed transparent dust wrappers. As new. - First edition. Exhibition from July 7. - October 7. 2001.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: Very Good. A groundbreaking study of visionary artist Hilma af Klint. When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than a thousand paintings and works on paper that she kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint?s radically abstract painting practice ? one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Accompanying the first major survey exhibition of the artist?s work in the United States, Hilma af Klint represents her groundbreaking painting series while expanding recent scholarship to present the fullest picture yet of the artist?s life and work. Essays explore the social, intellectual, and artistic milieu of af Klint?s 1906 break with figuration and her subsequent development, placing her in the context of Swedish modernism and folk art traditions, contemporary scientific discoveries, and spiritualist and occult movements. A roundtable discussion among contemporary artists, scholars, and curators considers af Klint?s sources and relevance to art in the 21st century. The volume also delves into her unrealized plans for a spiral-shaped temple in which to display her art ? a wish that finds a fortuitous answer in the Guggenheim Museum?s rotunda, the site of the forthcoming exhibition.…