Flos, First Edition (26 results)

First Edition. Very good paperback copy; edges somewhat slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 158p. : ill. ; 18cm. Subjects; Cooking. International cooking. Food Recipes 1 Kg.

First Edition. Very good paperback copy; edges somewhat slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 158p. : ill. ; 18cm. Subjects; Cooking. International cooking. Food Recipes 1 Kg.

Softcover. Condition: Very Good Plus. First Edition. [ART]. Flo Kasearu, Rael Artel, Maria Lind, Jurriaan Benschop, Binna Choi, Joanna Sokolowska, et al. "Flo's Book: Almost Every Work by Flo Kasearu from 2006 until 2016 Presented in Three Chapters." Tallinn, Estonia: Lugemik. Printed in the EU by Tallinn Book Printers, 2017. First edition. English language. Softcover with pictorial wrappers. Art criticism texts with full-color reproductions of artwork, list of exhibitions, and and artist interview. 13 x 9 1/2 inches. 30 oz. 236 pp. Shelf-wear on wrappers and rubbing on spine. Light toning. Text clean. Very Good Plus. ISBN: 9789949993468. "This is Flo?s Book. It includes almost every work by Flo Kasearu from 2006 until 2016, presented in three chapters. Chapter one covers her solo practice, chapter two introduces collaborations in a broad range of media, and the last chapter is all about Flo Kasearu House Museum. It has taken almost ten years to make this book. Flo was born in the Soviet Union but grew up in Estonia. She lives and works in Tallinn, and since 2014 is the director of Flo Kasearu House Museum. The nature of Flo?s work is seasonal and explorative. Flo does not favour a particular theme or medium. She is interested in grass-roots activity, national identity, domestic issues, vertical versus horizontal relationships, and monumentality versus instability in private and public space. Flo values irony more than aesthetics. Texts by Rael Artel, Jurriaan Benschop, Binna Choi, Maria Lind, Joanna Soko?owska.

First edition. Size: Folio. [ii], 38pp. Publisher's printed wrappers. Dedicated to Lionel Tertis (1876-1975).

Hardcover. Condition: Near Fine. 1st Edition. Near fine in hardcover with slipcase.

Primera edición. Buen estado, en general. ANTES DE HACER EL PEDIDO, DEBE INFORMARSE ACERCA DE LOS GASTOS DE ENVÍO HACIENDO CLIC EN EL ENLACE QUE ACOMPAÑA A ESTA FICHA, YA QUE ÉSTOS VARÍAN EN FUNCIÓN DEL PESO DE LOS LIBROS, LA MODALIDAD DE ENVÍO (ORDINARIO, CERTIFICADO O MENSAJERÍA), EL DESTINO Y LA FORMA DE PAGO (TARJETA, TRANSFERENCIA O CONTRA REEMBOLSO). Size: 173 Pp. 15x11,5.

Soft cover. Condition: Very Good. 1st Edition. First edition. Folio (34 x 26cm). 54 pp. Publisher's sewn tan wrappers, detached from music and backstrip mostly lost, gatherings still holding together. Otherwise rather creased. Some foxing to title and first few leaves.

Hardcover. Condition: As New. No Jacket. 1st Edition. Published In 2014 : New Edition : IRIS EKTYMOZEIZ A.E.B.E. KOPWNI ATTIK'NS Publishing Greece : PLEASE NOTE ! The Text Of This Graphic Novel Is In Greek , NOT ENGLISH : Very Large Format : Quite A Rare Edition In The UK : This Copy Is Right At The Top Of Like New : Just Light To Faint Face Rubbing To The Covers + A Small Amount Of Very Light Bumps To The Bottom Left Hand Corner Of The Back Cover : Otherwise , As New Throughout : Still Reasonably Crisp & Tight , With No Inscriptions : Good Solid Binding With Bright Clear Text & Illustrations : Overall , A Very Nice Book :

Rústica. Condition: Bueno. 1ª ed. 16x23.5. 315pp. 2h. Rústica. Muy buen ejemplar. .

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. Buenos Aires, Instituto Cultural Joaquín V. González, 1937. Sin paginar. EJEMPLAR ESPECIAL DE LA TIRADA DE CABECERA DE 25 IMPRESOS EN PAPEL HILO TRANSANDINO (Ejemplar Nº 11/25). Rústica. Primera edición. Buen estado. Formato: 8,5 x 10,7 cm.

Hard Cover. 1st Ed. 31 x 24 cm., 38 pp. nd ca 1928. In a library binding of blue cloth with gilt lettering on the spine. CONDITION. VG+. A clean tight copy. Library class mark on front cover, label remains and stamps on front end papers, and stamps verso title page. Ex-Library.

4°, 61 S., 1 Bl. mit farbigen Tafeln, Orig.-Pappband. Erste Ausgabe.- Erschienen anläßlich der Ausstellungen im Kunstverein Oldenburg vom 12. Sept. bis 31. Okt. 1999; im Kunstverein Ruhr, Essen vom 31. Okt. bis 23. Dez. 1999 und im Stedelijk Museum Het Domein, Sittard vom 22. Jan. bis 26. März 2000.- Gutes Exemplar.

hardcover. Condition: New. 1st.

Brossura. Condition: ottimo. senza sovraccoperta. prima edizione. Formato in 8°; 627 pagine. Brossura editoriale con cofanetto cartonato di custodia. Interno fresco e ben conservato. Con 47 Illustrazioni in bianco e nero tratte da antiche xilografie. Edizione fuori commercio numerata. Sommario "Presentazione - Sintesi storica della Scuola Salernitana; Parte Prima : Igiene, Parte Seconda: Materia Medica, Parte Terza : Anatomia, Parte Quarta: Fisiologia, Parte Quinta: Etiologia, Parte Sesta: Semiotica, Parte Settima: Patologia, Parte Ottava: Terapeutica, Parte Nona: Nosologia, Parte Decima: dell'Arte.

Couverture souple. Condition: Très bon. Edition originale. dt modèle Aeto.

Couverture souple. Condition: Très bon. Edition originale. dt modèle Tango.

Condition: Very Good. First edition. Hardback. Light bumping to corners, otherwise near fine in a slightly used and worn, very good, rare dust jacket.

Condition: New. 2024. 1st Edition. hardcover. . . . . .

Hardcover. Condition: Good. 1st Edition. In Latin. Pomey, François-Antoine (1618-167. In-12, IV-452 p. Leather bidning but it has been left under bad conditions. It needs some pressing! but still an interesting book considering that it is a product of the XVII century in Lyon, France. Ex Libris by a noble british lord.

Condition: New. 2021. 1st Edition. paperback. . . . . .

XVI-76pp. Con láminas. 1ª edición.

Condition: Fine. This beautiful botanical mezzotint is from Johann Weinmann's Duidelyke Vertoning, Eeniger Duizend in alle vier waerelds deelen wassende Bomen, Stammen, Kruiden, Bloemen, Vrugten, en Uitwassen, [German title:] Phythanthoza Iconographia, oder eigentliche Vorstellung etlicher Tausend so wohl einheimisch-als ausländischer aus allen vier Welt-Theilen, in Verlauf vieler Jahr mit unermüdetem Fleisz. Pflanzen, Baüme, Stauden, Kraüter, Blumen, Früchte und Schwämme. This was the first Dutch edition published in Amsterdam between 1739 and 1748 by Zacharias Romberg.The work contained 1,025 mezzotint engravings, printed in color with the finished color applied by hand. "The copperplates (â¦) were printed according to Johannes Teyler's invention, patented 1688; they are engraved in combination with mezzotint printed in colour and finished by hand" (Landwehr 212).It was the first published work to include engravings by the greatest botanical artist of the eighteenth century-- Georg Dionysus Ehret. It provided one of the most comprehensive botanical references of the 18th century. It also included work from B. Seuter, J.E. Ridinger, J.J. Haid, N. Asamin, & others.Based on Weinmann's collection of plants, and financed by him, this is the first complete edition of what amounts to a comprehensive iconography of all the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs.Weinmann (1683-1741), an apothecary from Regensburg, was the organiser of this huge undertaking, but the work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs.Many plates are 'of particular interest on account of the colour printing, especially the plates of Aloes and Cactus depicted in pots of different designs, and the folding plates of gourds' (Dunthorne). 'The mezzotint process used [in the present work]. had been invented by Johann Teyler in the Netherlands around 1688. As practised here by Bartholomaeus Seuter (1678-1754) and Johann Elias Ridinger (1698-1767), it was really a combination of etching and mezzotint, which made possible delicate lines and a very fine grain. The addition of hand-tinting brought about unusual and subtle effects. Some of the best work was done in later volumes by Johann Jakob Haid (1704-1767).' (Hunt)Provenance: Library of Dr. Michael D. Paul of St. Johnâs, Newfoundland --- The work is in very good to excellent condition. The work occasionally exhibits some paint smudging from the nature of the printing and coloring process. There may be a few minor marks or imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 9 1/2" by 15 3/4".

Technic: Copper print, colorit: colored, condition: Right margin some restorations, size (in cm): 45 x 38 cm, Plate 253 shows three splendid depictions of bearded carnations (lat. Dianthus barbatus, old German scarlet flowers from the genus Caryophyllaceae). The carnations (Caryophyllaceae) are a family in the order of the carnations (Caryophyllales) within the angiosperms (Magnoliopsida). They are mostly herbaceous plants with opposite, entire and sessile leaves and characteristic forked branching. The flowers are usually radially symmetrical and hermaphrodite, the fruits are mostly capsules. They occur worldwide in all climatic zones. Most of their approximately 2200 species are found with a Holarctic distribution in the temperate latitudes of the northern hemisphere. Varieties of many species are used as ornamental plants. In 1613, the first edition of the magnificent work Hortus Eystettensis was published, produced by the pharmacist, botanist, collector, engraver and publisher Basilius Besler from Nuremberg. Anniversary of the first edition! Published in Hortus Eystettensis in Eichstaett & Nuernberg.

From the first edition of around 300 copies: a wonderful life-size botanical print of a sunflower from Basilius Besler's epic work, the Hortus Eystettensis. Besler was a Nuremberg apothecary, commissioned in 1600 by Konrad, the Bishop Prince of Eich58179 statt, to engrave the contents of his extensive gardens. The resulting 374 plates (illustrating more than 1,000 flowers), were arranged according to the yearly seasons. When the book was first published in 1613, it was the largest book ever printed, and the scarce, coloured versions of the prints sold for ten times the price of those sold in black and white. Besler worked on the drawings for almost sixteen years, supervising a team of at least six engravers. The impressive size and scope of these elaborately produced copper engravings certainly make the Hortus Eystettensis one of the most ambitious and stunning botanical publications in the entire history of botanical illustration. Abrams p.317 Copperplate engraving with later hand colour on handmade laid paper. Plate size 49 x 39 cm. Sheet size: 58 x 46 cm. Framed size: 89 x 80 cm.

8vo. 248 pp. With printer's device on reverse of title page. 18th-century vellum. First Armenian edition of this devotional work, translated into Armenian in 1671 by the grammarian John of Constantinople (1635-91). - Insignificant browning; old shelfmarks to title and half-title (some ink bleeding). Of the utmost rarity. - Nersessian 44. Kevorkian 177. Hakob Meghapart 94. OCLC 490245621 (only two copies, both in France).

Couverture souple. Condition: Très bon. Edition originale. Poster 3 volets.