Pindar Pindarus (34 results)

kl. 8 ca. 1980. 571 S. Oln. OU.

Condition: New. Satisfaction Guaranteed or your money back.

Lund, 1972. 156 pp. Softcover.

Condition: Gut. XII, 372 Seiten. Mit Exlibris auf Innendeckel. - Einband mit Lichtkante und leicht berieben. Schnitte teils fleckig. Papier dezent gebräunt. - Insgesamt gut erhaltenes Exemplar. gr Gewicht in Gramm: 490 Kl. 8° (15-17,5 cm). Orig.-Halbleinenband. [Hardcover / fest gebunden].

8°. VIII, 375 Seiten. Mit Titelprägung versehener Original-Halbleinenband. Textseiten papierbedingt leicht gebräunt. Innen ansonsten gutes, sauberes Exemplar. Keine Anstreichungen! Kein Besitzervermerk! Keine Stockflecken! Bindung/Buchblock fest! Einband mit leichten Gebrauchsspuren. (Bibliotheca scriptorum Graecorum et Romanorum Teubneriana).

München, C.H. Beck, ( 2002). 159 S. 24 cm. OLn. m. SU. Epinicia. [Carmina, dt.]. - Zweisprachiger Paralleldruck Neugriechisch / Deutsch. - Der griechische Dichter Pindaros (522-445 v. Chr.) hat Chorlyrik überwiegend religiösen Inhalts geschrieben; vollständig erhalten geblieben sind nur die 4 Bücher "Siegeslieder" (Olympische, pythische, nemeische u. isthmische Oden), die den strengen Stil mythischer Dichtung mit der Sprache der sportlichen Wettkämpfe verbinden u. so Spannungsbögen entwerfen, die in der antiken wie in der modernen Lyrik einzigartig sind. - Gutes, sauberes Exemplar.

XII, 376 S. -VORWORT LATEIN; TEXT ALTGRIECHISCH- 0 Gewicht in Gramm: 500 Kl.-8°. Original-Leineneinband, Einband etwas fleckig und bestoßen, Seitenränder gebräunt, insgesamt gut erhalten.

Princeton, 1982. XIV,275 pp. Cloth,d/j.

Dieterich, Leipzig, n.d.(1942). XXXXIX,367p. Bound. Library marks. Series: Sammlung Dieterich, 62.

Heinemann / Harvard University Press, London (.), 1946. XLIV,635,8p. Original green gilt stamped cloth. Lacking dust wrappers. Name stamp on free endpaper. Series: Loeb Classical Library, LCL 56.

Heinemann / Harvard University Press, London (.), 1927. XLIV,635p. Cloth. Gilt edge. Joints partly cracked. Binding tight. Signatures on free endpaper.

Heimeran, München, n.d.(>1967) 571p. Cloth wrps. Dust wrps bit woen and a bit stained. Edges a bit stained. Series: Tusculum.

235 S. Sprache: Deutsch Gewicht in Gramm: 400 8°. Original-Halbleineneinband, Bibliotheksexemplar mit Rückenschild u. transparenter Schutzfolie, Einband fleckig u. gebräunt, etwas berieben und bestoßen, Papier gebräunt, Signaturen u. Stempel (entwidmet) a. Vortitel u. Titelblatt, sonst innen ohne Gebrauchsspuren.

Paris, Les Belles Lettres, (1962/1966/1958/1961). (= Collection des Universités de France). OBrosch. Mischauflage. [1] Olympiques. XXIX S., 159 Doppel-S.; [2] Pythiques. 27 S., Doppel-S. 28-170; [3] Néméennes. 148 Doppel-S. [4] Isthmiques et fragments. 40 S., Doppel-S. 43-237, S. 240-257. - Texte griechisch, mit paralleler französischer Prosa-Übersetzung. - Gering bestoßen, sonst gutes Exemplar.

0. Sprache: Deutschu.

1795 -1810. 1 Bl., 437 S. ; XXXII, 507 S., 2 Bl. Hldr. d. Zt-. (beschabt etwas fl., Rückentitel teilw. verblichen, Rest von alter Rückensignatur) ). Hoffmann III,1 100: ".mit den verbesserten griech. Scholien" Bd. 1 in neuer (unveränderter) Auflage 1810. (erschien zuerst 1792) - (Christian Daniel Beck).

Heimeran, München, n.d.(>1967) 571p. Cloth wrps. Upper edge a bit foxed. Endpapers a bit rust stained. Series: Tusculum.

Trajectum ad Rhenum [Utrecht], Joh. Altheer, 1825. VIII, 227 S., 2 Bl. Blaue Interimsbr. mit gedr. RSchild. Epinicia in Teilausgabe: Olympia II und VI (Gedicht), Pythia I (Gedicht). - Seltene Hochschulschrift: 1825 an der Universität Utrecht verteidigte Diss. - Primärtexte in Altgriechisch, Anmerkungen und Interpretationen in Latein. - Der Philologe Simon Karsten (1802-1864), ein van Heusde-Schüler, lehrte viele Jahre lang griechische Sprachwissenschaft u. Literatur an der Universität Utrecht. Sein wichtigster Beitrag zur klassischen Philologie war seine Agamemnon-Edition mit zahlr. Original-Konjekturen (1855); seine Arbeit über Horaz (1861) wurde auch ins Deutsche übertragen. - Sandys, A history of classical scholarship, S. 281f. - Rücken an 2 kl. Läsuren sichtbar geklebt; Buchblock unbeschnitten u. vereinzelt gering braunfleckig, ca. 20 S. m. Unterstreichungen u. vereinz. Anmerkungen m. Bleistift.

Hardcover. Condition: Fine. 2 volume set, 4 3/4 inches tall. Delightful little set in Regency straight grain morocco with gilt bands, titles and all edges in pristine condition. On the first blank leaf is a neat ink inscription, 'Lawrence Oliphant Octobr. 11th 1816 London.' These superb volumes contain the Victory Odes named after the Olympian, Pythian, Isthmian and Nemean games, in the original Greek. Pindar was one of the great Greek lyrical poets.

Hardcover. Condition: Good. 4 volumes octavo, leather bound in a nineteenth century half dark blue morocco, marbled boards. OLIMPICI- engraved frontispiece, vignette title, (xvi), 297 pages and 14 numbered plates. PIZJ, vignette title, (vii), 343 pages and 12 numbered plates. NEMEI, vignette title, (iv), 259 pages and and 11 numbered plates. SIMJ, vignette title, (iv), 156 pages and 8 numbered plates. IN TOTAL, 4 vignette titles and 45 engraved plates. One page in Pizj with an early marginal note - otherwise a good copy of a scarce work, none found on ABPC but a listing on COPAC and Brunet would indicate it is complete. Almost all Pindar's victory odes are celebrations of triumphs gained by competitors in Panhellenic festivals such as the Olympian Games. The establishment of these athletic and musical festivals was among the greatest achievements of the Greek aristocracies. Even in the 5th century, when there was an increased tendency towards professionalism, they were predominantly aristocratic assemblies, reflecting the expense and leisure needed to attend such events either as a competitor or spectator. Attendance was an opportunity for display and self-promotion, and the prestige of victory, requiring commitment in time and/or wealth, went far beyond anything that accrues to athletic victories today, even in spite of the modern preoccupation with sport.] Pindar's odes capture something of the prestige and the aristocratic grandeur of the moment of victory. THE OLYMPIC GAMES.

Hardcover. 4to. (6) lvs., 458 pp., (9) lvs. Repeated printer s device on title and last leaf verso. Contemporary blind-stamped calf (spine new, 2 corners restored), ties new. Second Latin edition on Pindar s poems (first: 1528), the first one with commentary. Only a small portion of the complete works of Pindar (522 or 518 - ca. 440 B.C.), born in the vicinity of Thebes, has been handed down; most of this deals with songs of praise dedicated to the winners of contests at Olympia, Delphi, at Isthmos and in Nemea. These were often written on commission for aristocrats across the entire Greek-speaking world of the time, including Sicily. Pindar's works were highly regarded in the literature of Rome (e.g. Horace) and admired in England (Milton), France (Boileau) and also in Germany, especially amongst the so-called Romantics (e.g. A. v. Platen); contemporary to this many of his works were translated into German (Humboldt, Hölderlin). Johannes Lonicer (c. 1497 - 1569) entered - like Luther - the order of Augustine early in life, studied in Erfurt and Witttenberg and fell, the more he came under the influence of Luther's teachings, more and more into conflict with the official church doctrines. After periods in Esslingen, Freiburg and Straßburg, where he worked for various publishers as copy editor, he was awarded a teaching chair at Marburg, initially for Greek, later theology. The embossing of the binding is identical on both sides: several different individual stamps within a rhombus-shaped grid: fan-like leafwork , a wanderer supporting himself on a staff and lilies; the half fields at the edges are filled with a beetle stamp surrounded by square frame. The stamps of the wanderer and the beetle stamp are barely mentioned in the literature. The binding could have originated in the Rhine or lower Rhine areas. The flyleaf and endpapers are parchment. Title has larger piece missing at the side (recto small amount, verso minimal text loss) which has been reinforced, edge and fold strengthening, one worm hole also repaired. Additionally several handwritten entries on title, two of which indicate church censorship: one that the author had been sentenced but that he had been reinstated; the second mentions Father Paulus Keuth who had corrected the book according to the Index of Forbidden Books (one can see with what skepticism even an innocent work of the Luther supporter Johannes Lonicer was held in catholic circles, a series of whose polemic pamphlets landed in the Index); a third entry (from the 17th century) mentions the Convent of the Birgitten Nunnery in Cologne as owner. Within the title the name of the translator has been thinly underlined and the words "& illustrior" have been crossed out. Front joint broken, last leaf of gathering reinforced. Both endpapers show old library entries. Light browning throughout, some water staining; some rubrication in red and blue. Page 261 has two lines crossed out (in the hand of the "Corrector" named on title page?). VD 16 P 2798; Hoffmann III, 104; Schweiger I, 238; Hieronymus / GG 210; Adams P 1234; BMSTC (German Books) 697.

Artemis & Winkler, München, 1992. 415p. Original blue cloth with dust wrps. Dust wrps a bit worn. Light pencil markings and underlinings. Series: Tusculum. Greek - German text. From the library of the late Professor Doktor Nikolaus Himmelmann.

0. Sprache: Deutschu.

Hardcover. Condition: Gut. Vorsatzblatt mit Namenszug - ansonsten sauberes und wohlerhaltenes Exemplar. Ohne Jahresangabe - um 1877. Halbleineneinband (zwischenzeitlich neu eingebunden) mit goldgeprägtem Rückentitel. 247 Seiten. 168 Gramm. 14x10cm. Altgriechisch. »Praefatio« und »Notae Criticae« in lateinischer Sprache. VII, 240 Seiten.

Propyläen Verlag, Berlin, 1923. XI,238p. Half leather. Spine gilt titled. Leather gilt ornamented. Edges publiher's stained. Nice copy.

Hardcover. Condition: Near Fine. Edition of the works of the ancient Greek poet Pinar in Greek language. Surviving odes of Pindar regarding the Olympian (Olympus), Pythian (Delphi), Nemean (nemea Poloponnesos) and Isthmian (Corinth, Isthmus of Corinth) games. The latin title indicates that the text was carefully edited according to the best available manuscripts.[NL] Deze editie presenteert in het Grieks de overgeleverde oden van Pindarus, waaronder de Olympische, Pythische, Nemeïsche en Isthmische spelen. Gedichten in het Oudgrieks. De Latijnse titel geeft aan dat de tekst nauwkeurig is bewerkt op basis van de beste beschikbare manuscripten ("ad optimorum librorum fidem accurate edita"). Rijkelijk geannoteerd in oud handschrift door onbekende auteur. Een epinikion (Oudgrieks: ?????????) was in de oud-Griekse poëzie een overwinningslied (of 'zegezang'). Pindarus was literair actief tussen 498-446 voor Christus. Bekendste vertegenwoordiger van het genre overwinningsliederen, gedichten voor succesvolle atleten. De gedichten gaan over de zege zelf en over de aristrocratische waarden die ermee samen hangen. Pindarus gebruikt mythologische verhalen om de zege een extra dimensie te geven. (bron: ancientolympics.arts.kuleuven.be). .

Parker / Deighton, London / Cambridge, 1841. LXVII,559p. Half leather binding. Leather scratched and damaged. Amateurishly repaired with black tape. Some pencil markings and annotations. Small personal library mark on tail spine and free endpaper. Name on free endpaper. From the library of the late Sir Kenneth James Dover.

Leiden, Boston & Köln, Brill, 1999. XII,721 pp. Orig. hardcover (blind stamped light gray cloth with gilt lettering), d./j. 8vo. - Dust jacket with very light shelfwear; cover with a light waterstain at the bottom (not affecting the pages !). (Mnemosyne, Supplementum, Vol. 197). [ISBN: 978-90-04-11381-7]. - Despite the light water stain on the binding, overall a neat copy. A study of three epinicia of Pindar, which have in common that they celebrate victories of Aeginetan athletes and that they respond to the contemporary political situation in Aegina and to circumstances of the victory. The primary objective of this book is to provide an interpretation of each of the three odes as meaningful, coherent works of the literary art. For each ode, it provides a commentary in which problems of text and interpretation are discussed in detail, a structural and metrical analysis, and an interpretative essay, in which the observations of detail are brought together in order to provide an answer to the question as to how the ode at hand could have functioned as a coherent, meaningful epinicion. The introduction addresses questions of method and provides a description of Pindar's style. - Sold out at the publisher. The publisher's official new price was 393,--.

Londini, Sumtibus & W.B.Whittaker, 1824. 3 vols. L,537,VII,192,518 pp. Gilt-tooled & raised half leather. - spine-ends damaged. Stamp on title-pages and first endpaper.

Leipzig, Weigel, 1811. 4to. Rebacked with cloth, old marbled covers. XL,205,(6),582 pp. a. 1 large folded table. A stamp on foot of titlepage. Internally clean, wide-margined and on good paper. A second volume apperaed in 1822. "No man ever set to work more thoroughly and in earnest than did Boeckhius in the task here under consideration" (Dibdin p. 293.).