Hubert Robert, First Edition (45 results)

First Edition. Very good paperback copy; cover slightly creased and dulled as with age. Bright and clean internally. Remains particularly well-preserved overall. Series; Les dossiers du département des peintures ; 18. Physical description; 72 pages : ill. ; 16 cm. Notes; [if available]. Subjects; Musée du Louvre. Artists' preparatory studies. France. Paris. Exhibitions. French art. Art history. Museum collections. 3 Kg.

Paperback. Condition: Very Good. 48p paperback including many b&w art plates, very good condition, green and orange cover, firm binding, pages clean and bright, a very good copy Language: French.

First Edition. Very good paperback copy; cover slightly creased and dulled as with age. Bright and clean internally. Remains particularly well-preserved overall. Series; Les dossiers du département des peintures ; 18. Physical description; 72 pages : ill. ; 16 cm. Notes; [if available]. Subjects; Musée du Louvre. Artists' preparatory studies. France. Paris. Exhibitions. French art. Art history. Museum collections. 1 Kg.

Softcover. 20 x 21 cm. Originalheft. 6 Blatt mit 7 Abbildungen und 2 Porträts. Gut erhalten. Aus dem Nachlass des 2010 verstorbenen Berliner Antiquars Carlos Kühn. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Ob Sonnenschein oder warmer Regen: mit einem interessanten Buch kommen Sie immer gut durch den Tag. -- Wir kaufen Ihre werthaltigen Bücher! K00598-229914.

Soft cover. Condition: Good. 1st Edition. 32pp + 7 of 17 plates. 9.5 x 6 inch. good and clean throughout, no markings. Text complete but 10 of the 17 plates missing.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. VG++ / VG++ Colour frontispiece and other colour and b/w illustrations. Bright copper titles to spine and blind stamp title to upper cover on blue boards. Binding is very firm and tight. No inscriptions. Not ex-library. Unclipped pictorial d/j shows only slight shelf wear.

Condition: New. 2013. 1st Edition. Paperback. . . . . .

Hardcover. Condition: Near Fine. No Jacket. First Edition. Cloth. First Edition. 4to - over 9¾" - 12" tall. 109p. A near fine copy, no d.j. Thirty-seven paintings in color, each with a page of notes and explanation. Size: 4to - over 9¾" - 12" tall. Book.

Soft cover. Condition: Very Good. 1st Edition. 12mo. 14 cm x 18 cm, 133 pages. Original paper wrappers. 210 item catalogue, b/w plates. Ownership inscription of the writer and bibliophile Peter Inch.

Soft cover. Condition: Very Good. 1st Edition. 26pp + 6 plates. 9.5 x 6 inch. good and clean throughout, no markings.

First Edition. Near-fine copy in quarter cloth over boards with gilt-blocked label to the spine. Remains well-preserved overall; tight, bright, clean and sharp-cornered. Series; London Topographical Society. Publication ; 109. Physical description; 27 p., [13] p. of plates : ill., plan ; 29 cm. Notes; Bibliography: p. 25. Subjects; Barker, Robert (1739-1806). Girtin, Thomas (1775-1802). London (England) History (1800-1950) Pictorial works. London (England) Description 1800 Views. 3 Kg.

Wire-stitched. Condition: Vg-. First Edition. An Exhibition Catalogue for the Exhibits at the British Pavilion, XXXI Biennale Venice 1962. Paintings and Constructions by Ceri Richards; Sculpture by Robert Adams & Hubert Dalwood. In the Original Corners gently, bumped; spine well worn; binding firm; contents vg; 24 pp; Black and White illustrations and 4 Colour plates. Text on Ceri Richards by John Russell; Text on Robert Adams by J. P. Hodin; and Text on Hubert Dalwood by Norbert Lynton. Biographical notes.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 1st. ed., 1st printing ; xii, 337 p. ; 23 cm. ; LCCN 86008769 ; 9780198203100, 9780198204152, 9780198264507, 0198203101, 0198204159, 019826450X ; OCLC 25492425 ; LC B765.G74 S68 1986 Dewey 189/.4 ; blue cloth in dustjacket ; Robert Grosseteste was one of the most independent and vigorous Englishmen of the Middle Ages--a medieval Dr. Johnson in his powers of mind and personality. Of humble birth, he lived for many years in obscurity and emerged only late in life as a national figure, deeply conservative and profoundly critical of the contemporary world. As a scientist, theologian, and pastoral leader, he was rooted in an English tradition going back beyond the Norman Conquest. This comprehensive study of one of England's great intellects by the late Sir Richard W. Southern of Oxford University is an important contribution to the history of ideas. ; Contents: Part I: Grosseteste and the European Scene -- 1. The Grosseteste problem -- I. Divergent views -- II. Contemporary witnesses: Matthew Paris; Roger Bacon; A member of Grosseteste's household: fr. Hubert -- III. Later historical reconstructions -- 2. Grosseteste and the pattern of scholastic thought -- I. The problem of spurious texts -- II. Symptoms of an independent mind -- (1) An unscholastic answer to a scholastic question -- (2) The tentative approach -- (3) The importance of insight -- (4) Consideration -- (5) Imagination -- (6) Grosseteste's scholarly vision -- 3. Two patterns of education -- I. The continental road to success -- II. The English alternative -- (1) The social environment -- (2) The intellectual environment -- 4. Outlines of a provincial career -- I. Early and middle years -- II. The Oxford years -- III. The message of a despised source -- 5. The English scientific tradition -- I. The forerunners: Adelard of Bath; Daniel of Morley; Alfred of Shareshill -- II. Scope and limits of scientific thought -- (1) The natures of earthly things -- (2) The stars -- Part II: Grosseteste's Thoughts on Nature, Man and God -- 6. Towards a chronology of Grosseteste's thought -- I. Grosseteste's early theological development -- (1) Phase I: comments on Psalms 1 to 54 -- (2) Phase 2: comments on Psalms 55 to 79 -- (3) Phase 3: comments on Psalms 80 to 100 -- II. Grosseteste's earlier scientific writings -- (1) Works to be considered for rejection: De fluxu et refluxu maris De generatione stellarum -- (2) Works to be considered for earlier dating: De Cometis; Computus I, II, and III The commentary on Aristotle's Posterior Analytics; The commentary on Aristotle's Physics -- III. Grosseteste's later scientific writings: De luce -- IV. A skeleton chronology -- 7. Grosseteste's scientific vision -- I. Grosseteste's view of the heavens: De Sphera; De Cometis -- II. The Posterior Analytics and the natural world -- (1) The entry of the Posterior Analytics into Western thought -- (2) Grosseteste and the problems of nature: The scintillation of stars; The origin of sound; The flooding of the Nile; The cause of thunder; Biological reflections; Falling leaves; The initial irrigation of the earth -- (3) Grosseteste's account of scientific knowledge -- 8. From science to theology -- I. Grosseteste's change of direction -- II. Grosseteste's theological assets -- (1) His scientific method -- (2) His scientific knowledge -- III. Grosseteste's theological deficiencies and their remedy -- (1) Origin of his Greek studies -- (2) His programme of reading -- IV. Grosseteste's theological index -- (1) Nature of the plan -- (2) When did he make it? -- (3) How could it be used? -- V. Grosseteste's theological development -- (1) Secular sources and their use -- (2) (2) The theological sources and their development: Latin sources; Greek sources: Joan of Damascus; Denys the Areopagite; Basil the Great -- 9. Grosseteste's theological vision -- I.A theology of creation -- II. Centrality of man --III. Unity of God and nature -- IV. Necessity of God's entry into nature -- V. Chateau d'Amour; FINE/FINE. Book.

First Edition. Near-fine copy in quarter cloth over boards with gilt-blocked label to the spine. Remains well-preserved overall; tight, bright, clean and sharp-cornered. Series; London Topographical Society. Publication ; 109. Physical description; 27 p., [13] p. of plates : ill., plan ; 29 cm. Notes; Bibliography: p. 25. Subjects; Barker, Robert (1739-1806). Girtin, Thomas (1775-1802). London (England) History (1800-1950) Pictorial works. London (England) Description 1800 Views. 1 Kg.

Gebundene Ausgabe. Condition: Sehr gut. 2. 311 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Deutsch Gewicht in Gramm: 356.

Couverture souple. Condition: Comme neuf. Edition originale. Paris 2016. 1 Volume/1. -- Revue brochée 28,5 x 21,5 cm (.378 gr ) --------- 68 pages richement illustrées. ********************* "" Surnommé « Hubert des ruines », le peintre et paysagiste Hubert Robert (1733-1808) fut un artiste prolifique qui acquit une réputation européenne et reçut des commandes jusqu'en Russie. L'exposition du Louvre réunit peintures, dessins, projets de décors ou de jardins.

20 x 14 cm. Condition: Gut. 1. Aufl. 157 Seiten blaßgelber broschierter, noch unaufgeschnittener Band im Oktavformat; gut erhaltenes, sauberes Exemplar Sprache: Französisch Gewicht in Gramm: 1.

Couverture souple. Condition: Comme neuf. Edition originale. Paris 1965. 1 Volume/1. --N°186-- Comme Neuf , non coupé -- Broché cousu. Format in-8°( 24 x 16 cm )( 252 gr ). -------- 147 pages. 1 portrait d'Alfred Martineau Hors-Texte , et 3 cartes , la dernière dépliante.

OKarton. 280 S. : Illustrationen ; 24 cm Einband etwas lagerspurig, gering kantenberieben, Seiten hell und sauber, ohne Einträge, Buchblock fest, Hubert Robert (* 22. Mai 1733 in Paris; 15. April 1808 ebenda) war ein französischer Maler. n den Jahren 1782 und 1791 wurde er von Katharina der Großen nach Sankt Petersburg eingeladen, Robert schickte jedoch lediglich einige seiner Werke zu ihr. Im Verlauf des Großen Terrors der Französischen Revolution wurde Robert zunächst am 29. Oktober 1793 gefangen genommen und in den Gefängnissen Sainte-Pélagie und Saint-Lazare inhaftiert. Auch im Gefängnis stellte er Bilder her. Nach dem Sturz Robespierres wurde er 1794 befreit. Robert war Jakobiner und Mitglied des Nationalkonvent. Zusammen mit Johann Heinrich Riesener war er Mitglied einer Kommission, die für die revolutionären Auktionen Expertisen der beschlagnahmten Möbel der Adligen erstellte. Er wurde im Mai 1794 gemeinsam mit vier weiteren Künstlern Konservator der Gemaldegalerie des 1793 neu gegründeten Muséum National des arts. Diese Stellung bekleidete er bis 1802. Er war auch als Peintre des Ruines bekannt und stellte seine Bilder regelmäßig im Salon aus. Er wurde zum Dessinateur des jardins du Roi ernannt und wirkte an der Neugestaltung des Parks von Versailles und anderer Gärten mit. Auf die Umgestaltung des Palastes zu einem Museum hatte er großen Einfluss 0 Sprache: Deutsch Gewicht in Gramm: 1120.

hardcover. Condition: fine. Dust Jacket Condition: fine. Robert Hubert (illustrator). First. Black & white illustrations, 207 pages, tall slim 8vo, black cloth, d.w. Cambridge: Cambridge University Press, (1998). First Edition. Fine. Scarce.

Hardcover. Condition: As New. Dust Jacket Condition: Very Good. First Edition. The book is very fine and the dust jacket very good with a little sunning to the spine plus slight creasing & edgewear. A heavy book for overseas shipping purposes and sent from our bookshop in the UK. ; 4to 11" - 13" tall.

Card covers, stapled spine. Condition: Very good. First Edition. 22 x 28cm 26pp very good exhibition catalogue featuring the paintings and constructions of Ceri Richards, the sculpture of Robert Adams, the sculpture of Hubert Dalwood, supported by colour plus black and white reproductions.

Soft Cover. Condition: Very Good. First UK Edition. 4to. 238 pp. very good in very good original card wraps , slight shelf wear Size: 4to - over 9¾" - 12" tall.

1st edition. Very good copy in the original cloth with gilt-blocked label to the spine. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Physical description: 98 pages: illustrations; 32 cm.Subjects: Société Seligmann. Société Seligmann Collections; Catalogs. Genre: Bibliography. Catalogue.Illustrated. 3 Kg.

Broschur. Condition: Wie neu. Erste Auflage. 144 Seiten : Illustrationen ; 21 cm, 184 g Ungelesen. Einband geringfügig berieben bzw. angestoßen. Am Schnitt als Mängelexemplar gekennzeichnet. Rechnung mit ausgew. MwSt. W_lyrik 9783518430132 . Bei Mehrfachbestellungen bei uns, reduziert sich für Sie der Versandkostenanteil pro Titel. Sprache: Deutsch Gewicht in Gramm: 180.

First Edition. Good copy in original stiff card wrappers with some wear and tear as with age. Remains well-preserved overall; bright and clean. Physical description; 98 pages : illustrations ; 32 cm. Notes; Another edition of the cat. was pub. with 104 pages. Venue: Place of sale: Paris. Venue: Date of sale: March 9-12, 1914. Subjects; Société Seligmann. Société Seligmann Collections ; Catalogs. Genres; Bibliography. Catalogue. Illustrated. 3 Kg.

1st edition. Very good copy in the original cloth with gilt-blocked label to the spine. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Physical description: 98 pages: illustrations; 32 cm.Subjects: Société Seligmann. Société Seligmann Collections; Catalogs. Genre: Bibliography. Catalogue.Illustrated. 1 Kg.

First Edition. Good copy in original stiff card wrappers with some wear and tear as with age. Remains well-preserved overall; bright and clean. Physical description; 98 pages : illustrations ; 32 cm. Notes; Another edition of the cat. was pub. with 104 pages. Venue: Place of sale: Paris. Venue: Date of sale: March 9-12, 1914. Subjects; Société Seligmann. Société Seligmann Collections ; Catalogs. Genres; Bibliography. Catalogue. Illustrated. 1 Kg.

fort vol. in-8, XIV pp., un f. n. ch., 720 pp., avec de nombreuses illustrations dans le texte, broché sous couverture illustrée. Édition originale de cette somme qui, pour la petite histoire, mais de façon significative, figurait dans la bibliothèque de Louis-Ferdinand Céline lequel y fait référence à plusieurs reprises dans sa correspondance, et le réclamait même depuis son exil danois. Émile-Jules Chautard (1864-1934), ouvrier typographe, s'était frotté au petit peuple de Paris et sur la fin de sa vie publia des ouvrages sur ses chansons et sur son langage. Ex-libris Yves-Louis Mongrolle. - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.

Couverture souple. Condition: Bon. Edition originale. 32 PAGES-35 CM X 50 CM-DANS UNE CONFERENCE DE PRESSE M.PAUL VERGES DENONCE LES FRAUDES ELECTORALES D'OUTRE-MER-PLUS DE GRAND JARDIN POUR LES FRANCAIS?, PAR SAMIVEL, TIERS DE PAGE-AU MUSEE JACQUEMARD ANDRE "L'ITALIE ROUGE" D'HUBERT ROBERT, PAR ANDRE CHASTEL, QUART DE PAGE-COMPLET.