Portrait Smith, Signed (31 results)

First Edition. SIGNED by the director. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 237 pages : illustrations, portraits (chiefly color) ; 28 cm. Notes; Includes index. Contents; Pre-Tudor and Tudor portraits -- Stuart portraits -- Georgian portraits -- Victorian portraits -- The early 20th century -- The post-war period to the present day. Subjects; National Portrait Gallery (Great Britain). Portraits, British. Portrait photography. Portraits Public collections Great Britain. National art galleries. 3 Kg.

Hardcover. Condition: Good. Ft. Worth Texas: Independent Publishing House, 1928. Light cover wear, heavier wear at spine; ex-library with usual marks, text aged but pristine. Signed By Author.

First Edition. SIGNED by the director. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 237 pages : illustrations, portraits (chiefly color) ; 28 cm. Notes; Includes index. Contents; Pre-Tudor and Tudor portraits -- Stuart portraits -- Georgian portraits -- Victorian portraits -- The early 20th century -- The post-war period to the present day. Subjects; National Portrait Gallery (Great Britain). Portraits, British. Portrait photography. Portraits Public collections Great Britain. National art galleries. 1 Kg.

Condition: guter Zustand. Zustand, siehe Scan - ca 11 cm X 15 cm.

Condition: guter Zustand. Zustand, siehe Scan - ca 11 cm X 15 cm.

Condition: Good. 1950. First Edition. 173 pages. No dust jacket. This is an ex-Library book. Signed by the author. Brown cloth with gilt lettering. Rough-cut pages. Number 233 of 450. Flatsigned by author to book numbering page. Ex-library copy, with expected inserts and inscriptions. Light foxing and tanning to pages. More prominent to text block edges, pastedowns and free endpapers. Light cracking to gutters but binding remains firm. Frontispiece tissue is detached but present. Boards have minor corner bumping and edgewear with mild staining, tanning and scuffing overall. Spine has heavier tanning with soft crushing to ends. Lettering remains bright and clear.

Condition: Fair. 1950. 173 pages. No dust jacket. This is an ex-Library book. Signed by the author. Red cloth with gilt lettering. Flat signed by Author. Limited copy no.187 of 450. Rough cut pages are lightly tanned and thumbed at the edges, with creased corners and foxing. Binding has remained firm. Boards are a little rub worn, slight shelf wear to corners, spine and edges. Corners are a little bumped. Spine ends are mildly crushed. Light tanning to spine and edges. Boards are bowed. Book has a forward lean.

Cloth. Condition: Good Plus. Dust Jacket Condition: Good. First Edition. INSCRIBED to Academy Award winning director/producer Pete Smith: "For Pete/ Friend and/ colleague, and/ fellow-survivor / of the Battle/ of Lebec./ Joseph Henry Steele/ March, 1963." (I don't know what this refers to.) A Good Plus internally clean and solid hard cover First Printing in a complete worn dust jacket. The book covers have darkened. #. Signed by Author(s).

1883 November 3rd Original Antique Print taken from The Graphic: Clarence Smith - Alderman Fowler - Lt. Col. Phineas Cowan. Overall size of this print is approx 21cm x 18cm with large margins, perfect for mounting for home, business, interior decorators, hotels, pubs, boardrooms and restaurants. All our prints are ORIGINALS ANTIQUES AND GUARANTEED TO BE AS DATED. Please note we are offering an ANTIQUE PRINT on this listing unless otherwise described. These prints are taken from the THE GRAPHIC and in many cases, there will also be text on the reverse of the image side. The Graphic was first published in 1869, founded by William Luson Thomas and was a weekly newspaper reporting details of local, UK and worldwide events and stories. The Graphic is known for its coverage of of the following subjects: The Wars, Ships, Boats, Guns, Sailing, Portraits, Fine Art, Old and Antique Prints, Wood Cut, Wood Engravings, Early Photographs, Victorian Life, Victorian Culture, Kings, Queens, Royalty, Travels, Adventures, Natural History, Birds, Fish, Mammals, Fishing, Hunting, Shooting, Fox Hunting, Sprts including Tennis, Cricket, Football, Horse Racing etc. WE ARE HAPPY TO COMBINE POSTAGE FOR UP TO 10 ITEMS FOR NO ADDITIONAL CHARGE OVER THE SINGLE ITEM POSTAGE COST FOR OVERSEAS BUYERS. FOR UK BUYERS, POSTAGE IS FREE. PLEASE NOTE THAT IF YOU WOULD LIKE THE ITEM TO BE SENT BY TRACKED AND SIGNED FOR MAIL, YOU WILL NEED TO PAY THE APPROPRIATE HIGHER POSTAL CHARGE.Exported By ExportYourStore.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Book condition is very good. Board board clean, except the front has two small dot marks, back is clean. Dust jacket very good. spine intact. Text body clean. This book is a hymn of praise to a people who have survived the ordeal which began with the coming of the white man. It is a delight to the eye; it is a source of wisdom to those with the eyes to see. ' The Land Council is particularly impress with your sensitive respect for Tiwi culture and traditions, and the manner in which you have portrayed it " The Tiwi Land Council. SIGNED BY AUTHOR. Portrait of a People: The Tiwi of Northern Australia is an authoritative, acclaimed photographic book by celebrated German-Australian photographer Heide Smith, with text and layout design by Brian Smith. Published by Hobbs Point Publishing in 2008, the 224-page hardcover volume serves as a comprehensive visual and narrative record documenting the history, lifestyle, and culture of the Tiwi people. The imagery represents a deep 20-year retrospective resulting from Smith's numerous immersive visits to Bathurst and Melville Islands between 1987 and 2007.Key Details & Background Cultural Sensitivity: Traditionally, Tiwi Pukumani law forbids using the name or image of a deceased individual for up to twelve months. To make the book possible, the Tiwi Land Council granted a special exemption, allowing these important historical portraits to be permanently preserved and published. Visual Scope: The layout spans over 270 large-format photographs and 200 index thumbnails, blending black-and-white portraits with color landscapes. The Text: Beyond a collection of images, the volume functions as a memoir. It incorporates personal diary entries written by Heide Smith during her time on the islands. It highlights her adoption as a "sister" by esteemed Tiwi elder Gerardine Tungatalum, who acted as her primary guide and interpreter. Critique: Reviews have widely praised the work for its respectful depiction of Indigenous identity. Elizabeth Keenan of Time Magazine famously noted, "Even when her subjects are naked, they are clothed in dignity. they are simply themselves.". Signed by Author(s).

Hardcover. Condition: VG+. Dust Jacket Condition: Fair. Limited Ediiton. Limited Edition; # 157/450. SIGNED by John Russell on the Limited Edition page. 173 pages in very good condition; edges a little yellowed. Illustrated frontispiece. Previous owner's bookplate on the fep. Brown hardcovers with gilt titles and emblem. Corners not bumped. Grey DJ with black titles. Spine and edges darkened, small tears and chips on corners and edges. VG+/FAIR. Signed by Author(s). Book.

HARDCOVER. Condition: As New. Dust Jacket Condition: Fine. 1st Edition. Inscribed and signed by Edward Lucie-Smith on the title-page (no other marks or inscriptions). Square Quarto size (4to) in black faux cloth, gilt lettering to spine. 138pp, colour plates, numerous illustrations in text, etc . [CONDITION: An extremely well preserved AS NEW copy in an almost AS NEW complete Dust Jacket (very faintly creased along top edge-tips, looks new in its removable transparent protector) ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

First Edition. Limited and signed edition. Unnread copy and unopened pages. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description : 539 pages ; 21 cm. Subjects : 1914-1918. World War, 1914-1918 ; Fiction. Great Britain Social conditions 20th century. 3 Kg.

First Edition. Limited and signed edition. Unnread copy and unopened pages. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description : 539 pages ; 21 cm. Subjects : 1914-1918. World War, 1914-1918 ; Fiction. Great Britain Social conditions 20th century. 1 Kg.

VERY GOOD COPY BOUND IN RED BUCKRAM, SET IN 12 POINT MONOTYPE BEMBO, AND PRINTED ON CREAM WOVE PAPER HAND MADE BY HODGKINSON OF WELLS IN SOMERSET. OF THIS BOOK 450 COPIES PRINTED THIS COPY NUMBER 52. SIGNED BY JOHN RUSSELL. INK INSCRIPTION ON FEP.

signed across the image, showing him seated half length, nearly full face, his right hand to his chin, published by J. Beagles & Co., London, 5½" x 3½", no place, no date, circa.

signed and inscribed on the image, "Iris Lane Hawkins", with an autograph note on the back in her young hand "would you send me a small sum for the Actors Orphanage", showing her head and shoulders, three quarter face towards the camera, pointing upwards with her left hand, in a white dress and a bow holding her long hair, published by Philco, London, 5½" x 3½", no place, no date, circa.

Condition: Gut. 173 S. Oln. Eins von 450 numerierten Exemplaren. Einband leicht lichtrandig. Text auf Innendekcel eingeklebt. Sonst sehr gut erhalten. Signiert von John Russell. Bs. Con Ernst Robert Curtius. Sprache: Deutsch Gewicht in Gramm: 650.

Hardcover. Condition: Fair. [14], 539, [3] pages. Front board weak. Decorative cover. Some endpaper discoloration and foxing. Minor page foxing and soiling. The contents are Parts I, II, III, IV and V. Some pages uncut. Henry Major Tomlinson (21 June 1873 - 5 February 1958) was a British writer and journalist. He was known for anti-war and travel writing, novels and short stories, especially of life at sea. He was born and died in London. He worked as a reporter for the Morning Leader newspaper; he traveled up the Amazon River for it. His first book, The Sea and the Jungle (1912), was written after he had made the expedition up the Amazon. Though ignored at the time, it remains his most representative book and is often reminiscent in style, as are his other works, of Thoreau and Emerson. Among his novels are Gallions Reach (1927), All Our Yesterdays (1930), and Morning Light (1946), but he is perhaps better known for his travel books: London River (1921), The Turn of the Tide (1945), and Malay Waters (1950). In World War I he was an official correspondent for the British Army, in France. He was greatly affected by the futile slaughter of World War I. In 1917 he returned to work with H. W. Massingham on The Nation, which opposed the war. He left the paper in 1923, when Massingham resigned because of a change of owner and political line. His 1931 book Norman Douglas was one of the first biographies of that scandalous but then much admired writer. It "is a very fine book.Certain of its scenes, as that when the principal character drives from G.H.Q. to revisit his old comrades in the trenches, are perfection itself" - Falls An ibiblio posting on line advises: Professional writers should not read Tomlinson. No doubt any who try will throw away their keyboards in disgust when they compare their own frail abilities. His style and thinking must have been influenced by Emerson and Thoreau but is really that of the King James Bible, Homer and Shakespeare. His subject matter is often natural history or the foolishness of mortals who do not always realize the transcendental reality behind a common glance. His accounts of the sea, travel, and the Great War have not been surpassed. He is one author who produces quotable paragraphs on each page and can be read with pleasure again and again. It is time today to acknowledge his greatness. His antiwar novel, All Our Yesterdays, begins: The traffic of Dockland, where my omnibus stopped, loosened into a broadway. There the vans and lorries, released from the congestion of narrow streets, opened out and made speed in an uproar of iron-shod wheels and hooves on granite blocks. I could hear progress. It was on its way. It was pouring about in a triumphant muddle of noise too loud to be doubted. There was no need to repose on faith in the favored evolution of man. That wonderful conjuration of good things out of this planet by the steam-engine and the cotton-jenny was dominant. Limited edition of 1025, Signed by the Author. This is number 834.

Hardcover. Condition: Good. New York: Charles Scribner's Sons, 1902. Number 196 of a limited ediiton of 204 copies, author signed in blue beneath the frontis portrait of and with a letter in the author's hand, signed, tipped onto a page at the front of the first volume. Please read complete description for condition notes. Volumes dated 1902-1915. Lovely bindings in rich crimson morocco leather over greenish tan cloth, raised spine bands, spine lettering and elaborate decoration in gilt, top edges gilt, about 8.25 inches tall. Illustrated with plates including many in color. Some modest chipping a few spine ends, joints rubbed with surface crackling (archivally stabilized), some darkening to leather corners, front hinge of first volume internally lightly cracked but very secure, text blocks sound, pages would be very clean other than some old transparent staining to the upper outer margins of many pages in all but the last three volumes (there was unfortunately a leak at some point where the books were displayed), with the stains mainly confined to areas without print, armorial bookplate of Vera M. Gerli in each volume, no other markings. Beautiful shelf presentation, bright and attractive with unfaded spines. Signed, Plus ALS. Hard Cover. Good. 8vo - over 7¾" - 9¾" tall.

signed and inscribed down the blank left side of the image, showing him seated almost full length, three quarter face, with a comic grin, wearing a bowler hat and oriental jacket, and holding a Japanese parasol and fan, published by Rotary Photo, London, 5½" x 3½", no place, no date, circa.

Signed R. Smith on door plate, undated. 18 x 13cm. PLEASE NOTE: For customers within the UK this item is subject to VAT at 20%.

signed and dated across the foot of the image, showing him head and shoulders, three quarter face, as Giovanni de' Medici in "The Cardinal", and wearing a cardinal's hat over his ermine-lined hood and cape, with an intense look in his eyes, published by J. Beagles & Co., London, 5½" x 3½", no place, E.S. Willard was noted on both sides of the Atlantic for replacing the old histrionic manner with an intensely focused style of expression.

signed and inscribed in a blank corner of image, showing him half length, three quarter face, in a velvet coat and plumed hat, deep in thought, his left hand to his cheek, his right in the crook of his left elbow, which rests on the back of a chair, published by J. Beagles & Co., London, 5½" x 3½", no place, no date, circa part of left side lightly silvered, face and signature unaffected 'From 1886 to 1916 F.R. Benson directed the festival at Stratford-upon-Avon, producing all but two of Shakespeare's plays.

signed and inscribed at the top of the image, showing him nearly half length, full face, in military officer's uniform, a monocle in his right eye, published by J. Beagles & Co., London, 5½" x 3½", no place, no date, circa Bourchier was the principal founder of the Oxford University Dramatic Society.

First Edition. A PORTRAIT OF LOGAN PEARSALL SMITH -DRAWN FROM HIS LETTERS AND DIARIES -SELECTED AND INTRODUCED BY JOHN RUSSELL, Dropmore Press, 1950, first edition, fine in vg+ dust-wrapper with a small chip gone from the head of the dust-wrapper spine. 1/450 copies SIGNED by Russell. A fine press book.

Unbound. Condition: Fine. Black-and-white photograph measuring 5½" x 8½" tipped into unprinted, folded cardstock mat. The image depicts Smith, facing the camera, from the shoulders up, wearing a fur jacket and string of pearls. Signed with a note: "Nora Archibald Smith. Who always thinks the book she is going to write the very best of all. August, 1927." The photograph and mat are in fine condition. Smith was a children's book author, and, like her sister, Kate Douglas Wiggins, an important advocate of kindergarten education. [see *Notable American Women,* Vol. III, p. 605].

First edition, number 13 of 200 copies signed and issued with the signed limited edition giclée print titled Blue Portrait, after Vincent van Gogh's Self-Portrait; the total edition comprised 1,000 signed copies. The print is signed and dated lower right in pencil and numbered lower left with the Artist's and Rhodes Editions blind stamp. Printed on Canson Rag Photographique 310 gsm paper with screenprint varnish overlay. This is the first comprehensive monograph dedicated to Nick Smith. Quarto. With 437 catalogue illustrations and additional colour photographs. With limited edition print, sheet size 27 x 20.5 cm. Original cyan and white boards, black lettering to spine and covers. A fine copy.

Editions Gallimard 2017. In-8 cartonnage éditeur de 354 pages au format 19 x 3,5 x 25 cm. Couverture cartonnée, illustrée par une photographie en noir représentant Patti Smith et Robert Mapplethorpe. Dos carré. Plats et intérieur frais. Souvenirs de la poétesse et rockeuse accompagné de nombreuses photographies en noir et blanc. Facsimilés en hors texte. Un des exemplaires de luxe, en tirage limité, présenté dans une boite, avec titre imprimé, au format 21 x . Exemplaire enrichi d'une oeuvre originale de Patti Smith, reproduite en facsimilé, signée par Patti Smith et intitulée " Portrait de Rimbaud ". Le tirage à été réalisé à l'encre pigmentaire imprimé sur papier Canson Ultra Smooth par l'Atelier Granon à Paris. On joint le certificat de la Galerie Gallimard, ainsi que 3 feuilles dont une avec photographie inédite de l'artiste, prise pour la sortie du livre. Edition en partie originale et en état de neuf. Rarissimeen tirage de luxe, ultra limité.

First edition. First edition. Two volumes, quartos. Handsomely bound Arts & Crafts style binding by W.H. Smith & Son (signed WHS on rear dentelle) from a design by Douglas Cockerell (see below) who managed the bindery from 1906-1914. Full crushed turquoise morocco with distinctive Cockerell circling gilt ruling at edges, gilt rectilinear patterning and thick "nailheads," as well as a central armorial motif on both covers, gilt spines with even more elaborate circular gilt motifs, dots, etc. In a statement printed in G.D. Hobson - English Bindings of J.R. Abbey, p. 170, Cockerell notes that bindings signed with the "WHS" stamp during this period were specially designed by Douglas Cockerell. Limited 375 copies (of which 350 are for sale) on pure rag paper; of the ordinary edition this is no. 6. 240 reproductions after the original pictures. The volumes were bound for Charles Lyttleton, with front and back covers of both volumes featuring his coat of arms at center. The dentelles feature four gilt rules and tooling at corners, with patterned endpapers in tan, black, and blue. All edges gilt. Some light edgewear, and faint discoloration and staining to covers, a few inlaid dots missing.