Viola Michely (38 results)

Condition: good. Fast & Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Near Fine. 334 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. No remainder mark.

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: Fine. 1st. xviii, 334 pages, illustrations; 24 cm. Additional translation by Nickolas Decarlo, Kayvan Rouhani and Heidi Zimmerman. Tight, clean copy. *** "Joseph Beuys is one of the most legendary figures of 20th century art and his work and ideas continue to impact on artists today. This reader brings together the crucial texts on Beuys to look at the most contentious reception ever accorded a postwar artist." - Publisher. *** CONTENTS: List of Illustrations; Acknowledgements; Foreword: Style and Salvation in the Art of Beuys; Editors' Introduction; I; BEUYS AND HIS 'CHALLENGERS'; 1. Breaking the Silence: Joseph Beuys on his 'Challenger', Marcel Duchamp (1995); 2. Beuys, Haacke, Broodthaers (1988); 3: Beuys and Broodthaers: Dialectics of Modernity between 'Analytic Geometry and the Belief in an Unbelieving God' (2001); 4. Letters as Works of Art: Beuys and James Lee Byars (2000, excerpt); II: CRITICS' PERSPECTIVES: 5. Beuys: The Twilight of the Idol (1980); 6. Discontinuous Notes on and after a Meeting of Critics, by One of the Artists Present (1981, excerpt); 7. Joseph Beuys, or the Last of the Proletarians (1988); III: BEUYS AND THE LIMITS OF ICONOGRAPHY: 8. Beuys and Romanticism (1986, excerpt); 9. No to. Joseph Beuys (1997); IV: BEUYS, ART AND POLITICS; 10. 'Questions? You have Questions?' Joseph Beuys' Artistic Self-Presentation in Fat Transformation Piece/Four Blackboards, 1972 (1996); 11. Every Man an Artist: Talks at Documenta V by Joseph Beuys (1972, excerpt); 12. Institutionalizing Social Sculpture: Beuys' Office for Direct Democracy through Referendum Installation, 1972 (1997, excerpt);13. U berblick Series on the Parliamentary Election (1983, excerpt); V. BEUYS AND POSTMODERNISM; 14. Performance: Joseph Beuys (1985, excerpt); 15. In the Shadow of Joseph Beuys: Remarks on the Subject of Art and Philosophy Today (1987); 16. Letter to Jean-Franc ois Chevrier (1997, excerpt); 17. The Aesthetics of Post-History: A German Perspective (1995, excerpts); VI: ISSUES OF RECEPTION: 18. The Reception of Joseph Beuys in the USA, and Some of its Cultural/Political and Artistic Assumptions (1998, excerpt); 19. Joseph Beuys and the GDR: The Individual as Political (1992); 20. Joseph Beuys and Surrealism (1997) Roundtable; Appendix: Key Dates and Exhibitions; Index. Size: 8vo.…

paperback. Condition: fine. First. xviii + 334 pages. 8vo, glossy mint green wrappers. Cambridge: The MIT Press, (2007). First American edition. A fine copy. Beuys, Joseph (illustrator).

Paperback. Condition: Very Good. Joseph Beuys: The Reader This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Paperback. Condition: New. Essential texts on a legendary twentieth-century artist, including key essays by Benjamin H. D. Buchloh, Rosalind Krauss, Peter Bürger, Thierry de Duve, and others. Twentieth-century artist Joseph Beuys (1921-1986)â"legendary and self-mythologizing, enigmatic and controversialâ"remains an important influence on artists today. Beuys embraced radically democratic artistic and political ideas, proclaiming âEveryone is an artist,â and advocating direct democracy through referenda. He famously worked with such nontraditional materials as felt, fat, and plants and animals both alive and dead. Beuys and his workâ"performance art, drawing, painting, sculpture, installationâ"received perhaps the most contentious reception of any postwar artist. This reader brings together the crucial writings on Beuys and his work, presenting key essays by prominent artists and critics from North America and Europe. With a foreword by Arthur C. Danto, âStyle and Salvation in the Art of Beuys,â Benjamin H. D. Buchloh's now classic 1980 essay, âBeuys, Twilight of the Idol,â and influential texts by Vera Frenkel, Thierry de Duve, Rosalind Krauss, Peter Bürger, Irit Rogoff, and others, Joseph Beuys: The Reader is the most significant gathering of critical texts on this challenging artist that has ever been assembled. It will be essential reading for any student of Beuys and for all those interested in postwar art, the cult of the artist, and art's engagement with politics and society. Contributors Joseph Beuys, Eugen Blume, Benjamin H. D. Buchloh, Peter Bürger, Jean-François Chevrier, Catherine David, Thierry de Duve, Vera Frenkel, Stefan Germer, Rosalind Krauss, Barbara Lange, Dirk Luckow, Claudia Mesch, Viola Michely, Irit Rogoff, Gregory Ulmer, Theodora Vischer, Antje von Graevenitz, Dorothea Zwirner.…

paperback. Condition: fine. Foreword by Arthur C. Danto. xviii + 334 pages, 8vo, printed wrappers. New York: W.B. Tauris & Co., (2007). Bookseller label on rear cover, else a fine copy. Beuys, Joseph (illustrator).

Softcover, 334 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

1. Auflage. 352 Seiten. OBr., Groß-Oktav, XVIII S. / 334 S.; Strich auf Unterschnitt, sonst sehr gut erhaltenes Exemplar. Softcover.

Soft cover. Condition: Near Fine. 1st Edition. First edition, first printing. Near Fine- trade paperback, clean and unmarked.

Paperback. Condition: Like New. First Edition. In nearly new condition: firm and square with strong joints, no creases. Thus the contents are crisp, fresh and tight; no pen-marks. Looks and appears unread. And so a very nice book in great condition, now offered for sale at a reasonable price.

Soft cover. Condition: New. No Jacket. 1st US edition. First US edition 2007, first printing, numbers line starts with 1. Published by The MIT Press. Trade softcover without DJ as issued. Condition new, square tight and crisp book, no edgewear, sharp corners, no markings of any kind, no names, no underlinings no highlights, no bent page corners, not a reminder. 8vo, 352 pages, index.…

Paperback. Condition: Very Good. Card covers are bright and clean, corners bumped; binding is tight; pages are clean with black and white illustrations. ; 6.2 x 0.7 x 9.25 inches; 334 pages.

253 S., 1 Bl., 52 Abbildungen auf Tafeln. Erste Ausgabe (1 Bll. etwas kntirrig, sonst ordentliches Exemplar). Sprache: Deutsch Gewicht in Gramm: 800 Gr.8°. Orig.-Karton (etwas bestoßen).

104 pp.; 26.4 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 6 of the periodical Neue Bildende Kunst, published in 1995. Contents include "Editorial;" "In Bewegung," by András Zwickl; "Zsigmond Károly, György Jovánovics, Imre Bukta, Csaba Nemes, Róza El-Hassan;" "Berlin-Moskau/Moskau-Berlin," by Hiltrud Ebert; "Erhard Monden," by Eugen Blume; "Jana Milev," by Bernd Rosner; "Wolfram Adalbert Scheffler," Künstlerseiten; "Jürgen Schön," by Ralph Lindner; "Maria Eichhorn," by Annelie Lütgens; "Paul Thek," by Friedrich Meschede; "Hadrian Pigott," by Michael Freitag; "John Latham," by Hans-Ulrich Obrist; "Cy Twombly," by Peter Herbstreuth; "Verdorrt die ostdeutsche Museumslandschaft?," by Anke Petermann; "Wovon lebt der Künsterler?," by Olaf Zimmermann; "Der Österreich-Schwerpunkt auf der Frankfurter Buchmesse," by Verena Kuni; "Subrealismus: Eine neue Kunstgattung aus dem Osten," by Viola Michely; "Open House 1995 in Marfa," by Sabine Russ; "Herbstsaison in New York," by Paul Dickerson/Bettina Munk; "Sehnsucht nach dem Paradies," by Peter Nesweda, Sandra Crawford; "Jana Sterbak in Saint-Etienne," by Anna Mohal; "Grenzenlos - Polnische Kunst in Berlin," by Andreas Quappe; "Fragen an die Malerei in der Galerie Wohnmaschine, Berlin," by Nikola Henze; "Martin Rosz im 'Museum," by Karin Bettina Müller; "Clownpower im Haus der Kunst, München," by Michael Glasmeier; "James Lee Byars in Bremen," by Katrin Wittneven; "Pina/Via Lewandowsky: Die Krise als Material in Leipzig," by Meinhard Michael; "Eine Sculptur von Magdalena Jetelová," by Pavel Liska; "Kunst und Gedächtnis: Sarkis in der Bundeskunsthalle," by Thomas Fechner-Smarsly; "Beate Terfloth," by Peter Herbstreuth; "Geschichte en détail. Der Fotograf Stefan Hunstein; "All Work and No Play: Eine Gruppenausstellung im Festspielhaus Hellerau," by Gerrit Gohlke; "Bildsturz und Sequenz: Fotografie im Kunstverein Elsterpark," by Peter Herbstreuth; "Max Matter im Aargauer Kunsthaus," by Annelise Zwez; "Verkehrte Welt: Peter von Wattenwyl in Burgdorf," by Christoph Doswald; "Der Intime Blick: Frauenporträts von Katrin Freisager," by Annelise Zwez; "Schluß mit.," by Marius Babias; Rezensionen; Impressum; Nachrichten and Galerienkalender. Text in German. Good. Rubbing of cover edges, light scratching of covers, 2.5 cm. mark from removed sticker on recto, and 2 mm. tear to top edge of spine. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders. …

Paperback. Condition: Fair.

253 S. u. Abb. Oktn.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

255 S. Hardcover mit Schutzumschlag. Gr. 8°. Mehrsprachig: deutsch, englisch. Sauberes Exemplar ohne Stempel oder Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu.

Hardcover. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

weicher Einband. 253 S., 1 Bl., 52 Abbildungen auf Tafeln. Lit.verz. Br. Zugl. Diss. Bopchum* .*neuwertig*. Sprache: Deutsch.

kart. Condition: Gut. 253, [32] S. : Ill. ; 24 cm gutes Exemplar Aufgrund der neuen PPWR-Bestimmungen (EU-Verpackungsverordnung) liefern wir derzeit nicht in EU-Mitgliedstaaten. Due to the new PPWR regulations (EU Packaging and Packaging Waste Regulation), we currently do not ship to EU Member States. Sprache: Deutsch Gewicht in Gramm: 715.…

Hardcover. Condition: Sehr gut. Dust Jacket Condition: Gut bis sehr gut. 1. Auflage. Z : 160 Seiten/pp., 91 Abbildungen/ illustrations - The catalog presents a critical review of Byars's oeuvre and traces his development as an artist from his formative period in Japan to his later years in New York-ranging from his performances and work on paper and fabric devoted to the theme of life, to the splendid late sculptures in gold, marble, and velvet which deal with death as the embodiment of perfection.…

Hardcover. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. 1. Auflage. Z : 256 Seiten/pp., 172 illustrations. - In the course of sixteen years, Joseph Beuys received more than a hundred letters from James Lee Byars, without ever writing back himself. Byars sent a wealth of elaborately designed letters to different people, letters which may well make up the greatest part of his work, but Joseph Beuys was the only colleague with whom Byars corresponded. And quite an unusual exchange of letters it is, enthralling readers by their extreme fragility and immense variety of materials, forms and ideas. His letters are not written with the purpose in mind of receiving an answer, rather, they constituted his day-to-day artistic routine.…

Softcover/Paperback. 253 [32] S. gutes Exemplar // Bildende Kunst L09 9783496012092 *.* Sprache: Deutsch Gewicht in Gramm: 800.