Archer Frederick (27 results)

Hardcover. Condition: Used: Good. 1st Edition. Cloth, ex-librarym, else good. From the Library of the Dept. Of Rural Sociology, U. Of Minnesota.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Wear and some tearing to edges of dust jacket.

Hardcover. Condition: VG. Hardback in Very Good condition with Very Good dust jacket. The Faber Monographs On Pottery And Porcelain. 10 X 6.3 X 1 inches. 105 pages. Some light foxing to page edges. . Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Good plus or better, light general wear Cloth Quarto Lightly worn, edgetorn jacket. With addendum booklet.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. First. Hard Cover. Very Good/Very Good. First. 4to - over 9¾" - 12" tall. D/j is edgeworn with small tears and faded spine by enclosed in a soft plastic cover which is taped on around the top and bottom edges of book with tape only touching board edges, former owner's name on front endpaper, scrapes and small hole in plastic on back but not affecting d/j. Non-paginated, 1 and 1/4" thick.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Illustrated by Laurence V. Archer (illustrator). A book that is used but still very attractive ; 64 pages.

Hardcover. First Edition; First Printing. 7.72 X 5.43 X 1.57 inches; 420 pages.

Hardcover. Condition: Fair. No Jacket. Frederick Barnard (illustrator). Half-Leather On Red Cloth, Gilt Decoration, All Edges Gilt, Decorated Endpapers, 92 Pages Plus 18 Plates, Illustrated. No Date Or Printing History Stated But Obviously Late C19th. Slipped-In Is A Handwritten Note "This Volume Belonged To Alfred Newman Scroggie". A Soundly Bound Book In Worn Covers And The Spine Is Missing. Internally Unmarked. The Plates, With Their Original Protective Flimsies, Are "Vg". Not Ex Library. A Huge & Very Heavy Book, Not Suitable For Overseas Shipment. Shipping To Any Destination Will Exceed The Abebooks.Com Default Rate - Please Email The Bookseller For A Shipping Quote.

First Edition. Fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong.; 8vo 8" - 9" tall; 123 pages; Description: x, 123p. 28cm. Subjects: S. H. Hooke - Theology - Thesis / Theses. Notes: "A dissertation presented to the Faculty of the School of Theology, Southwestern Baptist Theological Seminary, Fort Worth, Texas - in partial fulfillment of the requirements for the degree Master of Theology" --title page. 3 Kg.

Wrappers. Condition: Very Good. Black and White Photographs (illustrator). First Edition. February 1916 Issue, With Lead Article On "Pottery In America" Lightly Used, But Faint Dampstain Along Lower Edges Of All Pages. Pencil Note By Artist Pasquale G. Napolitano Referring To Binns' Article; Napolitano Later Studied With Binns In 1929.

Hardcover. Condition: Good. Hardcover. Brown cloth over boards with gold stamping on spine and front cover. Decorative blind stamping on front and back covers. Title and copyright pages dated 1881. 473 pages. In good condition. Covers are rubbed and faded. Cloth is frayed at head and foot of spine and corners, partially revealing boards beneath. Front gutter is cracked; binding feels a bit fragile, especially at front hinge, but covers remain attached. Front free endpaper, first flyleaf, and title page are detached but present. SIGNED and inscribed by author Frank Frederick Hilder on front free endpaper: "Frank Fred. Hilder, with the compliments and best wishes of his friend ___ Helper. St. Louis, June 30, 1881". Pages have some light foxing along edges, but otherwise are free of marks or tears. No other loose pages. A good reading copy that has been signed by one of the authors.

First Edition. Fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong.; 8vo 8" - 9" tall; 123 pages; Description: x, 123p. 28cm. Subjects: S. H. Hooke - Theology - Thesis / Theses. Notes: "A dissertation presented to the Faculty of the School of Theology, Southwestern Baptist Theological Seminary, Fort Worth, Texas - in partial fulfillment of the requirements for the degree Master of Theology" --title page. 1 Kg.

Softcover; First Printing. Condition: Good+. Yellow pictorial paper binding rubbed, creased & soiled; inside covers, leaf edges, title page & rear free endpaper foxed; stamp on rear inside cover, else a clean book. ; In wraps.; 12mo 7" - 7½" tall; 191 pages.

Hardcover. Condition: Fair. Frederick Barnard and Other Well Known Artists (illustrator). Binding rather ragged Some foxing etc Beautiful illustrations A3 size book.

Hardcover. Condition: Very Good. Frederick Barnard (illustrator). In six sections with a total of eighteen full-page character sketches, reproduced by photogravure. Card covers, no date circa 1890s. Covers show a little wear, the front cover of Division 5 has some damage, contents reasonably clean, some light tanning. (large format item so will make a heavy parcel. Postage will be quoted before any order is accepted. Postage overseas not recommended as estimated at more than the price of the books).

Hardcover. Condition: Very Good. No Jacket. Frederick Barnard (illustrator). 1st Edition. Undated, circa 1894. Book bound with burgundy leather over spine and corners, spine re-backed, worn along edges and at corners with some loss to top layer of leather. Maroon cloth covered boards with gilt motif on the front, rubbed and marked. End papers have been replaced, hinge and text block tight, no inscriptions. Gilt page edges all around. Contents clean and smooth and bright, with eighteen mounted full page character sketches reproduced in photogravure, with captioned tissue-guards. Further illustrations within the text by other well-known artists. A very good tidy copy. May incur additional postage charges overseas.

Green hardback cloth cover. Condition: Good. Reprint. G : in good condition without dust jacket. Sm. amount of nicks and one tear to cloth along spine. Scattered light foxing - contents otherwise clean and tight. 450mm x 340mm (18" x 13"). 92pp. 18 full page photogravure plates with tissue-guards; additional b/w illustations. Heavy book - additional shipping supplement may apply.

Hardcover. Condition: Near Fine. Thick blue 8vo, in very good slipcase, 23cm, xxiii, 520 pages, 94 unnumbered leaves of plates, illus., [44] folded maps, portraits, appendices. Corners of slipcase slightly rubbed. Book is near to fine, minor smudge on front blank, previous owner's name and details on rear free endpaper, but no apparent markings within the text, portrait errata slip included on loosely inserted tissue paper.

First Edition. Poor copy in the original aniline calf over plain cloth, with gilt-blocked motif to front and back boards. All edges gilt. Boards dust-toned. Spine bands and panel edges bumped and worn as with age. Front board and preliminary pages starting to detach. Remains quite a good example in need of some attention. Physical description; 92 pages, 17 unnumbered leaves of plates : illustrations ; 45 cm. Notes; Date is suggested. Republished from "Character sketches from Dickens" 1879-85. Subjects; Dickens, Charles 1812-1870 Illustrations. Dickens, Charles 1812-1870 Characters. Dickens, Charles 1812-1870 Criticism and interpretation. Characters and characteristics. Novelists, English 19th century ; Biography. Biography Biographies Novelists Authors 19th Nineteenth Century. 3 Kg.

1st Edition. iv, 200; xxiv, 47, [1 (blank)]; [2], 99, [1 (blank)]; lvi, [1 (blank)] pp. Illustrated with hand-colored lithographs (with light green ink only) by W[alter]. [Hood] Fitch (1817-1892). 8-1/2" x 5-7/8" Thomas Anderson "studied medicine at the University of Edinburgh, graduating with an MD in 1853. While at University he became interested in botany, and earned a gold medal for the best local collection of plants, and assisted in arranging the Indian herbarium. In 1854 he entered the Bengal medical service, and went to Calcutta. Subsequently he went to Delhi, where he was actively engaged during the mutiny, returning to Calcutta in 1858. His health failing, he came home, and, the steamer being detained at Aden for some days, he made an interesting collection of the plants of that region, upon which he based his 'Florula Adenensis,' published in 1860." [wiki]. Walter Fitch was a botanical illustrator from Scotland. Fitch's illustration have appeared in Curtis's Botanical Magazine, most publications issued by Royal Botanical Gardens Kew, George Bentham's 'Handbook of the British Flora', James Bateman's "A Monograph of Odontoglossum" and William Hooker's "A century of Orchidaceous Plants". "Fitch was made a fellow of the Linnean Society in 1857." [wiki]. The previous owner inscription reads "Skipper Kent 1953". Skipper Kent was a restauranteur in the San Francisco Bay Area, owning Zombie Village in Oakland and Skipper Kent's in San Francisco. These "tiki" inspired restaurants were his pride and joy as he was already and avid collector of Polynesian art and artifacts. Kent was also an avid orchid collector, so we suspect this was in his library at one time, with his interest in botany. The embossed library stamp comes from the library of Herman Knoche (1870-1945). Knoche was born in San Jose, California and studied botany at Stanford University. He moved to France to further his studies at University of Montpellier; his particular interest was island vegetation. Boards and edges are rubbed/(scuffed), some tears to the paper wrapped boards (especially lower board and corners), some soiling to boards and back strip, blue ink inscription to ffep - possible previous signature, some soiling to end papers (particularly to fore-edge), embossed library stamp to head of "List of Papers" (a.k.a. table of contents), age toning to leaves, water damage to fore-edge of leaves as well as a bit to tail -going towards middle of leaves, water damage is most noticeable on the leaves with illustrations (see photos), some light chipping and creasing to lower corner of last few leaves. A Good copy. Period binding, stamped in gilt to back strip, black ink stain to all edges.

Soft cover. Condition: Very Good. Frederick Barnard (illustrator). 1st Edition. An unusually good and complete set of this work, as originally issued in six parts, each part with three engraved plates by Fred Barnard and 16 large pages of text with wood engraved illustrations by various other artists. The Barnard plates are reproduced in photogravure (a lithographic method) on thin india paper which is mounted onto thick card, each with a commentary on the facing page. The loosely laid in tissue guards are all present - ironically it is these which tend to create most harm in the form of foxing, but in this set the foxing is minimal, affecting the facing pages very slightly and the plates hardly at all. Bound with staples in thick card covers which are all clean apart from Division 3 which has some uneven darkening and foxing on the front board and Division 6 which has the same on the back board. Division 6, which also has the full contents pages and list of illustrations, has been bound upside down, but it is complete. Barnard was commissioned to do the illustrations originally for the Household Edition of Dickens in about 1871.

First Edition. Poor copy in the original aniline calf over plain cloth, with gilt-blocked motif to front and back boards. All edges gilt. Boards dust-toned. Spine bands and panel edges bumped and worn as with age. Front board and preliminary pages starting to detach. Remains quite a good example in need of some attention. Physical description; 92 pages, 17 unnumbered leaves of plates : illustrations ; 45 cm. Notes; Date is suggested. Republished from "Character sketches from Dickens" 1879-85. Subjects; Dickens, Charles 1812-1870 Illustrations. Dickens, Charles 1812-1870 Characters. Dickens, Charles 1812-1870 Criticism and interpretation. Characters and characteristics. Novelists, English 19th century ; Biography. Biography Biographies Novelists Authors 19th Nineteenth Century. 1 Kg.

1st edition, ca. 1894 [Gimbel H36]. Division 1 with t.p. Division 6 concludes with 2nd title leaf & an additonal leafwith Contents, List of Plates & Illustrations. 16 pages of text per division, with pagination continuous through the entire. 18 large full size inserted plates as well as intratextual b/w illustrations. Each plate with explanatory page opposite; tissue guards. Division size: 17-1/2" x 13-1/2" NB. Division 1 a variant issue, with publisher location as noted; Divisions 2-6 specify Cassell locations as "London, Paris, New York & Melbourne" Case - Nr Fine. Divisions: Division 1 fresh looking, VG+ - Nr Fine, with tipped-in bookplate prior to t.p., noting "This Book is supplied by John K. King & Son . not obtainable through the general Booksellers". Divisions 2 - 6 show wear, soiling & foxing, with Division 3 textblock starting to separate from the covers & with a light quarter circle stain in the lower left of the text block. Overall, Abt VG - Very Good. Quarter-bound maroon cloth spine over buff printed stiff-stock paper boards. Custom maroon cloth clam shell case, with leather title label to spine.

Leather. Condition: Good. Frederick Barnard (illustrator). Thomas Archer's pictorial biography of Charles Dickens, enriched with numerous facts and anecdotes. A large paper volume containing a charming biographical sketch of Charles Dickens by Thomas Archer, sharing anecdotes and facts about Dickens' life and work. Originally published in six divisions, supplied to subscribers only. Illustrated with eighteen photogravure plates by Victorian well known Dickens' illustrator Frederick Barnard, illustrating character sketches, as well as other illustrations in text. Collated, complete. In half morocco binding over cloth covered boards, new marbled endpapers. Externally sound with shelf wear, scuffed to extremities and spine, marked throughout, with some chipping to the boards. Front board cockled due to possible damp. Internally, firmly bound. Spotting scattered to the leaves, particularly to leaves of plates, while text remains generally bright and clean. Illustrated with with eighteen photogravure plates and numerous other illustrations in text. Collated, complete. Good. book.

Paperback. Condition: Very Good. Frederick (Fred) Barnard (illustrator). The original six divisions of Archer's charmingly illustrated biographies Originally supplied to subscribers only. "Written in a spirited and attractive style.The characters which Charles Dickens has created are living, moving personalities in the minds and imaginations of the large majority of English men and women. To portray these characters in a manner which shall satisfy the aspirations of the countless multitudes of the author's admirers is a success of which any artist may feel justly proud." With six of the original eighteen photogravures, described as "absolutely unrivalled as masterpieces of their particular kind." As well as numerous wood-cut vignettes. Illustrated by Victorian illustrator, caricaturist, genre painter, and well known Dickens' illustrator, Frederick (Fred) Barnard. Barnard undertook an enormous task when he was commissioned in 1871 by Chapman and Hall to illustrate nine volumes of the Household Edition of Dickens's works. Included would be Bleak House, A Tale of Two Cities, Sketches by Boz, Nicholas Nickleby, Barnaby Rudge, Dombey and Son and Martin Chuzzlewit. He followed in the footsteps of the respected Hablot Knight Browne ("Phiz") who had worked with Dickens himself. For his prodigious output of some 450 illustrations over an eight-year period, Barnard could lay just claim to the title of "The Charles Dickens among black-and-white artists". Frederick Barnard brought an encyclopaedic knowledge of the Dickens novels to bear on his work. A young man when he started on his mammoth task, Barnard decided that he would concentrate on scenes other than those that Browne and Dickens had chosen to portray. Whereas 'Phiz' was inclined to create dramatic group scenes for his prints, Barnard was more interested in showing the relationships between pairs of characters. While Phiz had to produce illustrations for the monthly serials as Dickens wrote them, Barnard had the advantage of being able to read the complete work repeatedly before starting on his drawings. At the same time Barnard had to seamlessly blend the characters as visualised by 'Phiz' with his own style, not daring to deviate too much from their established appearance. Written and edited by Thomas Archer. Author of "Fifty Years of Social and Political Progress", "Decisive Events in History", "Vanishing London", and "Pictures, Royal Portraits". In original quarter cloth bindings with paper covered boards. Externally, some light marks to the boards and wear to the extremities. Division one has some heavier sunning to the boards. Internally, all divisions are generally firmly bound, although lacking twelve of the original plates. Some light scattered spotting and handling marks, although generally bright. Very Good. book.

Cloth. Condition: Very Good. Frederick Barnard (illustrator). The complete set of Archer's charmingly illustrated biography of Charles Dickens, containing facts and anecdotes about the author. Written and edited by Thomas Archer. Author of "Fifty Years of Social and Political Progress", "Decisive Events in History", "Vanishing London", and "Pictures, Royal Portraits". Complete in six divisions. Originally supplied to subscribers only. Collated complete with a total of eighteen photogravures, and numerous wood-cut vignettes. Illustrated by Victorian illustrator, caricaturist, genre painter, and well known Dickens' illustrator, Frederick (Fred) Barnard. Barnard was commissioned in 1871 by Chapman and Hall to illustrate nine volumes of the Household Edition of Dickens's works, including 'Bleak House', 'A Tale of Two Cities', 'Sketches by Boz', 'Nicholas Nickleby', 'Barnaby Rudge', 'Dombey and Son' and 'Martin Chuzzlewit'. He followed in the footsteps of the respected Hablot Knight Browne ("Phiz") who had worked with Dickens himself. Barnard decided that he would concentrate on scenes other than those that Browne and Dickens had chosen to portray. Whereas 'Phiz' was inclined to create dramatic group scenes for his prints, Barnard was more interested in showing the relationships between pairs of characters. While Phiz had to produce illustrations for the monthly serials as Dickens wrote them, Barnard had the advantage of being able to read the complete work repeatedly before starting on his drawings. At the same time Barnard had to seamlessly blend the characters as visualised by 'Phiz' with his own style, not daring to deviate too much from their established appearance. It was this dangerous, but ultimately successful balancing act that earned Barnard many admirers, and established him as a notable illustrator and artist. In original quarter cloth bindings with paper covered boards. Externally, sound, with some light marks to the boards. Division one has some heavier sunning to the boards. Internally, firmly bound. Pages bright, with the occasional light scattered spotting and handling marks. Very Good. book.

no binding. Condition: good. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18cm some wear and tear due to the disbinding.