Heidi Applegate (16 results)

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. WE SHIP DAILY! Book shows very little use. Dust jacket has very light wear. ***PROMPT, PROFESSIONAL SERVICE!***.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: As New. Hardcover with dust jacket. Book is in excellent condition, text is unmarked and pages are tight.

Soft cover. Condition: New. 1st Edition. Stiff color illus. wraps, oblong format. New/as issued. xiv,274 pp., illus. 1st ed. Publication to accompany 2003-04 exhibition. Size: 4to - over 9¾" - 12" tall. Book.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: As New. Dust Jacket Condition: As New. ** AS NEW HARDCOVER ** AS NEW DUSTJACKET ** CLEAN, STAIN-FREE, UNMARKED ** NOT A LIBRARY BOOK ** OVERSIZED, VERY HEAVY BOOK ** GIFT QUALITY ** Published by The Metropolitan Museum of Art and Yale University Press, 2003, with xiv + 274 pages. The book is essentially flawless. The book is clean and stain free, square and straight, quite firm and tight in its binding, no pages are loose, missing, folded, or torn. The hinges are sound and undamaged, all corners are sharp and unbumped. All pages are clean and stain-free, still bright and white, and all text and illustrations are sharp and legible. There is no writing, underlining, highlighting, or any other such markings in the book. The dustjacket also is essentially flawless, clean and stain-free, complete and intact, no tears, no chips, no pieces missing, NOT price-clipped, no wrinkles or creases. Buy with confidence; professional booksellers for 35 years, selling online since 1995. Box 73.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Metropolitan Museum of Art, 2003; no additional printings indicated. Binding is tight, sturdy, and square; tan cloth boards in VG+ condition, corners sharp; illustrations and text also very good. Unclipped dust jacket in VG+ condition as well. Due to the size/weight of this book extra charges may apply for international shipping. Ships from Dinkytown in Minneapolis, Minnesota.…

Hardcover. Condition: Near Fione. Dust Jacket Condition: Fine. First edition. Quarto. (10 1/2" x 11") 271pp. Exhibition catalogue. Tan cloth in dust jacket. One small bump to the bottom of the back cover. Sanford R. Gifford. (illustrator).

Hardcover. Condition: Used - Very Good. Timed with the centennial of the Panama-Pacific International Exposition (PPIE) of 1915, 'Jewel City' presents a large and representative selection of artworks from the fair, emphasizing the variety of paintings, sculptures, photographs, and prints that greeted attendees. It is unique in its focus on the works of art that were scattered among the venues of the expositionthe most comprehensive art exhibition ever shown on the West Coast. Notably, the PPIE included the first American presentations of Italian Futurism, Austrian Expressionism, and Hungarian avant-garde painting, and there were also major displays of paintings by prominent Americans, especially those working in the Impressionist style. This lavishly illustrated catalogue features works by masters such as Winslow Homer, John Singer Sargent, Claude Monet, Paul Cezanne, Robert Henri, Edward Weston, Imogen Cunningham, Edvard Munch, Oskar Kokoschka, Umberto Boccioni, and many more. The volume also explores the PPIE s distinctive murals program, developments in the art of printmaking, and the legacy of the French Pavilion, which hosted an abundance of works by Auguste Rodin and inspired the founding and architecture of the Legion of Honor museum in San Francisco. A rich and fascinating study of a critical moment in American and European art history, 'Jewel City' is indispensable for understanding both the United States and California s role in the reception of modernism as well as the region s historical place on the international art stage. Published in association with the Fine Arts Museums of San Francisco.' Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.…

Hardcover. Condition: New. Dust Jacket Condition: New. In original shrinkwrap.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition. First printing. Copyright 2003. FACTORY SEALED. Brand new. Carefully packed and shipped to arrive to you in perfect condition. Purchase by 12 noon EST to arrive to USA customers in 2-5 business days. Please disregard any white streaks created by glare from the shrink-wrap. All my books are stored in climate controlled environment. Sanford R. Gifford (illustrator).…

Hardcover. Condition: Very Good. One corner somewhat bumped, slight tear to jacket, otherwise minimal wear, clean pages, firm binding.

Hardcover. Condition: New.

Paperback. Condition: New. Sanford Robinson Gifford was a leading Hudson River School artist. His love of nature first surfaced as a youth growing up in Hudson, New York, and, together with his admiration for the works of Thomas Cole, inspired him to become a landscape painter. Influenced as well by J. M. W. Turner and by trips to Europe in the 1850s, Gifford's art was termed "air painting," for he made the ambient light of each scene-color saturated and atmospherically enriched-the key to its expression. Gifford was a founder of The Metropolitan Museum of Art. At the time of his death, he was so esteemed by the New York art world that the Museum mounted an exhibition of his work-its first accorded an American artist-and published a Memorial Catalogue that for nearly a century remained the principal source on the artist. Now, to coincide with a long-overdue exhibition of Gifford's work, an important new book is being issued. This volume features essays examining Gifford's position in the Hudson River School, his Catskill and Adirondack subjects, his patrons, and his adventures as a traveler both at home and abroad. More than seventy of the artist's best-known sketches and paintings are discussed and reproduced in color.…

Hardcover. Condition: New. Sanford Robinson Gifford was a leading Hudson River School artist. His love of nature first surfaced as a youth growing up in Hudson, New York, and, together with his admiration for the works of Thomas Cole, inspired him to become a landscape painter. Influenced as well by J. M. W. Turner and by trips to Europe in the 1850s, Gifford's art was termed "air painting," for he made the ambient light of each scene-color saturated and atmospherically enriched-the key to its expression. Gifford was a founder of The Metropolitan Museum of Art. At the time of his death, he was so esteemed by the New York art world that the Museum mounted an exhibition of his work-its first accorded an American artist-and published a Memorial Catalogue that for nearly a century remained the principal source on the artist. Now, to coincide with a long-overdue exhibition of Gifford's work, an important new book is being issued. This volume features essays examining Gifford's position in the Hudson River School, his Catskill and Adirondack subjects, his patrons, and his adventures as a traveler both at home and abroad. More than seventy of the artist's best-known sketches and paintings are discussed and reproduced in color.…