Centum Fabulae (58 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. Nova Editio. 192 pages; leather worn at the upper right, front corner and is missing at the bottom of the spine -- note this is bound with Desbillons' Fabulae Aesopiae, fifth edition 1769.

Cm. 24,5, pp. (16) 115 (1). Grande marchio tipografico al frontespizio, arma Volpi in fine, testate e molti capolettera decorati. Legatura coeva in piena pergamena rigida con nervi passanti e titoli su tassello al dorso. Esemplare assai fresco e marginoso, in eccellente stato di conservazione. Seconda edizione cominiana, dopo quella del 1718. Cfr. Federici: "Tutte e due le ediz. cominiane del Faerno sono assai stimate".

Rilegato. Condition: fine. Rilegato in pergamena con titolo in oro al dorso.Padova, 1730; ril., pp. 114, cm 18,5x25,5. Libro.

Cm. 28, pp. (20) 113 (1). Grande marchio tipografico al frontespizio, arma Volpi in fine e molti capolettera istoriati. Perfetta legatura coeva in piena pergamena rigida con titoli in oro su tassello. Esemplare assai fresco e marginoso, in eccellente stato di conservazione. Edizione piuttosto rara, stampata in soli 300 esemplari. Cfr. Federici, 73 e Brunet (II, 1160): "Edition estimée, plus compléte que les précédentes, et tiree seulement à 300 ex.".

Hardcover. Condition: Gut. Fabeln --- Gabriele Faerno, Fabulae centum, Rom 1564, 100 Radierungen (wohl nach Tizian) Die erste mit Radierungen illustrierte Fabelsammlung, mit vermutlich nach Tizian entworfenen Bildern. Die bedeutende lateinische Übersetzung der Fabeln des Aesop stammt vom Humanisten Gabriele Faerno (ca. 1510-1561). --- "Fabulae centum ex antiquis auctoribus delectae et a Gabriele Faerno Cremonensi carminibus explica tae." --- Mit insgesamt 101 Radierungen (Titel + eine Radierung pro Fabel). Zweiter Druck der ersten Ausgabe. Rom, Vincentius Luchinus 1564 Halblederband (22 x 16 x 2 cm) des 18. Jahrhunderts, mit Rückenschild. --- (7 S.), 100 Blatt. --- Zustand: Einband berieben, Seiten etwas fleckig, mit zwei alten Besitzeinträgen und einem alten Stempel. Guter Zustand! The humanist scholar Gabriele Faerno, also known by his Latin name of Faernus Cremonensis, was born in Cremona about 1510 and died in Rome on 17 November 1561. He was a scrupulous textual editor and an elegant Latin poet who is best known now for his collection of Aesop's Fables in Latin verse. Poetry: Faerno is counted one of the foremost of the Renaissance Latin poets, largely on account of his "100 Fables" (Centum Fabulae ex antiquis autoribus delectae, et carminibus explicatae). Though not published until 1563, there is evidence that the work was completed as early as 1558. So excellent were his versions that one scholar went so far as to accuse him of concealing an undiscovered manuscript of Phaedrus for fear of lessening the value of his own versions. But Charles Perrault, who published a translation of Faerno's work into French verse (Paris 1699), defended the author from this imputation in his preface. Pope Pius IV, convinced that reading the fables of Aesop was of great use in forming the morals of young children, commissioned Gabriel Faerno, whom he knew as an excellent poet as well as a man with a taste for elegant and beautiful Latinity, to versify these fables so that children might learn, at the same time and from the same book, both moral and linguistic purity.Faerno has been called a second Phaedrus, by reason of the excellent style of his Fables, though he never saw Phaedrus, who did not come to our knowledge till above thirty years after his death; for Pithoeus, having found that manuscript in the dust of an old library, published it in the beginning of this century. Thuanus, who makes very honourable mention of our author in his history, pretends that Phaedrus was not unknown to him; and even blames him for having suppressed that author, to conceal what he had stolen from him. But there is no ground for what he says; and it is only the effect of the strong persuasion of all those who are so great admirers of antiquity as to think that a modern author can do nothing that is excellent, unless he has an ancient author for his model. Out of the hundred fables which Faerno published in Latin verse, there are but five that had been treated by Phaedrus, and out of those five there are but one or two that have been managed nearly in the same manner: which happened only because it is impossible that two men, who treat on the same subject, should not agree sometimes in the same thoughts, or in the same expressions.".

Christopher Plantin. Both works dated 1585. Both early editions. 16mo. Two volumes bound together in full vellum from the period with the date 1589 to upper board. This is an unusually early binding and still complete and sound. Page edges blocked red. Centum Fabulae: 173pp. Wood-engraved vignette to title, 100 engraved woodcuts to text by Arnold Nicolai and Gerard Janssen van Kampen, based after the designs of Pieter van der Borcht. Many of these have been partially hand-coloured, in an amateur way, probably hundreds of years ago! Decorative tailpieces. Front hinge visible but holding, no endpapers. Pages browned and chipped but complete. Emblems: 157pp. [2]pp letters. Tiny handwritten notes to rear endpapers in a 16th century hand. Page 13/14 lacks corner affecting text but not woodcut. Engraved title page. 62 engraved woodcuts to text, one to each page from pages 7 - 68, all present. Some hand-colouring but much less than the fables. Pages browned but still clean. A Plantin Press edition of Faerno's book of fables. Commissioned by his Protector Pope Pius IV around 1550 AD, the collection was not published until 1563, only two years after Faerno died. While the work has commonly been referred to as an adaptation of Aesop's fables, many sources were mixed in from both history and Greek mythology, as well as other individual stories.Hadrianus Junius (1511-1575), also known as Adriaen de Jonghe, was a Dutch physician, classical scholar, translator, lexicographer, antiquarian, historiographer, emblematist, school rector, and Latin poet.

Gestochenes Frontispiz von C. du Bosc, 13 n.n. Bll., 45, 238 SS., 1 Blatt Index, mit 100 etwa halbseitigen Kupfern. Brunet II, 1160: Cohen/R. 371; vgl. Praz S. 332. - Gabriele Faerno, geb. um 1510 in Cremona, gest. 17. 11. 1561 in Rom, humanistischer Gelehrter, gewissenhafter Textredakteur und eleganter neulateinischer Dichter, ab 1549 in der Bibliothek des Vatikan tätig und Mitglied des dort ein- und ausgehenden Gelehrten- und Philologenkreises, ist er heute vor allem für seine Sammlung von Äsops Fabeln bekannt. Um 1550 wurde er von seinem Gönner Papst Pius IV. mit einer Kompilation äsopischer Fabeln beauftragt, diese erschien posthum zuerst 1563. Charles Perraults französische Übersetzung erschien zuerst 1699. - Schöne, reizend illustrierte Ausgabe mit lateinischen und französischen Versen sowie umfangreichen lateinischen Einleitungen und Widmungsgedichten. Die Fabelillustrationen sind nicht bezeichnet, stammen aber vielleicht vom Stecher des hübschen Frontispizes. - Schönes, sauberes Exemplar. Bei Bedarf senden wir Ihnen gerne Bilder dieses Titels per E-Mail. Sprache: Französisch Gewicht in Gramm: 0 4°, Halbleder des späten 19. Jahrhunderts im Stil der Zeit. Mit Rückenvergoldung, Rückenschildchen und Goldschnitt (sign. McGoff, Liverpool). - Deckel und Kanten berieben. Hübsch gebunden.

With engraved frontispiece showing Aesop surrounded by the animals of his fables engraved on copper by Claude Du Bosc, and 100 engraved vignettes in the text by Claude du Bosc. Complete. [19], 45, 238, (2) pp. 4to. 19th Century half calf over marbled boards. Marbled endpapers. Some poem / section numbers are printed incorrectly, but all are present, and all engravings are present. Slight rubbing to the edges of the spine, and a touch of bumping to the boards. The text block is spotless, with the engravings beautifully clean and bright. 260 by 210mm (10¼ by 8¼ inches). This is a scarce London edition. First Latin-French edition of Faerno'?s collection, an English-French edition was published two years before. Gabriele Faerno (d. 1561) was commissioned to compile a selection of Aesopian fables by his protector Pope Pius IV in c. 1550. The collection of 100 fables was published in 1563 only, after Faerno'?s death. Charles Perrault?'s French translation in verses was first published in 1699. His aim was to achieve an ideal combination of closeness to the Latin text with La Fontaine?'s subtle poetry. The present Latin-French edition was in use as a text book at the time. ? Bodemann 119.2; Cohen/de Ricci 371; Brunet II, 1160.

Hardcover. Condition: Very Good. A Plantin Press edition of Faerno's book of fables. Commissioned by his Protector Pope Pius IV around 1550 AD, the collection was not published until 1563, only two years after Faerno died. While the work has commonly been referred to as an adaptation of Aesop's fables, many other sources were mixed in from both history and Greek mythology, as well as others. While often described as Aesop s fables, Faerno used other sources as well, includes tales of regular individuals and the Greek gods, This edition is illustrated with 100 in-text woodcuts by Arnold Nicolai and Gerard Janssen van Kampen, based after the designs of Pieter van der Borcht. One half vellum bound volume in 16mo, 173 pages On note of condition, this volume is in very good shape with little wear or rubbing to the boards, with little to no foxing or staining throughout.

Rilegato. Condition: quasi ottimo. prima edizione. Romae, Vincentius Luchinus excudebat, 1565. In-4° (22,4 x 16,3 cm). Cc. (4), 100. Segn.: A-CC4. Bella legatura settecentesca in piena pergamena rigida, piatti inquadrati da una delicata bordura floreale impressa in oro a catenella; autore, titolo e data dorati sul dorso ornato da una serie di motivi ai piccoli ferri. Tagli dorati. Elegante frontespizio calcografico inquadrato da una complessa bordura architettonica sormontata dalle armi di Papa Pio IV; in basso le armi del cardinale Carlo Borromeo, dedicatario dell opera. 100 splendide tavole fuori testo a piena pagina finemente incise all' acquaforte. Lievi ossidazioni marginali lungo il bordo esterno di poche carte peraltro esemplare con ottimi margini in più che buono stato di conservazione generale. Prima edizione, terza tiratura datata 1565. Le Fabulae furono impresse nel 1563, 1564, 1565, prive di varianti tipografiche salvo l' indicazione della data. Stampate da Paolo Manuzio per Vincenzo Luchini ebbero successo tale da contare più di 50 edizioni e traduzioni in tutta Europa. Fra i tanti vi si ispirarono La Fontaine e Perrault che ne curò la traduzione francese. Le 100 tavole che accompagnano il testo costituiscono uno dei primi esempi italiani di incisione all' acquaforte e fanno di quest' opera uno dei più bei libri illustrati del Cinquecento italiano; attribuite originariamente a Tiziano, sono oggi definitivamente riferite a Pietro Ligorio. Bibliografia: Adams, F-115; BM-STC, p. 242; Bodemann, Fabelbuch, 33.1; Brunet, II, 1160; Graesse, II, 546; ICCU-Edit16, 18498; Mortier, Italian Books, I-178; Praz, p. 332.

, [8], 9-294, 299-352; [1], 3-54, 59-167; [1], 3-172. The first volume is dated 1599 and has quarta editio [fourth edition] printed on title page, with woodcuts throughout, and includes 82 of the 90 woodcuts of coins. The second volume is dated 1896 but has no edition stated, with numerous woodcuts. The third volume is dated 1600 but has no edition stated, with numerous woodcuts, all text in latin Quarta Editio [Fourth edition] , front board detached, binding light marked and scuffed, old repair at upper spine, bookplate of Thomas Charles of Maidstone on front pastedown, the first volume is lacking pages 295-298 (4 pages of coins), piece chipped from lower corner of page 247 with loss of some text, the second volume is lacking pages 55-58 [Emblemas 49-52], the third volume lacks the final page of text [173] but this text has been handwritten by a previous owner at the end, some pages have been printed misaligned and thus some text at upper page edges is missing, some pages lightly stained, book in fair condition , full brown calf with blindstamped border and corner designs, three raised bands at spine 11 x 7.5 cm Hardback ISBN:

Couverture rigide. Condition: Mauvais. Édition illustrée. In-12 (146 x 96 mm), (16) pp. - 200 pp. - (6) pp. index, veau brun (reliure d'époque très usagée, charnière inférieure fendue, pièce de titre de cuir rouge du XIXe, papier jauni, mouillure en marge de quelques pages). Ornée d'une vignette de titre et de 100 vignettes gravées sur bois, imitées de l'édition originale de 1564 à Rome. (Brunet, II, 1160). // 12° (146 x 96 mm), (16) pp. - 200 pp. - (6) pp. table, brown calf (contemporary binding, very used, lower hinge cracked, red leather label 19th-cent., tarnished paper, water-stain in margins of some pages). Illustrated with a title vignette and 100 wood-engraved vignettes, imitated from the first edition of 1564 in Roma. (Brunet, II, 1160).

Volume: 1 31x22.5 cm., [2], 4, XII pp., [1] c., 160 pp., [1] c., elegante legatura in mezza pelle rossa, carta marmorizzata ai piatti , alla sguardia incollata, ex libris: Ex variis unitas, Dai libri di Luigi Vasta , lievissime fioriture alle carte di guardia, esemplare in ottimo stato di conservazione, con barbe, in latino Bella edizione bodoniana di questo classico della letteratura. Bibliografia: Brooks, 520.

1813. Fully manuscript book of 155 pages. Extremely neatly handwritten in brown ink. Professional rebound with new black end papers at some point in time. Candidus lived 1540- 1608 and was a theologian of the Reformed Church. Boards appear to be original (dark green papercovered). Binding very secure and text clean; black cloth backstrip; boards worn.

4°. Mit gest. Titelvignette und Holzschnitt-Druckermarke am Schluß. 8 Bll., 115 SS. Interims-Pp. (lädiert, angestaubt, fleckig, beschabt und bestoßen). Gabriele Faerno, auch bekannt unter seinem lateinischen Namen Faernus Cremonensis, wurde um 1510 in Cremona geboren und starb am 17. November 1561 in Rom. Er war ein gewissenhafter Gelehrter, eleganter lateinischer Dichter und bekannt für seine Sammlung von Aesops Fabeln.- Papier leicht gebräunt und im unteren Teil durchgehend stockfleckig (Innendeckel stärker fleckig).

Condition: Very Good-. Patavii [Padua]: Excudebat Josephus Cominus Vulpiorum Aere, 1718. Quarto (30cm.); original decorative red and green papier-peint over paste-paper boards, remnants of manuscript spine label only; [20],113,[1]pp. (collated complete); woodcut printer's device to title page signed in image "G.P.," initials, head- and tail-pieces throughout. Boards rather worn with smallish loss to bottom fore-edge corner, spine browned and brittle with splitting at several spots, crown pulled, old shelf label to upper cover and at spine crown, old repair along bottom edge of title page, else contents sound. A Good to Very Good example of this uncommon edition in the lovely original binding. Collection of a hundred fables by the Italian scholar Gabriele Faerno (1510-1561), best known for his Latin edition of Aesop's fables.

in-4, pp. (16), 115, bella leg. m. perg. coeva con doppio tass. al d. Marca tipogr. inc. in rame al front. e stemma del Volpi al fine. Salimbeni 116. Federici 135/1: "Edizione stimata". Olschki 424: "Edizione più corposa di quella precedente". Belliss. esempl. [130].

LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1710 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 141 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 141.

LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1718 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 142 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 142 Language: Latin.

Legatura in carta marmorizzata rigida coeva. (2) cc nn, perocchietto e frontespizio) 3 - XII, 1 c nn per occhietto - 160 - 1 c nn per Index Contentorum- 1 Carta bianca finale. De Lama cita erroneamente 83 carte. Brooks, 520, ricorda che l`edizione fu ristampata nel 1796,ma col medesimo millesimo sul frontespizio. Le due edizioni sono quasi identiche; la seconda si differenzia per una maggior inchiostratura, ma soprattutto per i filetti finali impressi alle pagine 111,138, 145, 147 e altre che sono a forma di linea retta nella seconda edizione nella prima invece è a forma di losanga più arrotondata nel centro pertanto riteniamo quella in esame essere la prima edizione. Esemplare complessivamente in buone condizioni salvo lievi arrossamenti alla parte interna in prossimità delle cuciture di diverse pagine.

FIRST EDITION, Engraved title and 100 numbered full-page engravings (with text on reverse); a few plates off registration to varying degrees; some light browning and staining, occasional marginal worm holes, all minor, no loss, ff. [4], 100, 4to, contemporary Italian goatskin, elaborately gilt with strapwork and small floral and ornamental hand tools, including acorns and pomegranates, gilt and gauffered edges; sympathetically rebacked, very minor old worming to upper cover; bookplate of the German-Brazilian bibliophile and book collector, Herbert Eberhard Herring, very good. Scarce first edition of this cornerstone of the fable genre. One hundred fables, collected and translated by the humanist scholar Gabriele Faerno (1510-61). This compendium was commissioned by Pius IV, and published posthumously after editing by S. Antoniano. Most of the fables are from Aesop, some come from other classical sources, and a handful are contemporary, such as the Tale of the drowned Woman and her Husband, and The Miller, his Son and the Donkey. The work influenced Perrault and other fabulists. The origin of the numbered illustrations has been the subject of much speculation; for a time they were thought to be after designs by Raphael, and were later attributed to Titian. They are now believed to be the work of Faerno's friend and associate Pirro Ligorio. An old catalogue description, tipped in, laments the shaky execution of some of the etchings: 'It really is a pity, that the printer of the plates was not a better craftsman, as all copies of this book contain, like ours, bad or weak impressions together with fairly good or good ones. Of course the illustration of books with copperplate, which wanted an entirely new technique of printing, was not at all customary in this early period [.] It is not quite so surprising therefore, that these early attempts were not all successful.' Mortimer concurs: 'several of the plates having slipped in the press'. The illustrations are no less charming for their varying quality, and are very expressive. A very attractive copy, in a contemporary Italian binding, of this important work. See: Erna Mandowsky, 'Pirro Ligorio's Illustrations to Aesop's Fables' Journal of the Warburg and Courtauld Institutes, v. 24, 1961, p. 327-331 Adams Cambridge, I, F 115; Brunet, II, 1160; Praz, p. 57. Harvard/Mortimer Italian 178.

With engr. frontispiece and 100 engr. vignettes in the text by Claude du Bosc. II pp., 1 index leaf, 45, (19), 238, (2) pp. 4to. Contemp. full calf over 7 raised bands with spine label. Marbled endpapers (covers rubbed, spine ends defective, lacking last flyleaf). First Latin-French edition of Faerno's collection, an English-French edition was published two years before. Gabriele Faerno (d. 1561) was commissioned to compile a selection of Aesopian fables by his protector Pope Pius IV in c. 1550. The collection of 100 fables was published in 1563 only, after Faerno's death. Charles Perrault's (16281703) French translation in verses was first published in 1699. His aim was to achieve an ideal combination of closeness to the Latin text with La Fontaine's subtle poetry. The present Latin-French edition was in use as a text book at the time. Bodemann 119.2; Cohen/de Ricci 371; cf. Fabula docet 36. Frontispiece somewhat soiled and creased. Tear in white margin of leaf Hh2 restored. Leaves a4 and b4 with marginal dampstain, else a very clean copy.

Couverture rigide. Condition: Très bon. Rome, Vincenzo Luchino, 1563.Petit in-4 de (4) ff. y compris le frontispice, 100 ff. ornés de 100 eaux-fortes à pleine page. Vélin ivoire rigide, dos lisse, pièce de titre de maroquin olive, tranche bleues. Reliure italienne ancienne. 213 x 156 mm. --- Édition originale posthume des Fables de Faerne publiée par Silvio Antoniano. Brunet, II, 1160 ; Harvard, Italian, 178 ; Praz, p. 57 ; Adams Cambridge, I, F 115. Le Pape Pie IV avait commandé à Faerne, de Crémone, de faire un choix de cent fables d'Esope et autres. Faerne mourut en 1561 avant d'avoir terminé son ouvrage qui fut complété et édité en 1563. La Fontaine reprendrait un siècle plus tard quelques-unes de ces fables : « Le pot de terre et le pot de fer », « L'âne chargé d'éponges et l'âne chargé de sel », « La cigale et la fourmi », « L'alouette et ses petits », « Le renard et les raisins », « Le renard et le corbeau ». Cette belle édition est ornée en tout premier tirage des 100 belles figures sur cuivre à pleine page, gravées sur des dessins que l'on a attribués au Titien. Des exemplaires datés 1564 et même 1565 présentent ces planches en tout point semblables mais les bibliographes considèrent que les exemplaires de 1563 présentent seuls la particularité du tout premier tirage. Très expressives et empreintes de mouvement, ces eaux-fortes de belle facture sont à rapprocher des gravures sur bois inspirées elles-aussi des dessins du Titien et qui illustreront en 1570 les Fables de Verdizzoti. Très bel exemplaire, immense de marges (hauteur 213 mm contre 210 mm pour l'exemplaire Harvard) de cette édition originale « rare et peu commune » (Brunet) d'un très beau livre de fables italien illustré. Il provient de la bibliothèque Paul Harth avec ex-libris. /// Rome, Vincenzo Luchino, 1563.Small 4to [213 x 156 mm.] of (4) ll. including the frontispiece, 100 ll. illustrated with 100 full-page etched engravings. Stiff ivory vellum, flat spine, olive morocco lettering piece, blue edges. Ancient Italian binding. --- Posthumous first edition of Faerne's Fables, published by Silvio Antoniano. Brunet, II, 1160; Harvard, Italian, 178; Praz, p. 57; Adams Cambridge, I, F 115. Pope Pius IV had commissioned Faerne, from Cremone, to choose a hundred of fables by Aesop and others. Faerne died in 1561 before finishing his work which was completed and edited in 1563. La Fontaine will go over some of these fables a century later: "The Earthen Pot and the Iron Pot", "The ass with a load of sponges and the ass with a load of salt", "The ant and the grasshopper", "The lark and her young ones", "The Fox and the grapes", "The Fox and the Crow". This beautiful edition is illustrated in very first state with the 100 beautiful full-page copper-engravings, after drawings attributed to Titian. Copies dated 1564 and even 1565 present these identical plates but bibliographers consider that only copies of 1563 present the particularity of the first state. Very expressive and marked by movement, these finely executed etchings are to be related to the woodcuts inspired also by Titian's drawings and which will illustrate in 1570 Verdizzoti's Fables. Very beautiful copy, extremely wide-margined (height 213 mm against 210 for the Harvard copy) of this "rare and unusual" (Brunet) first edition of a very beautiful Italian illustrated book of fables. It comes from the Paul Hart collection with ex-libris.

LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1743 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 323 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 323 Gabriele Faerno.

LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1682 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 233 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 233.

LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1743 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 325 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 325.

LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1513 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 216 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 216 Language: Latin.

LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1534 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 297 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 297 Language: Latin.