Fuji, Signed (31 results)

paperback, Condition: Very Good, Hall Publishing, Holly Hill Fla. c.1995, paperbk., 328pp., novel about plans for Japanese Global Economic Conquest. signed presentation by Crouch. VG $.

Wraps. Condition: Good+. No Jacket. First Printing. overall clean and tight with scuffed and rubbed covers. Signed by Author. Paperback.

Softcover. Condition: Very Good. Shimoda, L.J.C. (illustrator). First Edition; First Printing. Signed and inscribed by the author and the illustrator. Creasing to the corners, and a smudge to the bottom page edges. Publisher postcard and author business card laid in. ; Trade PB; 356 pages; Signed by Author & Illustrator.

Soft cover. Condition: Near Fine. No Jacket. Shimoda, L.J.C. (illustrator). 1st Edition. First edition. Number line beginning with 1. Date line beginning with 1998. Near fine wraps/paperback. Only minor signs of age/wear/previous use, primarily a minor bump (1/4 inch by one inch) to upper fore-edge corner and 30 leaves and a minor, if not trivial sign of wear to lower fore-edge corner. Appears to be signed by author and illustrator on title page. Signed by Author(s).

Condition: Very Good. Signed Copy . Uncorrected Proof. Signed by author on laid-in bookplate. In protective mylar cover. [9780399146916] (Japan, Romance, Fiction).

Hardcover. Condition: As New. Dust Jacket Condition: As New. Signed by the author. COLLECT SIGNED BOOKS. Signed by Author(s).

Hardcover. Condition: Fair. Signed by the author with a dedication on front end page. Japanese Kanji script writing on back end page with faint red ink seal stamp and on front inside board which could be hand written or printed. The binding has been affected by general wear and has staining and insect bits on spine side edges, board side edges and corner tips. Rough cut side page edges to side and bottom with a few foxing spots. Scarce book. Signed by Author(s). Signed by Author(s).

Unbound. Condition: Fine. Calligraphy by R. P. Hale (illustrator). First Edition. Fine. One French-fold sheet. One of 36 copies numbered and signed by Kinnell. Uncommon. Signed by Author(s).

Hardcover. Condition: Fine. No jacket. Signed by the photographers on the title page.

Paperback. Condition: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Berkley Books, 2001. Octavo. Paperback. Signed on half title page. Book is like new with sticker on front cover.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Softcover. Text in Japanese. Includes some color and numerous black and white illustrations. A near fine copy in wrappers with some minor wear and with a laid in compliments card from Teruo Ishihara who has signed the card and presented it to a collector. A nice copy of this uncomon catalog with only 5 copies listed in OCLC.

Hardcover. Condition: Very Good. First edition. Tall octavo. 51pp. Quarter cloth and printed brown paper over boards. Moderate wear at the corners and spine ends, about very good. Crippen has updated the copyright information in ink to 1909 and signed it. Additionally the book is Inscribed by him: "To Chrissie from her loving brother Layton." Philosophical treatise that Japanese ideals and philosophy will prevail over western ideals.

Original Boards. Condition: Good. First Edition. Signed by the author on the fly-leaf. Slightly worn but a respectabele copy. Signed by Author(s).

1st edition. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Signed and inscribed. Physical description; 215, [1] p. ; 15 x 12 cm. Notes; Includes some original poems in Chinese and Japanese. Subjects; Japanese poetry Translations into English. Chinese poetry Translating into English. 3 Kg.

1889 Antique Print JAPAN View of MOUNT FUJIYAMA FUJI Volcano Honshu (122) For more info please ask seller a question. Royal Mail 2nd Class - £0.00 Royal Mail 2nd Class Signed For - £4.50 Standard Int'l age - £4.00 Royal Mail International Signed - £8.00 No PICK UP OPTIONSorry, our items are NOT available for pick-up.PAYING VIA PAYPALWe accept on our all our items so you can shop with confidence.Simple choose the option when proceeding through the checkout.

Soft cover. Condition: Near Fine. 1st Edition. Slight shelfwear to cover, but contents are tight, bright, and clean, with no creasing to spine and no foxing to pages. Fantastic condition book, SIGNED by author to title page. Small name/date to first page. 269pp. (15x23cm). Please contact us for any more information. Signed by Author(s).

1st edition. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Signed and inscribed. Physical description; 215, [1] p. ; 15 x 12 cm. Notes; Includes some original poems in Chinese and Japanese. Subjects; Japanese poetry Translations into English. Chinese poetry Translating into English. 1 Kg.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 1st Printing. Signed. 132 pages. Published in 2002. Landmark collection of photographs. One of the most beautiful photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now rare. A brilliant production by Chris Steele-Perkins: Oversize-volume format. Red cloth boards with black titles embossed on spine, as issued. Photographs by Chris Steele-Perkins. Printed on pristine-white, thick coated stock paper in Italy to the highest standards. In pictorial DJ with titles on the cover and spine, as issued. Presents Steele-Perkins' "Fuji: Images of Contemporary Japan". Photographs of the dynamic and complex country. Unlike any other documentary, landscape, or street photography (all of which he draws upon), Steele-Perkins has struck upon an arrestingly simple idea for his portrait of a whole nation: Every single one of the photographs has Mount Fuji in it, visible in the background, looming over Japan, whether it's Tokyo, Kyoto, or a small town, village, and ricefield. It is easy to overlook what Chris Steele-Perkins has pulled off, and his achievement therefore deserves to be emphasized: He has made us keenly aware once again of the background, which we have come habitually to ignore when looking at photographs. His approach is subtle, cunning, and instructive in every image: Mount Fuji is the background in varying degrees of recession, sometimes looming over the horizon and too close for comfort, sometimes remote and distant, omnipresent yet never the main subject. While the Eiffel Tower is the concrete visual symbol of Paris, it does not symbolize France whereas to every Japanese (and every tourist), Mount Fuji is the enduring symbol of Japan. The idea is unrepeatable because there is no other mountain that any other people have vested with such symbolism. Mount Fuji was a central aspect of Japan's imperial - and ultimately disastrous - ambitions, remains a part of every important ceremony to this day, and continually reminds the Japanese people that they have once risen mightily, fallen shamefully, and risen triumphantly again, an economic powerhouse and the most advanced artistic culture in Asia today. The idea for the book was inspired by Hokusai's masterpiece, "The Thirty-Six Views of Mount Fuji". Hokusai discovered the Western notion of perspective through Dutch etching and radically transformed the Japanese wood-block print. As strange as it may sound, his resulting prints have a depth of field that is best described as photographic, and part of Steele-Perkins' achievement is to show precisely that fact in his own images. "Hokusai would have welcomed him as a worthy successor" (Ian Buruma). An absolute "must-have" title for Chris Steele-Perkins collectors. This copy is very prominently and beautifully signed in black ink-pen on the title page by Chris Steele-Perkins. It is signed directly on the page itself, not on a tipped-in page. This title is a great art photography book. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 105 color plates. One of the greatest photographers of our time. A fine collectible copy. (SEE ALSO OTHER CHRIS STEELE-PERKINS TITLES IN OUR CATALOG) ISBN 1884167128. Signed by Author.

Hardcover. Condition: Very Good. First Edition. Hardback. No Dustjacket. 8vo. Original publisher's brown boards with red cloth spine. Title label in Japanese onset to cover. pp 116. Signed presentation from the author: 'To Chip May/ A Merry Xmas 1893/from/C. A. G.' A tale of Americans in Japan. Inner hinges slightly cracked but holding otherwise VG. Signedes.

8vo. pp 65. Booklet. Original publisher's beige covers, lettered black. No date, [1958]. Includes 15 poems. Presentation presumed to be from the author in Japanese with a purple stamp. Slight handling wear, otherwise very good.

Hardcover. Condition: Very Good -. No Jacket. 1st Edition. First British Edition. Flat-signed by author with poem written in Kanji script with author's red seal stamp on ffep. Origami crane laid in. Black full-cloth boards with red titling and yellow and red labels inlaid on cover and spine. Deckledge cut pages. Binding is solid with NO soiling or leaning. VG- cond. Flaws: minor shelfwear, bumping, chipping and rubbing to spine & board edges. Komai was a popular Japanese author and poet living in Great Britain. NO jacket. Signed by Author(s).

Hard Bound. Condition: Very Good. No Jacket. First Edition. Original British Printing. Flat-signed by author with author's seal/ stamp and Japanese proverb all hand-written in Japanese Kanji script. Extremely RARE. This is the ONLY signed version available for sale on the internet. Black full-cloth boards with red imprinting on cover and spine also colorful plates pasted to cover and spine. Deckle-edged. Moderate bumping to spine edges and moderate shelfwear at corners. Japanese origami layed-in. Binding is extraordinarily clean and solid with no tears, soiling or markings throughout. Truly a one-of-a-kind collectible book. Protected in Brodart cover. Photos avail upon request. Signed by Author(s).

Hardcover. Condition: As new. Dust Jacket Condition: as new. First Edition, First Printing. Case Publishing, 2025. Hardcover in pictorial dust jacket. First Edition, First Printing. Limited Edition of only 25 copies issued with an original 8.75 x 11.5 inch lambda print SIGNED by Eiji Ohashi on the verso. 14 x 10.25 inches. 112 pages with 80 photographic images in color throughout. Text in Japanese and English. In âRoadside Lights 2020â"2025,â Japanese photographer Eiji Ohashi turns his lens to winter nights in his native Hokkaido, sharpening the focus of his long-running âlandscapes with vending machinesâ series. His compositions portray these ubiquitous machines, which have become symbols of Japanâs safety and convenience, as tireless, vigilant workers, continuing their quiet labor regardless of the circumstances. This latest book adds another compelling chapter to a series that continues to captivate audiences both in Japan and abroad.

Original black and white photograph 6½'' x 4¼''. Typed label adhered to the rear of the card states 'A Formation of Mitsubishi Ka-15 Flying Towards Mount Fuji. The first three aircraft are powered by a pair of Hiro Type 91, and the last machine is powered by Kinsei 2 radials (Photo Ikuo Komori) and SIGNED by him to the bottom left corner. Member of the P.B.F.A. JAPAN (World War II).

Quer Gr. 8°. 88 Blatt. OPp. Illustr. OUmschl. 1. Ausgabe des Künstlerbuches, mit eigenhändiger Widmung und Tuschzeichnung von Roman Scheidl, geb. 1949. - Schönes Exemplar.

Original multi-colored Meiji period woodblock print. Ink on paper. In Very Good condition in a Very Good Minus frame. Exposed print measures w. 10 in. x h. 14.75 in. Frame measures w. 10.75 in. by h. 15.6 in. Frame has moderate wear to backing. Minimal fading or visible damage to paper. Artist's signature and printers mark stamped on the right hand side. Title hand written along bottom on right side. PG consignment. Shelved Dupont. 1398455. Arts & Antiques. Signed.

Condition: Good. Silkscreen poster. One of 75 signed and numbered impressions.Chingiz Aitmatov and Kaltai Mukhamedzhanov, translated by Nicholas BethellDirected by Zelda FichandlerPerformed in the Kreeger TheaterMay 27, 1975 - July 6, 1975 From the collection of the Russian theater historian, Alma Law.

Condition: Good. Collage and Mixed media. 20 x 14 inches.Signed in various ways.There are about 45 pieces in this series, using Mt. Fuji, the patinas of Japan, Kimono patterns, calligraphy in a general cruciform composition. This collage painting is 20 x 27 inches. Many from this series are larger, using a full sheet of 40 x 27 inches and then larger diptychs, 40 x 54 inches.The materials used are varied, creamy Stucco Patch, Paper Tape with asphalt center, corrugated and folded Construction Siding Paper. The siding paper is three layers with tan craft paper sheets on either side, and a asphalt film sandwiched in between. You can buy this at any construction material output or many hardware stores. (Great for doing large figure drawings. It comes in a roll, so you can make it any length.)Hard to find now is the Craft Packaging Tape, approximately 2 1/2 inches wide, with a water-based glue backing. It comes in a big roll. It too is made up of paper on either side, with asphalt, and, thin pieces of nylon string crisscrossing in between for strength. (It's almost phased out now and being substituted with clear box tape.) Both of these paper materials will leach the asphalt, when you coat them with mineral spirits thinned down oil-based paints. The corrugated cardboard has been impregnated with the asphalt using a milky consistency white oil paint wash over it.Stanley Grosse was born in St. Louis, Missouri in 1930 and began his art education in 1950 at Los Angeles Trade Tech/commercial art division. In 1952 to 1954, Mr. Grosse was stationed at the Army language school, Monterey, California where he was noncom in charge of the Printing Lab and Art Department.In 1954, Stanley entered the California College of Arts and Crafts and graduated cum laude. In 1956 he began his teaching career on the San Francisco Peninsula. Grosse was awarded three sabbatical leaves, the first on a scholarship, finishing his masters in painting at the Instituto Allende, San Miguel Allende, Mexico in 1964.A second sabbatical leave took him to Europe using a small town in Spain as a hub. He worked in the studio there, producing two series of works and traveled 14,000 miles through Europe and North Africa. Photographing,

Auflage / edition of 8 copies. 50 x 60 cm. 1 Blatt, nicht montiert, lose, ohne Rahmen. 1 leave, unmounted, unframed. Sehr gut. Verso signiert, betitelt, nummeriert. Verso signed, titled and numbered. One of the last available copies. Einer der letzten verfügbaren Abzüge. We are showing a selection of his OHIO series in our Munich based gallery, until June 30. Die Serie OHIOO erzählt von einem Zeitpunkt in der Geschichte der Fotografie, an dem sich eine neue Bildsprache zu entwickeln begann. Ohio tells the story of a moment in the history of photography when a new visual language began to take shape. Joachim Brohm (Jg. 1955) reiste 1983/84 nach seinem Studium in Essen (visuelle Kommunikation und Fotografie) mit einem Fulbright Stipendium in die USA. An der Ohio State University absolvierte er unter Allan Sekula seinen Master of Fine Arts, in dieser Zeit entstand seine Serie "Ohio 1983/84" in Farbe! Die Farbfotografie war trotz des Durchbruchs von William Eggleston im Jahr 1976 noch nicht durchgehend etabliert. Brohm wagte einen weiteren Bruch, er fotografierte banale, profane Motive, den US-amerikanischen Alltags. "Dies und die Verwendung der Farbfotografie machten die Ohio'-Serie zu einem bedeutenden Experiment auf der Suche nach einer neuen Bildsprache." (Thomas Weski, ehemals Chefkurator am Haus der Kunst, München und Herausgeber des Buches (STEIDL, 2009)). VG Bild-Kunst, 2026.

Condition: Gut. (Utagawa Toyokuni, geb. 1769 in Edo (heute: Tokio), gest. 25.02.1825 ebenda, auch Toyokuni I., Meister des japanischen Farbholzschnitts und der Malerei im Stil des Ukiyo-e). Zwei mittlere Blätter eines 5-teiligen Mehrblattdruck, Pentaptychon, hier die Teile mit der Darstellung des Berges Fuji. 2 Original-Farbholzschnitte von Toyokuni I auf Japanpapier, gedruckt zwischen 1806 und 1816, während der Bunka-Ära. Signiert: Toyokuni ga (auf jedem Blatt). Verlegt von Yamamotoya Heikichi (Eikyudo). Blattgröße: 38,0 x 26,0 und 38,3 x 26,2 cm. Jeweils mit beiliegendem Schildchen des japanischen Kunsthändlers (Touyoue) Sakai, Tokio. Beide Blätter mit kleineren Fehlstellen, diese nahezu unsichtbar fachmännisch restauriert. Beide Blätter rückseitig am oberen Rand mit kleinen Resten von hellem Papierklebeband. Guter bis sehr guter Zustand. Vielen Dank an Horst Gräbner für die Angaben.